Dick Tracy détective

Despite a rather routine production, this B-mystery is worth watching for the story, which is not bad. The beginning sets things up rather well, with Tracy trying to figure out both who the elusive 'Splitface' might be, and how he chose his apparently unconnected victims. There are several fairly interesting characters that he encounters along the way, and things move at a good pace most of the time. With a bigger budget and perhaps a little better writing here and there (in particular, to give poor Tess some better lines), it could be quite good. But there's no reason to quibble too much with it the way it is, since it's more than enough to provide decent entertainment for an hour or so.

DICK TRACY has the film noir look of the '40s and some interesting plot devices involving a slasher out for revenge. With its brief running time and low-budget values, it's strictly the kind of fare that used to play the lower half of double bills for the Saturday matinee crowds.

Still, it's not bad as far as these B-pics go (some excellent B&W photography)--but MORGAN CONWAY is nobody's idea of what the famous sleuth should look like. RALPH BYRD was a much better choice in those Tracy serials--he must have been busy when they got to making this one. Anne Jeffreys is pert and pretty as Tess but has little to do. (Did Hollywood ever give her a substantial role?) Little Mickey Kuhn (he was Beau Wilkes in GWTW and the young man Vivien Leigh flirted with in A STREETCAR NAMED DESIRE) is delightful as the boy detective who helps solve the case.

For the villain of the piece, we have Mike Mazurki wearing a scar that looks like a decent make-up job and hulking in the shadows whenever the next murder takes place.

Not bad, and certainly one of the better entries in the DICK TRACY films of the '40s--but what it needed was square-jawed RALPH BYRD in the title role.

Summing up: a good programmer.

The first of four Dick Tracy films that were made by RKO Studios in the Forties is a straight action filled drama so unlike the live cartoon that Warren Beatty did and cast with a bunch of Hollywood names. Morgan Conway plays the square jawed detective with Anne Jeffreys as the eternally faithful and eternally exasperated Tess Truehart. If ever a man was wed to his job it was Dick Tracy as a homicide cop.

The villain here is Mike Mazurki excellently cast as Splitface and one look at him and you know why he's named that. He's responsible for a string of brutal stabbings and those scars he bares both give the city fright, but also make him impossible to trace since they were acquired in prison and render him unrecognizable. He's picked a cross section of citizens as his targets and while I think the viewer will figure it out before Conway puts it together, it's still a lot of fun.

A subsidiary villain in the film is Trevor Bardette playing a con man astrologer and hypnotist. Bardette has a real field day with the part.

Dick Tracy Detective is a fairly good B film from RKO Studios and the cast looks like they're having a good time.

It's kind of funny that the Warren Beatty Dick Tracy movie and Tim Burton's Batman movie were released so close to each other. Each movie tried valiantly to recreate the atmosphere of their respective comics with high impact visuals. However, Batman did a much better job carrying the comic's look and feel over to the big screen. The new Dick Tracy movie's wild colors and cheesy backdrops took away from the all-star cast that the producers put together. The original Dick Tracy movie featuring Morgan Conway is much more realistic and doesn't try as hard to be a live action comic strip and is the better movie for it.

First off, things must be said about Morgan Conway's portrayal of everyone's favorite detective. He bears a decent resemblance to his 2-D counterpart, but not one nearly as uncanny as Ralph Byrd's look. Nevertheless, Conway does a good job getting across Tracy's tough as nails yet sympathetic family-oriented character. You can't help but think that Conway looks and sounds too much like Humphrey Bogart to be Dick Tracy though.

Anne Jeffries and Mickey Kuhn as Tess and Junior do decent jobs as well. Pat Patton is a little deemphasized though, something that would remedied in future films. The scarred Splitface doesn't have the personality that some of the comic strip characters do, but he's passable as an original character. The whole movie doesn't try to be exactly like the comic as the 1960's Batman and the latest Dick Tracy movie did later. Rather, it's more true-to-life with some subtle hints of its comic roots. It keeps the stereotypical police department, the daring feats of courage by the heroes and the rogues gallery of characters from the strip while giving Dick Tracy's world a more real feel. That real-world feel puts this movie a cut above the 1990 movie.

If you had given Dick Tracy's name to any police type in any movie of the forties, it would be indistinguishable. The fact is that while this is a modestly entertaining movie, the comic strip being of it is just not there. Where is the technology, the distinctive sense of the comic strip? It's just not there. There is some semblance of humor, the byplay among the other detectives and Tess's frustration with dating the great detective (she never gets to go to dinner), but it still doesn't reproduce the comic strip. All that considered, it's a decent movie with an interesting plot. Like so many Tracy characters, Split Face is carrying around his angst, wanting to get back at those who convicted him. He is nasty, but has the fatal flaw of carelessness. Tracy is pretty dull, but I was a religious reader of the comic strip as a child and liked his silence. His romantic relationship always seemed forced to me. A real comic book hero shouldn't have time for women, right.