User reviews

I thoroughly enjoyed this early movie with John Wayne. He was very good in his part I thought. He was truly becoming the guy most Americans Identify with. I read elsewhere that movies Vera Ralston appeared in did not make money. I'm not sure why unless Americans just had a hard time with her accent. She was lovely, acted her part well, even added a good degree of humor from time to time. This movie was released on Christmas day 1945. I wonder if folks were so happy to have the war over and short of cash that they passed on the movie for those two reasons. John was well liked by then so he should have been a box office draw,0 and Vera was not well known such that she would be a deterrent.

Anyway, I liked it. Hope you do too.

I found it on Youtube. It had two or three short commercials, just a bit distracting not too bad.

This is not an award winning movie by any means- but with the fast paced action, this was a western that was enjoyable to watch. Some western movies move slow as it builds up excitement as the plot may have two or three action packed segments. However, this tale moves from one situation to another never slowing down for a rest making the movie seem even shorter than the 80 minute length. John Wayne and Vera Ralston worked well together with Wayne beginning that swagger that he was so famous for in later films. This being a low budget film, there are some rough spots in production. The use of very obvious backdrops and sound-stage fake backgrounds made the film look cheap but the story still held up well. An entertaining film that kept the viewer's attention from beginning to end.

Dakota finds John Wayne running off with Vera Hruba Ralston, daughter of railroad magnate Hugo Haas. A whim of Ralston's finds them on the way to Dakota Territory instead of the Duke's planned trip to California.

Before long Wayne finds himself mixed up with the local farmers and their running battle with town boss of Fargo, Ward Bond and his three loathsome sidekicks Mike Mazurki, Paul Fix, and Grant Withers. Mike Mazurki is a particularly nasty individual here, he probably has the best performance in the film.

Dakota was directed by Joseph Kane who directed at Republic a whole lot of Roy Rogers B westerns and he uses the same fast pace here. The running time is only 82 minutes and a Wayne film from Republic was an A product for that studio by 1945.

One big drawback in Dakota is the portrayal by Nick Stewart as Walter Brennan's crew on his river steamboat. It's a pretty bad stereotype one of the worst I've ever seen on film.

Dakota also shamelessly rips off the wheat burning scene from Samuel Goldwyn's The Westerner. I wouldn't be surprised if Goldwyn let Yates use some of the footage from The Westerner for a rental fee.

However fans of John Wayne and of westerns in general will like it.

This was one of those B-movie Westerns John Wayne had to pay his dues, and learn his craft in, on his way to superstardom and becoming a household name. His acting chops, while coming along and becoming more multidimensional, are still developing, and he gets by more or less on his charisma and big smile. Joseph Kane provides decent, pedestrian direction--all of the exciting scenes are directed by Wayne's longtime associate, Yakima Canutt (the one who would later direct the outstanding chariot race in 'Ben-Hur: A Tale of the Christ'), and Vera Ralston is great as the loving wife who just seems to do the wrong thing at the worst possible time.

Ward Bond and Mike Mazurki are excellent as the bad guys, and Walter Brennan (as the most bipolar ship captain one will EVER find in cinema) and Nick Stewart (as his harped-on assistant) steal every scene they're in. Ona Munson even throws in an entertaining song-and-dance number, and provides an interesting love possibility for Wayne, if he wasn't such a one-woman guy.

This was released on Christmas Day in the States, and it's no lump of coal in one's stocking, but a small, likable gift for fans of the genre. Worth a watch if you like Westerns, and a purchase and rewatch for Wayne enthusiasts.

This is one of the worst John Wayne flicks of the 1940s. By this point in his career, Wayne was now a star and deserved better material and a better leading lady. If you compare this film with THEY WERE EXPENDABLE, which came out the same year, the contrast is great. DAKOTA is simply a B-western with lousy and very confusing writing. While it has good supporting actors in Ward Bond and Mike Mazurki, Vera Ralston as Wayne's wife is incredibly wooden and she sports a bizarre accent that can't be accounted for in the script (her dad seemed like he had a French accent and she was Czechoslovakian). Most of the time, she's kind of pretty to look at, but becomes more of an annoyance than anything else. It was hard to figure WHY Wayne would have married such an idiot in the first place! The only reasons she got ANY roles is that her lover was the head of Republic Pictures--otherwise, she was much more of a liability than an asset. As I already mentioned, the plot is completely convoluted--and I really had to struggle to figure out what was going on. Part of this COULD have been because the movie just wasn't engaging. This is a forgettable film and only of interest to big fans of John Wayne. There are so many better Wayne films available--try watching one of them first.

