A notorious outlaw befriends a young girl while hiding out in a Mormon wagon train headed for Utah.A notorious outlaw befriends a young girl while hiding out in a Mormon wagon train headed for Utah.A notorious outlaw befriends a young girl while hiding out in a Mormon wagon train headed for Utah.
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- Stars
- Corporal Finch
- (uncredited)
- Col. Cartright
- (uncredited)
- Gang Member
- (uncredited)
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Featured reviews
While undercover, "Bad" Bascomb's heart is stolen by pure love and trust from an 8 year old girl who l-o-v-e-s him without reservation and in spite of his coarseness and even cruelty.
The transformation is amazing to watch. Beery and O'Brien steal every scene and leave you anxious for their next one. Their banter is at times hilarious yet still remains poignant.
I understand the criticism of some of the action sequences. They seem hurried if not careless. The scene of the wagon train crossing the river, however, is excellent. This is a low budget programmer so I refuse to criticize a lot of the technical short comings. As is true of most of these low budget films, this one is elevated by the performances of unmatched character actors like Marjorie Maine, J. Carroll Naish, and Sarah Haden. In the end though, Wallace Beery and Margaret O'Brien will steal your heart forever.
In Bad Bascomb, Beery is hilarious. He spits as many mouthfuls of funny dialogue as he spits his food. He also shows himself to have been a far better actor than he's remembered for as he emotes menace, sweetness, redemption and morosity with his craggy mug as good as any actor of his day. I defy anyone to dislike Beery in this film.
The movie itself is at times unbalanced...moves between a children's film and a more conventional western, with all its back shooting nastiness, a little unseamlessly. But it was all shot outdoors on location and as Wagon Train movies go, this one has a fairly authentic look to it.
Maybe not a great western, but it's great fun to watch Beery and Margaret O'Brien play off each other. The kind of sweetness reminiscent of Edmund Gwenn and Natalie Wood in Miracle in the 34th Street. One of Beery's must see roles. Well worth your time if you come across it on TCM.
O'Brien was simply the cutest child actor in cinema history. And not only did she instinctively know how to act but she worked hard to master accents for her roles and she took direction very well. In "Bad Bascomb" Simon had her turn up the cuteness meter even higher than when she played Lady Jessica opposite Robert Young and Charles Laughton in "The Canterville Ghost". He knew exactly what he was doing because Beery's gruff and blustery performance balances it out quite nicely. Their scenes mostly involve her setting him up to deliver a series of absolutely priceless lines.
The story (which is almost irrelevant) begins with Beery's title character being thwarted when his gang attempts a bank robbery. Bascomb and his sidekick Bart Yancy (J. Carol Nash) escape and attempt to leave the area with a Mormon wagon train heading for Utah. They discover gold hidden on the train and Yancy enlists a band of Indians to attack the wagons. This results in another of those silly ride-around-the-circled-wagons Hollywood Indian attacks and some additional action as Beery rides to a nearby fort so the cavalry can come and save the day.
Like "Angel and The Badman" (made just a year later), the outlaw Beery is gradually won over by the loving girl although in this case it taps into fatherly rather than romantic love.
The day-to-day journey of the wagon train is done very well but the larger scale action sequences are rather lame. Beery has an "obvious" double for the horse riding scenes and almost everything that involves physical movement. Nash's character is a bit discordant, as Yancy has a lot of nice guy moments that simply don't fit with what is supposed to be his true nature. And there is a "Shane" ending that probably should have been reworked. I suspect that the producers were trying to target two very different audiences with this film and ended up hurting its basic unity.
But ultimately these defects don't really matter because of the slick performances of O'Brien, Beery, and Main. It's sentimental and contrived but it works.
Then again, what do I know? I'm only a child.
For More Fun between Beery and Main I recommend Jackass Mail 1942 & Wyoming 1940. For You Margaret O'Brien fans one movie you must see is Our Vines Have Tender Grapes.
Did you know
- TriviaAccording to page 70 of "Notes For A Memoir", Janet Jeppson, second wife of Isaac Asimov, describes how she was acting as an extra in this movie on August 14, 1945, when Wallace Beery came out of his trailer to tell everyone on site that World War II had been declared over.
- GoofsBascomb said that he didn't want anything to do with marriage. But in one scene with Margaret O'Brien one can see Beery's wedding ring.
- Quotes
Zeb Bascomb: [after finding Emmy alone outside of camp] Why, Emmy.
Emmy: Go away, Zeke. Don't you dare touch me.
Zeb Bascomb: How do you know it's Zeke, honey? Why, you ain't even looked.
Emmy: I don't want to look. I don't want to ever see you. I just want to die.
Zeb Bascomb: That ain't no nice way to talk after all the trouble I had finding you. What made you skip out?
[He leans down to touch her]
Emmy: [Emmy turns with a shotgun] I'll shoot!
Zeb Bascomb: Well, I guess, ain't no use in asking for mercy once a woman's got her mind made up. I did think you had more feeling for me though.
Emmy: You said I was stealing and it ain't true.
Zeb Bascomb: Well, I know. I was wrong, I'm sorry.
Emmy: You were going to give me a belt in the snoot.
Zeb Bascomb: Well, I thought you knew that I was just testin' ya.
Emmy: What's testin'?
Zeb Bascomb: Seein' if you love me.
Emmy: Were you testin' when you pushed me and said you wanted me to catch the measles?
Zeb Bascomb: That is my number one test. Measles couldn't even light on you, you're too wiggly.
Emmy: You care for anybody special, Zeke?
Zeb Bascomb: What difference does it make? I ain't got long to live anyway.
Emmy: Maybe I won't shoot ya.
Zeb Bascomb: Well, what you got to do, you got to do.
Emmy: I don't know how to work this very good anyway.
[Hands him the shotgun]
Zeb Bascomb: You sure could have fooled me, alright.
Emmy: Would you have took the ring if grandma had give it to ya?
Zeb Bascomb: Why should I?
Emmy: She likes you. Why do you play cruel all the time?
Zeb Bascomb: Oh, why do you poison gophers?
Emmy: Will you marry her?
Zeb Bascomb: Now I know you're sick.
Emmy: Just sort of look after her. I may not always be around.
Zeb Bascomb: Yes, yes, you... You are gettin' mighty old. Mighty old. I kind of thought though that you was waiting for me.
Emmy: You wouldn't want a wart.
Zeb Bascomb: Didn't you know that I meant just the opposite?
Emmy: What's the opposite to a wart?
Zeb Bascomb: The op... It's a dimple, a pretty little dimple.
Emmy: A dimple?
Zeb Bascomb: Mm-hmm.
Emmy: You mean I'm a dimple?
Zeb Bascomb: That's right.
Emmy: I like that.
Zeb Bascomb: Sure.
- ConnectionsFeatured in Private Screenings: Child Stars (2006)
Details
Box office
- Budget
- $1,833,000 (estimated)
- Runtime1 hour 52 minutes
- Color
- Aspect ratio
- 1.37 : 1