Charlie Chan in The Chinese Cat

Sidney Toler again reprises most honorable interpretation of Charlie Chan. This time Chan is helping a former police detective(now just a cop) and a beautiful woman out to clear her mother's name in the murder case of her step-father many months ago. It seems he was murdered in his study grasping a bishop from a chess set in the shadow of an ebony Chinese cat statue. Well, this film has a neat and tidy mystery - not too terribly clever or hard to grasp - but highly enjoyable nonetheless. Toler does his best in bringing charm and grace to the role of Chan with always a generous dose of subtle humour. Toler perhaps has too many clichés to throw out, but most of them in this film are amusing and some even telling. Benson Fong is back as #3 son. He and Toler have good chemistry, but he is even better when paired with cab driver/later to be chauffeur Birmingham Brown(played by a great, sometimes forgotten Mantan Moreland). Moreland is just wonderful in his portrayal of a witty, sometimes very blunt/direct working man playing against the characters of Chan and #3 son. Add to this that Moreland is just plain funny. He had me in stitches more than once in this film and every one of his scenes is a real hoot. All the acting is solid if not dazzling in any way. Ian Keith does a particularly solid job as a naysayer to Chan's gift of detection and John Davidson has a good time playing some weird twins Carl and Kurt. While not one of the best Chan films, Charlie Chan in The Chinese Cat is a very entertaining entry.

A man playing chess is shot by an unknown hand. The dying man sweeps the chess pieces off the board–but leaves a bishop standing. A clue?

Charlie Chan is eventually recruited to investigate, but he only has 48 hours before leaving town on government business. In that short time, his investigation leads to artsy figurines hidden in bread loaves, and opens secret compartments concealing diamonds in those same figurines.

Sidney Toler is steady as always in this modest Chan mystery. Benson Fong is energetic as son Tommy Chan, and the father-son back-and- forth includes the usual amount of moderately amusing banter:

Tommy Chan: "Pop, I got a case that will knock your hat off." Pop Chan: "Can remove hat without assistance, thank you."

Joan Woodbury is sadly wasted as the murder victim's stepdaughter. You'd think Woodbury would add some zip to a picture like this, but unfortunately she's stuck as a helpless hand-wringer rather than the spunky fast-talker she so often played. However, Woodbury's blandness is nothing compared with that of her detective boyfriend (Weldon Heyburn), who simply has nothing interesting to say or do the whole picture. Poor guy!

Thank goodness for Mantan Moreland, who livens up his scenes as taxi driver Birmingham Brown. Fong is also fun as the number three son (although he sure smiles a lot, even when he's just discovered a dead body).

Overall, it's not much of a plot but the familiar lead characters are always watchable.

Sidney Toler is Charlie Chan in "Charlie Chan in the Chinese Cat," a 1944 film, part of the Monogram Chinese Chan series. These films were made for twenty cents and probably took a day to film. Nevertheless, they can be fun.

Charlie here is trying to solve a locked-door murder that the police gave up on; however, a book has been published all but accusing the victim's wife of killing him, and his stepdaughter (Leah Manning) begs Charlie to investigate before he moves on to his next case.

With the help (sort of) of taxi driver Birmingham Brown (Mantan Moreland) and Charlie's son #3 (Benson Fong), he sets out to find what really happened.

The Monogram Chan series is not as fun or as good as the Fox series, but when Fox dropped Charlie Chan, Sidney Toler took him to Monogram. Toler had gotten the rights from Earl Derr Biggers' widow. After Toler died, the role went to Roland Winters.

Some of the dialogue here is quite fun as Charlie berates his son's presence and ability, though #3 son ends up acquitting himself quite well. Mantan Moreland is good as Birmingham, in fact, he was one of the best things about the series, but he doesn't have much to do here.

His usual character was that of the Chan chauffeur. Now he's a taxi driver who worked with Chan previously and comes back into the fold.

Just to show how quickly these were filmed, in one scene, Charlie breaks a numbered light series which shows what maze in a fun house is being used. One of the light bulbs remains intact, but they didn't re-film it.

Anyway, the mystery here is pretty good, and the fun house maze is entertaining. Recommended for Charlie Chan fans.

Monogram's Charlie Chan films tended to suffer towards the end by lack of caring. The plots ended up confused and messy aimed more at Birmingham Brown and the Chan son of the film being silly while Charlie said wise things. Here, thankfully, the film is blessed with a decent mystery, different sets than most of the others, and several good supporting performances, in particular by the always wonderful, and sadly not well known John Davidson.

Here we have the death of a chess expert and assorted other goings on that make this one of the better later Chan films. I don't want to say too much since the joy here is in the watching, and this film is certainly worth watching.

7 out of 10

Tommy Chan, Number Three Son, promises a young woman that her stepfather's killer will be apprehended by his father. The police have listed it as an unsolved crime and there seems little hope. We, of course, know better. Once again, Mantan Moreland, who is a cab driver in this one, assists out of fear for his safety. There seems to be something going on with Chinese cat statues and diamonds. A police detective, sort of a Neanderthal, who really knows nothing, has been demoted. He fell in love with the young woman in question and was seen as a liability. Actually, it turns out that he is. He knows nothing and contributes nothing to the solution. Charlie also gets into it with a mystery writing who thinks he can outdo the great Asian detective. Maybe a little too much funny stuff and some really stupid criminals. Kind of par for the course.