Fashion Model

Peggy Rooney (Weaver) is a model and Jimmy O'Brien a stock boy at the high fashion dress store, Celeste's. Given that it's a Monogram, we get right down to business and a murder of one of the fashion models (Gray) occurs very shortly into the film. Inspector O'Hara (Ryan) and his dumb cop sidekick Grogan (Robinson) come to investigate and O'Hara at first decides it must be Jimmy O'Brien. Although I'm a fan of dumb, likable cop characters (my favorites are Ed Gargan and Tom Kennedy), Robinson's portrayal leaves me cold – he's just not humorous. Two more murders ensue; Rooney helps O'Brien escape from the police (she disguises herself as O'Brien's grandmother – which, of course, fools Grogan). Now they are fugitives and so it goes until the real murderer is caught. The best part of the movie is towards the end when Rooney and O'Brien are in the dress shop trying to evade the police. Although their initial disguise as an elderly "Southern" couple bombs as they're dressed in 19th century costumes, this is the only really jarring part of the movie. What does work is when they pretend to be mannequins and Jack Norton plays a drunken (what else?) window dresser. Norton has a pretty lengthy part and does a wonderful job. Tim Ryan also does a good job and is always fun to watch. Lowery and Weaver make a very good team and are good with light comedy.

Marjorie Weaver and Robert Lowery star in "Fashion Model," a 1945 comedy of the sledgehammer variety. When models at Madam Celeste's Fashion House start showing up dead, a stock boy, Jimmy (Lowery) is a chief suspect. His girlfriend, who is also a model, Peggy (Weaver) wants to help clear him. The two work together to find the killer.

Actually, this isn't a bad comedy. It has some really funny bits, but they're done too over the top. In the hands of someone like Jean Arthur and Joel McCrea, for instance, and directed by Leo McCary, this might have been a classic. It comes off as silly and overdone.

Weaver is a great example of this. Her character is supposed to be quirky, so rather than Peggy BEING quirky, she instead puts it on. It's not such a subtle difference when you watch it.

The best part is the two trying to escape the fashion house wearing bridal attire and getting caught in the window with the drunk, nearsighted window dresser.

Could have been better, but then, these films were made over a few days.

Madcap mystery with emphasis on the humorous set-ups. I like the amusing back-biting among the models and haughty Mrs. Van Allen at the beginning. I guess the girls are supposed to smile through thick and thin, but fortunately they don't. There's also a whodunit, well, sort of. At least the dead bodies pile up, as somebody's after an expensive brooch in a high-class fashion shop.

But the real emphasis is on Lowery and Weaver's impersonation of department store mannikins. These skits are creative and amusing. Lowery and Weaver make an attractive and lively two-some, while professional drunk Jack Norton gets to ponder the mysteries of plastic people that walk and talk.

On the whole, it's a better than average Monogram production. The mystery-comedy combo was very popular at the time. Surprisingly, this low-budget version manages some clever highlights of its own. My only gripe is similar to others-- dumb cop Robinson is not that funny. Besides another source of humor is about as necessary as gravy on soup. Director Beaudine may be no artist, but he manages this little jape with skill and efficiency.

A stock boy (Robert Lowery) is suspected of three murders connected to the dressmaking establishment known as Madame Celeste's fashion house where he works. With the help of his girlfriend model (Marjorie Weaver)he is determined to find the real murderer ...

The suspects: Mr. Davis, Yvonne's older wealthy boyfriend; and snobbish and condescending customer Jessica Van Allen and her henpecked husband Harvey Van Allen, the last two customers in the store before closing when Yvonne was murdered. All the models detest Mrs. Van Allen, who they criticized to her face on that last visit.

Fashion model has the usual thick detectives, amateur detectives and the wisecracks found in a comedy mystery of this era - it's sort of generic, but fairly entertaining with good performances and I liked Jessica Van Allen and her henpecked husband; the identity of the killer came as a surprise.

Fashion Model feels like an adaptation of a play--a very poorly written farce. Released in 1945, this B&W film has almost no plot. It is merely a series of gags, most of which fall flat.

It is as sophisticated as a Bugs Bunny cartoon, but was probably meant to be a madcap romp. At various times, it reminded me of an episode of the Superman TV show. Jimmy and Peggy reminded me of Jimmy Olsen and Lois Lane with their "Aw Shucks" and "Jeepers" approach to acting.

The movie might have worked if they had Groucho Marx out front, or Laurel & Hardy. Then the core of the movie might have been funny or clever.

Unconvincing acting and horrible dialogue plague this film. The police are depicted as stupid--so stupid that, again, it feels cartoonish. Time spent watching this film could be better spent.