John Wayne elopes with the daughter of a wealthy immigrant family. Taking off for Fargo, he squares off against nasty Ward Bond, who had his life-savings stolen and is in the process of taking land in anticipation of the coming railroad.

One of the minor Republic vehicles the Duke cranked out in the nineteen-forties, this starts out well, though it runs out of steam mid-way, ending up being okay but unspectacular and unmemorable.

Production values and performances are good, but this seems bloated, even at 83 minutes. Republic should have tightened it up and made it one of their hour-long programmers.

The best thing about this is crusty, old riverboat captain Walter Brennan. He and his sidekick almost steal the movie.

This is possibly the best of the one hour movies that John Wayne made for Republic Pictures. From the opening sequence the film moves at a brisk pace. Although the theme is one of helping people protect their lands and their future, there are also lighter moments of comedy.

John Wayne plays a gambler that comes to the aid of wheat farmers being swindled by crooked land grabbers. This is a fast paced 82 minute Republic Pictures movie with an obvious low budget look. A pretty good shoot 'em up though. Other stars include Ward Bond, Walter Brennan and Nick Stewart. Was not impressed with Wayne's love interest Vera Ralston. Burning of the wheat fields is dramatic. And of course The Duke saves the day.

This is the most enjoyable "B" Western I'd seen in quite awhile. It is fast-paced, mostly light-hearted yet doesn't stint on the serious implications of the dramatic sequences; it makes you feel and believe the human tragedies that would occur if town boss Bender (Ward Bond, marvelously effective and subtle as smooth-talking and thoughtful villain) were to be successful at bankrupting his fellow townspeople, paving the future railroad towns with the rubes' broken dreams. John Wayne was starting to solidify the nucleus of the stock company of supporting actors he would make many movies with in the future (on hand besides Bond are Paul Fix, Walter Brennan, Grant Withers, Olin Howard, Bruce Cabot, and Mike Mazurki.

Wayne is perfectly cast as the rough-and-tumble gambler who falls for railroad heiress Vera Rhuba Ralston, much to father Hugo Haas' chagrin who is a rather slick and powerful operator himself. The twist here is that Ralston is as cunning and devious as her Dad and new husband combined, and is continually effective in steering things in the direction she wants them to flow. Not normally a Ralston fan, I thought she played the role with flair, attractiveness, and a perfect energy level. She doesn't have the on-screen chemistry with Wayne that Maureen O'Hara or Gail Russell later did, but when your husband owns the studio, you don't want to allow the chemistry to get too real-looking. Ona Munson as "Jersey" is hotter and makes both her scenes memorable. Walter Brennan is perfectly cast as a persnickety riverboat captain, and Nick Stewart provides able comic assistance as his blunt first mate(Racially stereotyped, of course, but still very funny, and not at all demeaning if you look at it objectively). Bond and Mazurki are excellent as the deceptive villains. Fix and Withers are professional and provide subtle special touches as Bond's hired guns.

Given the budget and the generally pedestrian record of Director Kane, this is actually a surprisingly well made. My demands/expectations of this oater were small when I tuned it in on the Encore Western channel. I was looking for a fast-paced, check-your-brains-at-the-door oater to have on in the background as I picked up around the apartment. Instead, not only is it tautly directed, fast-paced, wry, and well-acted, but it has an extremely well-crafted adapted screenplay from Carl ("High Noon") Foreman. The insights conveyed by the script, even including some of the background and "throwaway" lines, are literate and register long after the lines have passed.

Overall, this movie can be recommended on many levels. Deapite it's quite modest roots, it is a durable, high-spirited, well-acted, and well-directed oater that also is exceptionally well-written. Not the type of title that will impress your art-house buddies, unless they accept your challenge and actually watch it before they write it off. Those actually watch it are in for special treats.

