Brève rencontre

I didn't think I'd write this comment till I saw the 2 previous ones criticizing 'BE'. I don't know how much this movie would appeal to camp-followers of an in-your-face go-getting culture. Some of the frequent adjectives describing this movie is 'civilised', 'restrained', 'noble'. To those who call this movie dated, I'll say that these are indeed qualities which are hardly followed & upheld today, especially in movies. However movies do reflect contemporary social mores, & maybe the story of two illicit lovers sacrificing their love for something as obvious as home & family does not find to many buyers today.

For those who think a movie can convey some of the most intimate emotions, conflicts & visions known to us, those who believe 2 art forms (Rachmaninoff's 2nd, Lean's 4th) can coexist brilliantly, & finally for those who believed David Lean got body-snatched in mid-career to make over-blown nonsense like 'Dr. Zhivago' this is one of the best ways to spend 86 minutes!

I found this David Lean version of BRIEF ENCOUNTER to be a simply enchanting and entrancing film. Part of the enjoyment was the style of writing and acting that is purposely theatrical in order for the 1940s British subject matter to be handled in the fairly explicit way that it was. For those who 'don't get it' or find it boring well what can those who do 'get it' say? How sad perhaps that something so lovely and so humane and so complex in its dialogue and beautifully formal in its British tone cannot be enjoyed by a few who demand ..DEMAND.. it suit them in 2009. Hilarious! Maybe the multiplex mind thought BRIEF ENCOUNTER was about colliding underpants, which just might be right for them. CLASH OF THE TIGHT'UNS anyone? Maybe a remake with Adam Sandler and Drew Barrymore called HERE/NOW might be the right update. This gloriously stuffy and furtive Noel Coward play is transformed in this film to be the black and white smoky British damp equivalent of HUMORESQUE or NOW VOYAGER.. and if you love those films (so easy!) you will love this.

For me,a film addicted"Brief Encounter" is a polished diamond.It's the most perfect romance:You don't see lovers climbing balconys or dying in each others hand.What you see in "Brief Encounter"is two ordinary people in love.Only two normal people who stumble on one another in a railroad station and discover that they have more things in common,then meets the eye.So they started to see each other once a week,but their love are doomed,because they are both married and have very good lives.Celia Johnson is a sparklling gem as a house wife repressed who finds a man so repressed as she.That leads us to Trevor Howard.I know the reason of Celia's anguish.A normal woman simply could not resist to those eyes and the perfect face of Trevor,who embodies every english man in a simple wave,or just laughing in the theater.David Lean's soberb direction and Noel Coward's perfect story give space to show that you don't need to be Romeo And Juliet to tell that love's a good cause to fight,even when the fight is lost

Brief Encounter was written by Noel Coward and directed by David Lean.

The snobbish Coward was gay and Lean had married multiple times during his life. Here was a film made by contrasting personalities.

The movie is all about middle class restraint. It might be to do with the film censorship of the time or not to offend its audience. After all this is a romantic drama about nice people and middle class mores.

Laura Jesson (Celia Johnson) meets Dr Alec Harvey (Trevor Howard) in a cafe at a railway station. She has some grit in her eye and he removes it with his handkerchief.

They then sit and chat to each other. Both are seemingly happily married and have children. When Laura gets up to catch her train, Alec impulsively asks to meet again.

They do meet, have lunch, go to a cinema, walks in the country.

Told in flashback by Laura, her desire and longing for Alec only gets more intense. Enough for them to take risks. A discreet visit to an apartment owned by Alec's friend.

Brief Encounter is a simple movie that is rooted to its time. Lean disguises the simplicity. Laura's and Alec's increasing serious relationship is in contrast with the more comic tone of the station master Albert and the cafe manageress Myrtle. The latter are more working class and flirt rather openly. Laura and Alec try to keep everything discreet.

This is a genteel romantic drama. People talked in clipped tones. It hides a lot of passion underneath and this is highlighted in Laura's narration. There is desperation when their final goodbye is interrupted.

Brief Encounter would not work today. There have been attempts to do something similar. Falling in Love starring Robert De Niro and Meryl Streep had similar themes.

**SPOILERS** Meeting quite by accident at the Milford train station British housewife Laura Jesson, Celi Johnson, got a speck of grit stuck in her eye that fellow passenger Dr. Alec Harvey,Trevor Howard, quickly came to her aid and washed out. Alec then slowly starts to get these strong feeling about the sweet and somewhat shy, as well as married, middle-age woman that in no time at all turns into an uncontrollable, by both Laura as well as Alec, love affair that in the end if not checked my well break up both of their marriage's.

Even though both Alec and Laura are married, not to each other, we only get to see Laura's husband and family in the movie which is shown in a long flashback, that takes up almost the entire film, from only Laura's point of view. After that innocent meeting at the train station the two always end up meeting on a Thursday when Laura travels to Milford to buy groceries and Alec has the afternoon off from work. Alec a doctor at the Milford hospital has a wife and family who we never get to see but sense are very much in love with him. Alec's life starts to take a sudden turn away from them as he starts to slowly fall in love with Laura.

You never once get the impression that Alec and Laura are willing to leave their wife and husband so that they can get married to each other. The two star-struck lovers only want to keep their affair secret and live double-lives but the guilt of the affair consumes Laura. For the first time in her marriage Laura lied to her husband Fred, Cyril Raymond, about her being in love with another man. Even though she admitted it to Fred in an almost whimsical way, that Fred took as a joke, Laura also realized that no matter how much she was in love with Alec, and he with her, in the end it would only lead to nothing but heartbreak for her as well as everyone, Alec together with her and his families, involved.

It was later when Alec got a job at his brothers new hospital in Johannesburg South Africa that both he and Laura could finally break up their affair by the two never having to as much as cross their paths again. Even saying goodbye to each other for the last time was never to happen when the two were interrupted at the train station by Laura's chatter-house friend Dolly Mesitter, Everly Gregg. Dolly's non-stop talking prevented the two from having the last few minutes together with each other but at the same time also prevented Laura from throwing herself on the tracks, by momentarily keeping her mind off the fact that Alec was about to leave her, as Alec's train left the station.

Extremely moving adult drama about two persons who find out only too late in life that they were meant for each other but missed the boat, or train, when it came into the station and have to do with what they have: try to forget they ever met no matter how much sorrow and grief it would bring them. Both Celia Johnson and Trevor Howard were touchingly effective as the star-struck lovers Laura and Alec who knew that their affair was doomed from the start and just had to accept what fate had handed them: try to forget that brief encounter they had one fateful evening in the railroad station outside of Milford.