A scientist who is working on a cure for influenza is victimized by his unscrupulous boss, who releases the vaccine before it's ready, resulting in tragedy.A scientist who is working on a cure for influenza is victimized by his unscrupulous boss, who releases the vaccine before it's ready, resulting in tragedy.A scientist who is working on a cure for influenza is victimized by his unscrupulous boss, who releases the vaccine before it's ready, resulting in tragedy.
Lon Chaney Jr.
- Jeff Carter
- (as Lon Chaney)
Gregory Marshall
- Tommy Carter
- (as Gregory Muradian)
Wheaton Chambers
- Mr. Reed
- (uncredited)
William Desmond
- Peanut Vendor
- (uncredited)
Jody Gilbert
- Mrs. Todd
- (uncredited)
Leyland Hodgson
- Jason - Graham's Butler
- (uncredited)
David Hoffman
- The Spirit of the Inner Sanctum
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Idealistic chemist Jeff Carter (Lon Chaney Jr.) has all his boss Roger Graham (J. Carrol Naish) take credit for all his discoveries. He doesn't care about the credit--he just wants to help humanity. But when Graham releases a drug that Carter discovered without Carter's approval tragedy results.
Easily one of the best "Inner Sanctum" films. It's basically a remake of a 1934 Claude Rains' film called "The Man Who Reclaimed His Head". The original is better but this isn't bad. It's interesting to see Chaney playing a sympathetic, cheerful guy for once and doing a pretty good job. Naish is (as always) very good playing the evil boss. And Brenda Joyce has her moments as Chaney's wife. And it's fun to see Lloyd Bridges in an early role.
This film really doesn't belong with the "Inner Sanctum" series--it's more of a drama until the very end. The film was low budget but looks just great--I assume they were shooting on sets of other movies. This was unavailable from the late 1940s to the early 1990s because of legal rights---but now it's out there and worth seeing. I give it a 6.
No great shakes but not bad at all.
Easily one of the best "Inner Sanctum" films. It's basically a remake of a 1934 Claude Rains' film called "The Man Who Reclaimed His Head". The original is better but this isn't bad. It's interesting to see Chaney playing a sympathetic, cheerful guy for once and doing a pretty good job. Naish is (as always) very good playing the evil boss. And Brenda Joyce has her moments as Chaney's wife. And it's fun to see Lloyd Bridges in an early role.
This film really doesn't belong with the "Inner Sanctum" series--it's more of a drama until the very end. The film was low budget but looks just great--I assume they were shooting on sets of other movies. This was unavailable from the late 1940s to the early 1990s because of legal rights---but now it's out there and worth seeing. I give it a 6.
No great shakes but not bad at all.
I am a big fan of Lon Chaney Jr.It was good to see a movie where Chaney was`nt a stupid monster killing people.This is perfect! I liked it.It was very good.We bought that two movie deal Calling Dr.Death and this.Strange confession beat Dr Death in my book.Oh my it was good.Lon Chaney was a great actor.And this movie is a good way to see his gift.A great mystery.And very suspenseful.It was a great movie.See it if you want a good movie to watch.
Of the six Inner Sanctum movies Lon Chaney made at Universal, for me this one constantly switches positions with two others in "Top Three" status. Chaney plays Jeff Carter, a good husband and father who's too soft when it comes to handling his domineering boss Roger Graham (J. Carrol Naish). Jeff's a skilled, meticulous lab chemist busy developing medicines with his partner (played by a very young Lloyd Bridges), but for all his achievements still lives modestly with his family in a tiny apartment. Jeff works hard while watching Graham take all the money and credit, and ultimately becomes a pawn in Graham's game when the boss sends Jeff away for a month on a job in South America for his own selfish ulterior motives.
STRANGE CONFESSION benefits right away for being somewhat different in style and approach from all the other Inner Sanctum mysteries, and it ropes you in from its prelude where we see a tormented Jeff desperately consulting with a lawyer while carrying a black bag with something unspeakable inside it. The film is then told as a flashback where we can find out what happened and why. Chaney gives a good performance, and J. Carrol Naish (who was so perfect with him in CALLING DR. DEATH) again makes for a fine match. *** out of ****
STRANGE CONFESSION benefits right away for being somewhat different in style and approach from all the other Inner Sanctum mysteries, and it ropes you in from its prelude where we see a tormented Jeff desperately consulting with a lawyer while carrying a black bag with something unspeakable inside it. The film is then told as a flashback where we can find out what happened and why. Chaney gives a good performance, and J. Carrol Naish (who was so perfect with him in CALLING DR. DEATH) again makes for a fine match. *** out of ****
Mild-mannered chemist and devoted family man Jeff Carter (Chaney) is exploited by his unscrupulous employer (Naish) until tragedy results.
