Kismet
- 1944
- Tous publics
- 1h 40m
IMDb RATING
6.0/10
1.4K
YOUR RATING
In ancient Baghdad, Hafiz the King of Beggars dreams of untold riches and of marrying his daughter to a real prince.In ancient Baghdad, Hafiz the King of Beggars dreams of untold riches and of marrying his daughter to a real prince.In ancient Baghdad, Hafiz the King of Beggars dreams of untold riches and of marrying his daughter to a real prince.
- Nominated for 4 Oscars
- 1 win & 4 nominations total
Eddie Abdo
- Aide to Mansur
- (uncredited)
- …
Jimmy Ames
- Major Domo
- (uncredited)
Morris Ankrum
- The Caliph's Messenger
- (uncredited)
Leslie Anthony
- Handmaiden
- (uncredited)
Lynn Arlen
- Handmaiden
- (uncredited)
Noble Blake
- Nubian Slave
- (uncredited)
Carla Boehm
- Handmaiden
- (uncredited)
Dick Botiller
- Aide to Mansur
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
‘Snow White’ Stars Test Their Wits
Storyline
Did you know
- TriviaThe decision to paint Dietrich's legs gold was a last resort. Initially, they had made fine mesh tights for her, like chain-mail. It took several hours to close the links up the back using jeweler's pliers. However, after she was encased in the mesh, it was discovered she couldn't move, so they undid the tights and resorted to gold paint.
- GoofsRonald Colman's character eats with his left hand, which is taboo in Arabic culture.
- ConnectionsFeatured in That's Dancing! (1985)
- SoundtracksTell Me, Tell Me, Evening Star
(1944) (uncredited)
Music by Harold Arlen
Lyrics by E.Y. Harburg
Partially sung by Marlene Dietrich
Sung by Joy Page (dubbed by Doreen Tryden)
Featured review
'Kismet' marked Marlene Dietrich's final concession to Hollywood frivolity before getting into uniform for the sake of war work in Europe by appearing in Metro's version of the sort of Technicolor nonsense Maria Montez was currently making for Universal; albeit with a much starrier cast.
An Arabian Nights fantasy of the type being made back in Germany when William Dieterle was there directing silents (including a couple featuring Dietrich) with remarkably similar production design. Despite Ronald Colman's usual quiet authority in the lead, its most memorable feature has to be Dietrich performing - in the only one of her four scenes lasting longer than a minute - an exotic 'dance' with - as Elkan Allan once described it - "that fabulous body painted gold", owing more to editing than choreography and anticipating Shirley Eaton in 'Goldfinger' by twenty years.
An Arabian Nights fantasy of the type being made back in Germany when William Dieterle was there directing silents (including a couple featuring Dietrich) with remarkably similar production design. Despite Ronald Colman's usual quiet authority in the lead, its most memorable feature has to be Dietrich performing - in the only one of her four scenes lasting longer than a minute - an exotic 'dance' with - as Elkan Allan once described it - "that fabulous body painted gold", owing more to editing than choreography and anticipating Shirley Eaton in 'Goldfinger' by twenty years.
- richardchatten
- Sep 3, 2024
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Details
Box office
- Budget
- $3,000,000 (estimated)
- Runtime1 hour 40 minutes
- Aspect ratio
- 1.37 : 1
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