It's really interesting to look at some of these old movies from the 40s and 50s. They had a directness and economy of style and language that is lacking in so many movies and TV series these days.

Modern screen writers could learn a lot from watching them. Note, if you will, that few have the same writer and director - a fact that makes them far, far better than the vast majority of writer/director movies these days, certainly at least as far as story goes.

Dakota is typical John Wayne fare. John Wayne plays John Wayne and we love him for it. We know who the good and bad guys are and the script is not without its subtleties. We know who's going to win but not always who the casualties may be.

A (relatively) young Walter Brennan plays, er, Walter Brennan - yes, and that's why we love him! - and the whole thing is packaged in an economy. bite-sized package, ideal Saturday morning fare and, of course, a must for anyone who loves Westerns and John Wayne.

Side note - the plot does, in part, include 'fields of wheat;, a phrase that will resonate (possibly in an ironic way) with viewers in the UK in 2018!

An American Western. It's a story set in post-war 1875, about eloping newlyweds: a professional gambler, and his wife (daughter of a displeased railroad tycoon) who get involved in a bitter railroad dispute and land war in Dakota. This is a standard fare oater, slow-paced, with a cliché story, bordering on B movie in production values. John Wayne delivers as usual, and Vera Ralston is spirited and lovely but is easily upstaged by Ona Munson, a kind-hearted saloon entertainer. There is good support from Ward Bond and the usually brilliant Walter Brennan as the Captain. But, although some scenes are very funny, some are played tongue-in-cheek comedic which makes the story feel patchy and uneven. There is also an inordinate amount of rear projection footage makes for rather dull viewing.

John Wayne's last film for Republic during the war years is one of his worst westerns, not counting the B-westerns he made during the 30s before his breakthrough with Stagecoach.

The film goes through the motions, but the plot is muddled and the writing lacks inspiration. Wayne is not helped by the rest of the cast. Vera Ralston lacks acting skills. Even Walter Brennan, who other reviewers praise, seemed tiresome to me. His comic relief routine with Nick Stewart received way too much screen time here.

Lackluster and dull, only for John Wayne completists.

Why, oh why, must film makers make a movie so dark? Sometimes I think they must have gotten a great deal on filters, and felt that they had to use them all on this one film. Some of the shots in this one are so dark that one is hard pressed to tell the good guys from the bad guys.

Darkness is sometimes used to hide poor (read: cheap) special effects in a "B" movie, and I guess that's to be expected; But there was no reason for Dakota (1945) to be under exposed. I couldn't tell if it was a good movie or not because I couldn't see half of it.

In 1875 professional gambler John Devlin elopes with Sandra, the daughter of a railroad tycoon, and to avoid her father's wrath they elope to Fargo in the Dakota Territory. (It didn't become North and South Dakota until 1889). While there, they run across Bender, a corrupt businessman who is planning to swindle the local farmers by buying up their land cheaply. (Bender knows, which they do not, that the railroad is due to pass through the town, which will increase the value of any land in the area). It falls to John and Sandra to foil his plans, aided by the captain of a riverboat.

John Wayne was already a major star in 1945, but "Dakota", which bears more resemblance to some of his pre-stardom B-movies from the thirties, is one of his lesser known films from this period. Wayne as Devlin is not bad here, although this is far from being his best performance, and Ward Bond is OK as Bender. (Bond and Wayne often played adversaries on screen, but were close friends in real life).

Wayne, however, he is rather let down by his other co-stars. Vera Ralston (real name Vera Hruba), who plays Sandra, was a Czech figure skater who, after emigrating to the United States, was signed up by Republic Pictures as a film star. I have never really understood why. Perhaps they hoped that Ralston would emulate the success of Sonia Henie, another skater-turned-actress, but if this was their intention I am not sure why they didn't employ her in the sort of skating-themed movies which were Henie's speciality. Ralston may have had the looks to become a Hollywood star, but she lacked both the necessary acting talent and English-language skills, a lack which is all too obvious here. (Henie had another advantage over Ralston; she was perhaps the greatest skater of all time, and her sporting exploits had made her a household name long before she became an actress. Ralston was not in the same league; at the 1936 Winter Olympics, at which Henie won her third successive gold medal, she came seventeenth).