A half-hour into this programmer and I still wasn't sure where it was going. It plays more like an ordinary melodrama than an entry in a horror series (Universal's Inner Sanctum). Nonetheless, it's the most coherently plotted of the six entries and features Chaney's best performance. He was always good at projecting pathos, unusual for such a hulking figure. Here he gets the opportunity and looks more engaged than usual for the series.
It's a good thing the cast is engaged because the set-up takes some time, enough time for viewers to otherwise wander off. The premise amounts to a cynical look at the pharmaceutical industry, circa 1945. I don't know where the federal Food and Drug Administration was in those days, but the screenplay amounts to a strong case for federal regulation of the drug industry. Not exactly what you'd expect from a horror feature, although there is strong episode of implied horror near the end that works very well.
Anyway, I rather liked this little oddity and enjoyed a young and vigorous Lloyd Bridges clearly on his way up the Hollywood ladder.
A half-hour into this programmer and I still wasn't sure where it was going. It plays more like an ordinary melodrama than an entry in a horror series (Universal's Inner Sanctum). Nonetheless, it's the most coherently plotted of the six entries and features Chaney's best performance. He was always good at projecting pathos, unusual for such a hulking figure. Here he gets the opportunity and looks more engaged than usual for the series.
It's a good thing the cast is engaged because the set-up takes some time, enough time for viewers to otherwise wander off. The premise amounts to a cynical look at the pharmaceutical industry, circa 1945. I don't know where the federal Food and Drug Administration was in those days, but the screenplay amounts to a strong case for federal regulation of the drug industry. Not exactly what you'd expect from a horror feature, although there is strong episode of implied horror near the end that works very well.
Anyway, I rather liked this little oddity and enjoyed a young and vigorous Lloyd Bridges clearly on his way up the Hollywood ladder.
This is possibly the best of the "Inner Sanctums", though it's also not a typical one - being based on Jean Bart's impressive anti-war drama "The Man Who Reclaimed His Head" (already filmed by Universal in 1934 with Claude Rains; in retrospect, it's amusing to note that the remake starred the actor who had played Rains' son in THE WOLF MAN [1941]!). Still, even if the setting is effectively updated - the original had a pre-WWI backdrop - its dealing with the crooked marketing of an untried drug is not quite the same thing as the philosophical war-themed discussions which distinguished the play (and earlier film)!
Again, we're supposed to believe Lon Chaney Jr. is something of a genius in his field - in this case, medical research - but he allows himself to be exploited by his unscrupulous boss J. Carrol Naish (who even has designs on his wife!). Chaney is typically flustered but Naish is an ideal villainous substitute for Lionel Atwill; Brenda Joyce, then, fills in for Joan Bennett as the heroine yearning for a fuller life but, ultimately, unwilling to sacrifice her domestic harmony to satisfy her own selfish ends.
The pace is necessarily slow - there are no murders or detectives this time around - with Chaney recounting his tragic tale to a childhood friend, and the resolution rather skimps on the hero's particular 'crime' (which was certainly more explicit in the 1934 version, even if STRANGE CONFESSION itself was also known as THE MISSING HEAD!) - but, as I said, it's the most satisfying entry in the series (which, ironically enough, was the one to go unseen for decades due to a copyright dispute!).
Again, we're supposed to believe Lon Chaney Jr. is something of a genius in his field - in this case, medical research - but he allows himself to be exploited by his unscrupulous boss J. Carrol Naish (who even has designs on his wife!). Chaney is typically flustered but Naish is an ideal villainous substitute for Lionel Atwill; Brenda Joyce, then, fills in for Joan Bennett as the heroine yearning for a fuller life but, ultimately, unwilling to sacrifice her domestic harmony to satisfy her own selfish ends.
The pace is necessarily slow - there are no murders or detectives this time around - with Chaney recounting his tragic tale to a childhood friend, and the resolution rather skimps on the hero's particular 'crime' (which was certainly more explicit in the 1934 version, even if STRANGE CONFESSION itself was also known as THE MISSING HEAD!) - but, as I said, it's the most satisfying entry in the series (which, ironically enough, was the one to go unseen for decades due to a copyright dispute!).
Did you know
- TriviaDue to a rights dispute (being an unauthorized remake of The Man Who Reclaimed His Head (1934)), this film was not released to television with the other "Inner Sanctum" features. It was the fifth of the six entries, filmed February 1-14, 1945, and released October 5. After its theatrical reissue using the title "The Missing Head", the film vanished until its video release in the 1990s.
- GoofsThe sherry bottle Jeff got as a new year's gift changes during the dinner scene, and the it changes back.
- Quotes
Jeff Carter: Three alive and one dead.
Dave Curtis: Well, three outta four isn't bad.
Jeff Carter: That's not good.
- Alternate versionsOlder television prints often eliminate the "Inner Sanctum" introduction.
- ConnectionsFollowed by Pillow of Death (1945)
Details
- Release date
- Country of origin
- Language
- Also known as
- Inner Sanctum #5: Strange Confession
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 2 minutes
- Color
- Aspect ratio
- 1.33 : 1
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