Le masque aux yeux verts

Judging by the IMDb ratings breakdown for this film, sixty years after its production it remains very much "a women's movie" with female opinion rating it vastly higher than the male across every age group; fascinating to see how the divide still lingers! For my own part, I've always enjoyed the Gainsborough melodramas, and this is probably the best of them thanks to its wonderfully acerbic script.

This style of film is basically the screen equivalent of the classic paperback 'bodice-ripper', with heaving bosoms, witty ripostes and dastardly deeds a-plenty -- which probably accounts for the sex divide. On the other hand, I'd have thought it had a good deal to appeal to the average male viewer... Frankly, I'm not surprised that this picture fell foul of the American censors (a fate shared with various other dramas set in morally dubious eras) in the 1940s: it's not just a matter of the amount of cleavage on display or of the protagonist's flagrantly shocking morals (since these are rewarded in appropriate fashion), but of the racy tinge to a lot of the dialogue.

I think it's the dialogue that makes this film really shine. Where "The Man in Grey" has a tendency to moralise or lumber, "The Wicked Lady" has a sparkling streak of humour almost throughout; watching it in the cinema, you realise for the first time just how many laughs there are as they sweep across the audience. But it also benefits from a galaxy of strong female stars, from the minor parts to the two leading roles: Patricia Roc pulls off the difficult trick of making her gentle, idealistic character both sympathetic and believable when faced with the formidable opposition of Margaret Lockwood's beautiful, amoral Barbara. Barbara as anti-heroine almost takes over the film, and manages to attract our sympathies to the extent that we find ourselves willing her deception of old Hogarth to succeed -- but ultimately she goes too far. Too far for Jerry Jackson, and too far for this viewer at least to feel anything but vicarious satisfaction as her 'bittersweet' ending turns entirely bitter. The Wicked Lady is bad -- bad to the bone.

My main gripe with the film, ironically, is with the happy outcome as shown, after the high emotions and dark ironies that have led up to the finale. I don't hold any grudge against the lovers at all -- it's obvious that all is going to turn out well once the truth is out in the open, and I'm all in favour of their union -- but the way that it is heavy-handedly interjected into the final frames of the picture creates a virtually bathetic anti-climax. That particular outcome really might have been taken for granted, rather than pasted on thickly at precisely the wrong moment...

This Gainsborough Picture costume drama stars Margaret Lockwood and James Mason with Lockwood playing the title role of The Wicked Lady. If you think this film bear resemblance to Forever Amber you'd be right. But Amber St.Clair is a Girl Scout next to the beautiful and treacherous Lockwood as Barbara Worth.

It all starts with Lockwood coming to live with Roc who is about to be married to the propertied and nice, but rather dull Griffith Jones. Lockwood sees security there and when she sets her cap for Jones he and Roc don't have a prayer.

But after that this minx craves excitement that Jones who is not just a landed squire, but concerned with social issues and ahead of his time that way. Lockwood after losing a precious ruby at cards then impersonates notorious highwayman James Mason and steals it back. Mason catches her and he should have obeyed his first impulse to kill her. But Lockwood uses her charms on him and the dashing Dick Turpin like highwayman is also hooked.

This film really belongs to Lockwood. I've not seen too many people as amoral as Lockwood on the screen. Beautiful and deadly this woman is the equal of other amoral females such as Jane Greer in Out Of The Past and Anne Baxter in All About Eve. Four men who trusted her meet death at her hands.

James Mason also deserves a mention. He's got quite the swagger in him as highwayman Jerry Jackson. Sad in terms of acting is competing with Lockwood who gets the woman's role of a lifetime, but he more than holds his own.

If you like Gainsborough's English costume dramas you'll love The Wicked Woman.

The British cinema in the 1940s was often characterised by excessive emotional restraint, "Brief Encounter" being a good example. Although it deals with an adulterous love affair, it does so in such a stiff- upper-lip way as to dissipate the emotional impact which it might otherwise have had. Gainsborough Pictures, however, were a studio which seemed to go to the opposite extreme; their films are frequently notable not for restraint but for full-blooded melodrama. "The Madonna of the Seven Moons" from 1944 is one such film, and "The Wicked Lady" from the following year is another.

The film is based on a novel by Magdalen King-Hall, which in turn was based upon the life of a real historical individual, Lady Katherine Ferrers. Or perhaps I should say upon the legends which have grown up around Lady Katherine, as there is no evidence that she was actually guilty of the crimes which the popular imagination has attributed to her. The "Wicked Lady" of the title is here renamed Barbara Skelton. It has been suggested that the name was borrowed from the socialite and writer of the same name, but this seems doubtful as the real-life Barbara Skelton was not a particularly well-known figure when King- Hall's novel was published.

Lady Katherine died in 1660, but the story of this film is set in the 1680s. In the opening scenes Barbara seduces and subsequently marries Sir Ralph Skelton, the fiancé of her friend Caroline. Although Sir Ralph is a wealthy landowner, however, Barbara quickly becomes bored with life as the wife of a country gentleman. Her solution to the problem of boredom, however, is a rather extreme one. A notorious highwayman named Captain Jerry Jackson is operating in the area, and this gives Barbara the idea of taking up highway robbery herself, at first to recover her gambling losses but later on simply for the sake of excitement. Eventually, Barbara meets the real Jackson when both try to hold up the same coach. Intrigued by the fact that his rival is a beautiful woman, Jackson takes Barbara as his partner, and the two become lovers.

