Dick Tracy détective

Don't expect elaborate make-up effects or musical numbers from this installment in the original Dick Tray series, and you won't be disappointed. The plot is a whole lot goofier and creepier than Warren Beatty's version and the villains are just as perverse. Tracy's refreshingly pedestrian approach to crime-solving and his bizarre domestic situation add quirky appeal to this film.

I suppose everyone has his or her own idea of what Dick Tracy should look like out of his cartoon realm. It seems from reading some of the comments that Morgan Conway was no one's idea.

I guess in my head I've always thought of John Larkin, the original Mike Carr on "Edge of Night" to be a good person for Tracy. Conway seems more of a character actor and less of a lead than I imagine Tracy. He has a pleasant smile, though.

Anne Jeffreys, now at 80+ and absolutely gorgeous to this day, was asked about the Dick Tracy series a few years ago, and she denied ever making any Dick Tracy movies. It wasn't that she disdained them, but they were turned out so quickly, she had no recollection of doing them.

This was a decent programmer but not much came through as far as personalities, except perhaps from Mike Mazurki as Splitface. The film moves along well. The subplot with Jane Greer seemed totally superfluous and never was resolved. Oh, well, soon enough, she would be on to better things.

The first installment in RKO's short Dick Tracy series of films in the 1940s. This one sees Tracy (Morgan Conway) working on a case involving a string of murders committed by Splitface (Mike Mazurki). This series was churned out quickly and cheaply. So don't expect an "A" production from them. That being said, it's a thoroughly enjoyable way to spend an hour. Fast-paced, fun detective stories with action and some comedy. Mike Mazurki is a great villain. Conway does fine as Tracy. Lyle Latell plays Tracy's bumbling sidekick Pat Patton. He's the movie's comic relief. Anne Jeffreys plays his Tracy's girlfriend Tess Trueheart. Also an early role for Jane Greer. Give it a shot and I'm sure you'll find it an enjoyable time-killer.

If you're expecting MALTESE FALCON you're in the wrong place. This first in the RKO Dick Tracy movies based on Chester Gould's hardboiled policeman is very faithful to the source material and a LOT of fun.

The cast is well chosen and Morgan Conway looks like he stepped right off the comics page.

What is unexpected is the inky black noirish camera work, something that was very rare for a B-picture. The entire series was entertaining, with Ralph Byrd replacing Conway for the third and fourth installments, and the two earliest entries were geared towards an adult audience as shown in the violence depicted.

Pull the stick out of your crack, sit back and enjoy some very entertaining little films from a more innocent time, when our good guys were someone to look up to.

If you had given Dick Tracy's name to any police type in any movie of the forties, it would be indistinguishable. The fact is that while this is a modestly entertaining movie, the comic strip being of it is just not there. Where is the technology, the distinctive sense of the comic strip? It's just not there. There is some semblance of humor, the byplay among the other detectives and Tess's frustration with dating the great detective (she never gets to go to dinner), but it still doesn't reproduce the comic strip. All that considered, it's a decent movie with an interesting plot. Like so many Tracy characters, Split Face is carrying around his angst, wanting to get back at those who convicted him. He is nasty, but has the fatal flaw of carelessness. Tracy is pretty dull, but I was a religious reader of the comic strip as a child and liked his silence. His romantic relationship always seemed forced to me. A real comic book hero shouldn't have time for women, right.