Duffy's Tavern

The previous two reviewers do a very good job of detailing this film. It has greater historical value now than entertainment value because the type of humor --- radio and vaudeville--- are long gone and the stars like Ladd and Hutton and Lake and Crosby don't mean that much now. Leonard Maltin labeled it a Bomb. It's no masterpiece, but that's a gross injustice. Wonder which intern came up with that? Leonard needs to look at it himself. My guess is that it appealed to older viewers even at the time of its release 1945, the end of WWII. And it has a certain ethnic charm as well that will puzzle today's audiences. But a bomb? We are producing more bombs per season now than we were in 1945 with far less historic value. I shutter to think what Maltin's intern of 2075 will have to say about The Lone Ranger and Hangover 3. Worth a peek if you like old movies.

There were a number of movies made in the 30s and 40s to take advantage of the popularity of top rated radio programs like Duffy's Tavern.

I am a fan of old time radio particularly just before during an after the Second World War and have watched a number of these type of movies like, the great Gildersleeve, fibber McGee and Molly and Lum n Abner lol... be warned these movies are usually not that good... Short on plot and are really just created for the fan base to see the faces behind the voices they've come to know over the years. And for today'sold Time radio fans it's just as fun as it was in the late 30s and 40s.

To me, this is a classic movie for the end of war era. The first few reviewers cited the cavalcade type ones already. They need to be viewed and reviewed in the context of the time or the viewer misses the point. It is appropriate to note this, possibly, for people who do not realize there had been an all out world war for the past 4 to 6 yrs, depending on where one lived. mysterymoviegoer hit the nail on the head as far as I am concerned. I like to see the kinds of humor, the environments and attitudes that the movie portrays- not to mention the parade of stars and luminaries from the time. I did not see Maltin's review, gave up on it as a resource many yrs ago and hadn't even considered the intern angle. Nice to see another person take the time to record a most appropriate comment on this special kind of movie theme from a special time in history.

"Hello - Duffy's Tavern where the elite meet to eat, Archie the manager speakin', Duffy ain't here. – Oh, hello Duffy." This greeting, preceded by "When Irish Eyes are Smiling" played on a tinny piano, announced to millions of radio listeners that it was time for DUFFY'S TAVERN. Fans of this popular program knew they were in store for laughs, big-name guest stars, sometimes a little music and always their favorite characters holding forth at the New York dive headed by Archie himself. Ed Gardner, a former piano player, salesman, talent agent and radio director (in that order) created the program and cast himself in the lead when he couldn't find an actor that spoke "New York bartender" as well as he did. The series ran from 1941-1952, premiering on the CBS Radio Network and later moving to NBC. Each episode opened with the proprietor Duffy, who never appeared, phoning his manager and setting up the action that would follow in the next half hour. Archie was known for insulting his guest stars and his Damon Runyanesque speech. (In fact Abe Burrows, co-writer with Runyon of GUYS AND DOLLS, got his start on DUFFY'S TAVERN.) Regulars included Eddie Green as the wise-cracking Eddie the waiter and Charles Cantor as the intellectually-challenged Finnegan. Gardner's wife Shirley Booth originated the role of Miss Duffy, the ditzy, man-hungry daughter of the owner. At least a dozen other actresses played the role during the series 11 year run. Though DUFFY'S TAVERN made the transition to television in 1954, it only lasted for one season. The program inspired future TV shows with a friendly neighborhood bar as the setting, most notably Jackie Gleason's "Joe the Bartender" sketches with Crazy Googenheim (Frank Fontaine) filling in for Finnegan, ARCHIE BUNKER'S PLACE, and the 1980's sitcom CHEERS. Lucky for us, at least 100 episodes of the radio series survive and are available on cassette and MP3.

Attempting to duplicate the success of other radio programs that made the transition to the big screen (FIBBER MCGEE & MOLLY, THE GREAT GILDERSLEEVE, HENRY ALDRICH, etc.), studio executives at both MGM and Paramount set their sites on Duffy's for their next radio crossover picture. Paramount's proposal of a "stars-go-all-out-for-the-war-effort" variety film in the vein of Hollywood CANTEEN and THANK YOUR LUCK STARS caught Gardner's fancy. And so it was that contract players Bing Crosby, Betty Hutton, Eddie Bracken, Robert Benchley and more than two dozen others were signed up for cameos while the radio actors (save for Broadway actress Ann Thomas as a new Miss Duffy) reprised their familiar roles.

The story is a pretty basic "let's put on a show to save the __________." Unbeknownst to his boss Duffy, soft-hearted Archie has been providing out-of-work veterans with free meals and spirits. The servicemen had worked at a phonograph record company owned by Archie's pal Michael O'Malley (Victor Moore) before the war. The factory was forced to close because of a war time shortage of shellac and the bank turned down a loan to O'Malley to reopen the plant. O'Malley's daughter Peggy (Marjorie Reynolds) works as a switchboard operator at a hotel where a number of celebrities are staying. In due course the stars are persuaded to help raise funds to reopen the plant by performing at a block party hosted by our favorite barkeep. There are some yucks along the way, a little romance between Peggy and soldier Danny Murphy (Barry Nelson) and plenty of entertainment at the big show.

Betty Hutton is a tornado of energy performing "Doin' it the Hard Way" and Cass Daly, the gangly gal with the overbite, sings a rousing number, "You Can't Blame a Gal for Trying." Bing and Betty parody the Oscar winning song "Swinging on a Star" from Paramount's 1944 hit GOING MY WAY and Bing shares a scene with his four young sons Gary, Lin and twins Phillip and Dennis.

Variety posted a mixed review, finding the translation of weekly audio program to celluloid "stale," but they praised the vaudeville portion of the film. Eddie Bracken was singled out for "….playing the double role of a cowboy here, taking successively a beating by a bandit mob, a water dunking and some pies in his face, all constituting a nostalgic throwback to the good old Mack Sennett days and as hilarious a sequence as one will find in any film-comedy."

Admittedly, DUFFY'S TAVERN may not hold up well with most present-day viewers who haven't known the wonder of old-time radio and have little or no knowledge of Betty Hutton and Bing Crosby, let alone Cass Daley. Fans of movies from the 40's and Olt-Time radio buffs however, should find DUFFY'S TAVERN an elite place to meet many of their favorite old stars and have a great deal of fun along the way.

Through most of the 1940s, "Duffy's Tavern" was a popular radio program. It was set in a bar and the show featured lots of famous guest stars stopping by the joint. Well, considering its success, it's not surprising that they'd make this film version as well as a 1950s television series.

It's pretty obvious that Paramount pulled out the stops to make this film, as the story called for many, many cameos from stars under contract with the studio. Bing Crosby (and his young sons), Alan Ladd, Dorothy Lamour, Veronica Lake, Betty Hutton, Paulette Goddard, Sonny Tufts, Eddie Bracken and several other stars appear in the film along side with the usual radio characters from the show.

The plot is scant and instead of getting into explaining it, suffice to say the bartender needs to raise money fast or he'll go to jail So he somehow convinces some stars in New York (all, oddly enough who are under contract with Paramount!) to put on a benefit show. Most of the acts are poor, but the singing of Betty Hutton and Cass Daley are something to hear....once! They both sing with as much subtlety as a stripper doing her act at a Baptist picnic!! Neither one so much sings as screams and somehow Daley managed to out-scream the queen of sing-screaming, Hutton! Unpleasant doesn't even begin to explain it!! Overall, a very slight film with some horrifyingly bad cameos.