Margaret Lockwood has been described as the only sex symbol to have been created by the British cinema alone, without any help from Hollywood. (Most other British sex symbols, such as Jean Simmonds, Audrey Hepburn, Joan Collins and even Diana Dors, eventually moved to America). "The Wicked Lady" is probably the film by which she is best remembered today, and she gives a splendid performance here, both seductive and at the same time detestable. By modern standards her acting is a long way over the top, but period melodrama like this does not really call for naturalistic acting. Lovely though Margaret was, however, she has a rival for the title of "most beautiful girl in the film" in the shape of Patricia Roc who plays the naïve young Caroline. (Roc was actually 30 when the film was made, but had the sweetly innocent looks to enable her to play a 19-year-old).

James Mason is not normally thought of as a "swashbuckling" actor so might not have seemed the most natural choice to play a dashing highwayman. And yet he is very good in the role, bringing to it not only great charm but also some of the world-weariness which characterised a number of his performances. Jackson knows that his career is likely to end in his death, yet fatalistically accepts this probability. He also retains a certain sense of honour- he is, for example, very unwilling to kill those whom he robs- unlike Barbara who is completely amoral and ruthless. There is also a good contribution from Griffith Jones as Ralph, a total fool where Barbara is concerned but otherwise decent and honourable.

This was the most popular film in Britain in 1946. (It was released in 1945, but these were the days when only a limited number of prints were made, so it could take months for a film to be shown in all parts of the country). In America, however, it fell foul of the censors. What upset the Hays Office was not the fact that Barbara is guilty of adultery, robbery and murder. They were far more upset by the low-cut dresses worn by Barbara, Caroline and some of the other female characters, even though these would have been appropriate to the period. Eventually, a bowdlerised version, with several scenes re-shot, was released in America.

Today, Gainsborough melodramas like this one can come across as very dated and more than a little camp, with their exaggerated emotion and exaggeratedly black-and-white view of the world, represented here by the contrast between the evil Barbara and the saintly Caroline. Yet, for all its faults, Lockwood is spellbinding enough to make "The Wicked Lady" compulsive viewing. 7/10

The mid 40s were definitely the richest years for Gainsborough films - Madonna Of The Seven Moons, Love Story, Caravan, The Magic Bow, Millions Like Us, 2000 Women, The Man In Grey, Fanny By Gaslight, and the enticingly thrilling Wicked Lady. Of the main six Gainsborough players, four grace the screen in this latest - Lockwood, Mason, Roc and Kent (Calvert and Granger sitting out). Let's talk about Miss Jean Kent for a moment. Not the main character in The Wicked Lady, but her small part as Jackson's "Doxy" was integral to the plot and to Barbara's actions. Since I've seen the movie, I've noticed a fair bit of dispute over Kent's billing. On the box for the video, she was billed 5th - not bad! At this site, she's last. At the beginning of the movie, she was 8th, and at the end of the movie in the "full" credits list, she didn't even get a mention. Perhaps she was so highly billed on the box just because she *was* Jean Kent, and if some unknown girl had played her part, they would have remained in obscurity forever. The part of Doxy is not dissimilar to her Vittoria from Madonna Of The Seven Moons - the "other woman", the lover of the male lead, who eventually drives the female lead to murder. Though Barbara (Wicked Lady) was obviously a lot more jealous of Kent's charms than Rosanna (Seven Moons) was, and Rosanna's murder was because she thought her Nino was with another woman that wasn't her or Vittoria.

But I digress. The Wicked Lady is a fantastic movie, and it's understandable how it was the highest grosser of the above mentioned. Margaret Lockwood is purely wicked, not even loveable, as Barbara, but she's thoroughly exciting and if you don't hate her you at least have to admire her spunk. 30 year old Patricia Roc is perfectly cast as 19 year old Caroline, all sweetness and innocence, trying to believe for as long as possible that her cousin Barbara is the nice, friendly playmate she had as a child. Barbara comes to visit at the time of Caroline's impending wedding, and it's not long before she's stolen the fiancee and married him herself. And that isn't the worst that the Lady Skelton does - not by a long shot!

I read in Miss Lockwood's autobiography that they had to reshoot the entire film a year later with the only change being higher necklines because their low-cut dresses were deemed far too inappropriate for the censors to allow them an American release. After seeing the original version of the movie, I can see why a few old stuffies might have been a bit shocked - the entire movie absolutely sizzles, and the abundance of cleavage doesn't help cool it down. And that's another reason why I give this 10/10 - it's just too darn HOT! ;-)

"The Wicked Lady" is a fabulous old film and is well worth seeing. I especially appreciate the writing, as the characters of Barbara is consistent and thoroughly captivating from start to finish.

Margaret Lockwood stars as Barbara, a woman who is truly evil. When her best friend is about to marry a rich and handsome man, Barbara maneuvers to steal him away from her. While this is very nasty, the vileness of Barbara soon becomes apparent. She cannot take being bored and country life can be dull. On a lark after losing a bet, she decides to pose as a highway man and steals back her jewels. And, in the process, she finds that it's exciting and fits the bill, for now, for adventure. She also discovers a new lover, a famous thief named Captain Jack (James Mason)...but even an affair with him isn't enough and he need for evil and excitement is only just begun! By the end of the film, she's murdered several and committed countless crimes...and hasn't learned a single thing from her experiences!

I have a different perspective about this film than the average person because I am a trained psychotherapist. When I saw "The Wicked Lady" I quickly realized that the writers created a fabulous portrait of what would today be labeled a Borderline Personality with strong Antisocial features. And, unlike many films of the era that try to write in a ridiculous conversion experience (where the evil person will inexplicably see the light!), they did NOT do this and remained consistent with her character. Overall, a magnificent film with a lot to commend it....excellent writing, acting and direction.