The other big name in the film is Walter Brennan, who plays Captain Bounce. Now Brennan was obviously popular at one time- he actually won three Oscars- but he has never been an actor I could warm to. He specialised in playing crusty-but-lovable old men, often considerably older than his real age, but I must admit that I generally find his characters not so much lovable as intensely irritating, never more so than here. Bounce has a black sidekick named Nicodemus, played by Nick Skinner as a regrettable stereotype of the black man as simpleton. Hollywood could often be casually racist even when it wasn't trying.

The film has its moments, like the spectacular scene where the bad guys try to drive out the farmers by setting fire to their crops, but for the most part "Dakota" is no more than an average, or slightly below average, Western. 5/10.

Dakota is one of Republic Pictures' sturdy 1940's Westerns that still hold up well today. Republic was not a "poverty row" studio, as often erroneously stated, but it did know how to operate on the cheap while turning out a slick looking product. Most of the studio's output were programmers, but a few bigger budget "quality" pictures were produced every year. Dakota was one of these for year 1945. It has the scope and scale befitting the super star John Wayne wasn't yet but someday would be.

The action starts with a madcap chase in Chicago, chugs across the prairie on a train, then churns upriver to Fargo Dakota on a rickety paddle wheel steamboat captained by Walter Brennan at his most eccentrically colorful. There is a large cast of extras along with a fine cast of principal and supporting players, including along with Wayne and Brennan, Ward Bond, Mike Mazurki, Ona Munson, Hugo Haas, Grant Withers, Paul Fix, and last, but not least the Republic studio boss's main squeeze, the beautiful but allegedly untalented Vera Ralston. More about her later. Thanks to the taut direction of Joseph Kane and skilled, fluid editing, Dakota has a pleasingly fast pace with a jaunty, almost light-hearted air. There is not a wasted camera shot in this movie. It provides almost non-stop action from beginning to end, though it does so without an excess of violence. We get coach chases, buckboard chases, foot chases, horseback chases, a fight in a train car, a robbery on a riverboat, a riverboat wreck, burning wheat fields (looking suspiciously like file footage from The Westerner), a woman jumping off roofs, and a spectacular night-time finale shootout. As an added bonus, Munson leads a chorus of pretty dance hall girls in a charming period musical number. Dakota displays an authentic look and feel we wish we could find in more westerns from any period. The men wear suits and ties most of the time with their long-barreled six-shooters tucked into their waistbands under their coats. The women wear long, period dresses instead of butt-tight jeans. The men, even the bad guys are polite and helpful to women in keeping with Victorian sensibilities. The sets are well-turned out and convincing of the period. The story by Carl Foreman like the script by Lawrence Hazard is intelligent and engaging.

Dakota is one of John Wayne's "intermediate period" westerns -- that is intermediate between Stagecoach and Red River. Stagecoach raised Wayne out of the doldrums of the grade-Z western programmer circuit he had been stuck in through most of the 1930's. He was an "A" star now, but not yet really the big star he would later become. Still a star of the second rank like George Brent or Dennis O'Keefe. Through most of the 1940's, he was still being second-billed in "A" pictures behind such male stars as Robert Montgomery (They Were Expendable) and Ray Milland (Reap the Wild Wind) and top female stars such as Caludette Colbert (Without Reservations) and Joan Crawford (Reunion in France). It would take a magisterial performance in that Western of all Westerns Red River, released three years after Dakota, to raise Duke Wayne to the status of super star. But he was already showing the signs of what was to come in Dakota, completely relaxed and confident, with all the movements and looks of the mature John Wayne. He would feel confident enough of his stardom in the late 'forties to refuse to do any more movies with Vera Ralston for fear her bad acting would give him a bad name.

Critics then and now have gone on and on about how bad the pretty Ms Ralston's acting was, that she was only a star only because she was having a relationship with and eventually married the head of Republic Pictures Herbert J. Yates (39 years older than she!) But she didn't seem so bad in Dakota. She was lively and energetic to the point of athletic, as you would expect from a woman who came to public attention by her ice-skating ability. Not a Bette Davis by any means, but here adequate for a not undemanding part which shows her as not only devoted to her husband, but resourceful, clever and somewhat manipulative -- in a sweet, and gentle way. She did look slightly bewildered at times -- not surprising since the recent Czech émigré's English was so poor, she often had to phonetically memorize her lines without understanding the content. Not as bad as Bo Derrick, or many others. Whatever Vera lacked in dramatic panache, she made up for it by projecting a sweet, innocent -- not to mention sexy -- charm. Everyone has just jumped on an anti-Vera bandwagon because she was an easy target, being the boss's babe and all. John Wayne in spite of his later remarks, seems to have had good chemistry with her in Dakota. But after all, she was a real babe, and what man wouldn't throw a few sparks hugging up against that buxom but tight ice-skater's figure!

Dakota in a rarity amongst Westerns in having the male and female leads start the movie just married, and happily so against the opposition of her volatile father (Haas). No drifter and saloon floozy here. The love interests are a substantial married couple, so all the distracting courting business has already happened, and we can get on with the riding and the shooting. And there was enough of both and much else in this minor epic to satisfy nearly any aficionado of the horse opera.

Dakota is top-notch Western entertainment from Old Hollywood's Golden Era.

"There's nothing in California but flowers and everyone knows flowers give you hay fever" Vera states before the fisticuffs. However, Ward Bond and Mike Mazurki come to the rescue. John Wayne is on the run but he has a gorgeous accomplice. Walter Brennan as Captain Bounce couldn't have played it better. A gambler and a railroad tycoon's daughter making their way to Fargo mingled with scoundrels and duplicitous men makes for a great action-packed adventure.

Most of the cast are hand picked regulars for a wayne western and it moves along pretty fast mostly because of the contrived occurrences like grant wither robbing wayne of his 20 grand while on the riverboat and like the over hearing their plans by ward bond, the bullying by mike marzurki and paul fix because they all work for ward bond ... wayne has to overcome all the chicanery and be smarter to beat the crooks at their own game ... vera ralston isn't much help but i didn't have any difficulty following her dialogue ... it was well worth the watch

"Dakota" is not a perfect movie but it's still a fun watch. It does have a few dated elements to it but they're mostly forgiven. John Wayne is in fine form. He's given a lot of good lines and he delivers them well. His supporting cast is also good. His leading lady, Vera Ralston, is equal parts annoying/dreamy. With the exception of one forgettable song, the movie moves well. I'm a big fan of John Wayne. I watch his movies all of the time. I don't watch "Dakota" nearly as often as I watch his other films. But when I do watch it, I always enjoy it.

When John Devlin elopes with the daughter of a wealthy railroad tycoon, he expects to head to California and safety. His headstrong bride has other plans ... to buy land and hold the railroad to ransom. But a bar owner plans an unfriendly welcome.

John Wayne always get criticism of not being a great actor or being versatile, which is wrong as he starred in a wide gamut of different genres - be it war, westerns, seafaring, biopic, adventure etc - and Dakota is a light western with some humour, but it still has some dramatic moments as well as some fights and shootouts, though more towards the end. It's well-mounted, well-plotted with a certain energy, some of that comes from the chemistry between Wayne and Vera Ralston- the latter has good comic timing and is cute and endearing. I don't understand why she's seen as a bad actress - I have seen much worse. Ok she's not Barbara Stanwyck, but at least she doesn't look like she's reading from a cue card. She does play her part well.

John Wayne marries the daughter of a millionaire, Vera Ralston and things get off to a bang from the get go. Papa is on the chase shooting in the opening scene and the action is just beginning. Ward Bond and tough guy Mike Mazurki as 'Bigtree' Collins also have it in for the leading man. Walter Brennan as Captain Bounce is a reluctant but highly spirited participant in the ensuing ruckus. Does love conquer all in this western romantic adventure. All I can say is the ending opens that up to interpretation and watching this action packed classic makes it well worth the wait.