Candlelight in Algeria

British spy Alan Thurston (Mason) is trying to get hold of a camera to bring to the British Consulate in Algiers. It has pictures of the location of a top-secret meeting place of the Allied commanders regarding the invasion of North Africa. Tailing him is RNO (repugnant Nazi official) Dr. Muller, who knows of the camera. Thurston breaks into the Algerian residence of American civilian Susan Foster (Carla Lehmann), with Muller in hot pursuit. Thurston persuades her to help him in his quest for the camera, since he is too notorious and would be arrested on sight in Algiers. There then follows a tense and taut cat-and-mouse game with Nazi officials and our two co-heroes.

The picture is extremely well-done and the suspense doesn't let up for the entire 82 minutes (by my watch). There is a romantic interlude in The Casbah, where Thurston has sought refuge and has taken Ms. Foster, reminiscent of 'Pepe Le Moko", in which similar circumstances occur. Ms. Foster, it turns out, is from Kansas, fulfilling the prophesy of my headline. Walter Rilla plays Dr. Muller in despicable fashion, a Nazi civilian official feared by everyone in the picture except Thurston.

Despite the grim circumstances the mood of the picture ranges from deadly serious to lighthearted, especially during exchanges between Mason and Lehmann (the deadly serious passages belong to Rilla). I agree with a reviewer above that Mason was a dashing adventure hero - too bad he became typecast as humorless and overbearing. I don't understand why this movie is so lightly regarded and why it hasn't been shown on TV or in revival houses. Note to IMDb directors: Your rating is too low. It is better than a similar movie, "Five Graves To Cairo", made the previous year. You should at least use the median figure instead of the weighted one.

"Candlelight in Algeria" is, by my standards, a superior noir adventure which concerns a secret conference being held, despite danger, in Algeria during WWII. The protagonist is an American girl from Kansas--a reference to Dorothy's line in the"Wizard of Oz" (1939) "I guess we're not in Kansas any more." She is staying with relatives and falls in with a spy, ably played by the powerful James Mason. The body of this brilliantly suspenseful film then falls into important episodes, involving a dangerous theft, misunderstandings, a major confrontation with the Nazi's chief investigator, and a thrilling flight leading to the final action--one in which Mason risks his life to divert the Nazis and their coerced French partners from disrupting the conference. The film is told in an envelope flashback by the heroine, Lehman, in a hospital, wondering whether Mason is alive or dead. George King directed most skillfully, from a script by Dorothy Hope, John Clements, Katharine Strueby and Brock Williams. The film was produced by John Stafford with original music by Roy Douglas and James Turner and award- level cinematography by Otto Heller. The fine art direction was done by Norman G. Arnold. In the above-average cast, Carla Lehman was charismatic and intelligent as the American girl, and James Mason more than excellent as the solider-spy who enlists her before falling in love with her. Walter Rilla plays a most intelligent spy master, Dr, Muller; Raymond Lovell and Enid Stamp-Taylor are used for comedy. Offbeat Pamela Stirling as Yvette and the rest of the cast are all more than adequate. A classic chase and hiding out in the Casbah is given touches of humor, without ever losing its interesting edge as it pits suave Brit Mason against brave but naive neo-puritan USer, Lehman. Look for the interrogation scenes, the Algiers' hideout scenes and the climactic, intelligent chase sequence, among others. This is a film worth watching many times, and for many values, I suggest. It was often imitated afterward but seldom equaled.

"Candlelight in Algeria" still burns strong today. Considering that this was released in 1944, one would be forgiven for thinking that this would be a rather cringe-inducing jingoistic piece of propaganda. Propaganda it may be, but I would call it classy propaganda. It's intelligent for starters as the Germans are portrayed well and are not stereotypical monsters or evil caricatures. That is something I really applaud this film for, it's as if the filmmakers intended on making a film that could age as well as any other from this era and still be praised decades later, but still is respectful of what the cinema-going public wanted to see at that time. So as a propaganda film it is strong in how it portrays the background to the Allied invasion of North Africa in Operation Torch in 1942 - the beginning of American involvement in the war against Nazi Germany - and the celebration of that subsequent victory with the Allies marching into Tunis.

It's worth knowing a little bit of WW2 history to understand what's going on here. The film centres around a woman telling the story of her involvement in a major covert operation in ensuring the secrecy of Operation Torch. Carla Lehmann is excellent in the lead. At the very least it is worth knowing a bit about Vichy France (the French-Nazi puppet government that encapsulated the southern part of France following German occupation in 1940) and its involvement in North Africa.

Interesting note, and something I spotted straight away in the opening credits, Hammer legend Terence Fisher (director of "The Curse of Frankenstein" and "Dracula") was part of the editing team.

This is all adventure while the war is only a decoration. Lovely Carla Lehmann, reminding very much of Carole Lombard, is a very American Kansas girl who accidentally gets mixed up with a brazen English adventurer (James Mason) who has taken some forbidden pictures of some very secret German maps, which he is being chased for as he tries to smuggle them out of Algeria. They team up and eventually end up in the exotic Casbah, where anyone can hide or disappear forever. There is a lot of good humour here, the dialog is flippant and exhilarating, the wit is constantly on a high level and good mood, and Carla is doing surprisingly well. The Germans are not all complete dumbbells here, doktor Muller is quite awesome in his perfect politeness, and the exploration of intriguing environments in Algiers is quite entertaining, and eventually the invasion of North Africa starts rolling on. The spirit of the film is ironic with some detachment, and there are some really hilarious scenes with French and German officers in their very different approach to women. It is not a great film, but it is entertaining enough.

Candlelight in Algeria from 1944 is a British film about the invasion of North Africa by the Allies. It stars a skinny, mustached James Mason and Carla Lehmann.

Lehmann plays Susan, an American from Kansas who meets Alan (Mason) on the run from the Germans, when he breaks into her house. He asks her to steal a camera which has film showing the meeting place of the Allies to plan the invasion.

When the Germans arrest her, Alan rescues her, but the Germans are in pursuit.

Very good and atmospheric film, with Lehman resembling Meryl Streep in some angles. Mason had a remarkable career in British films before hitting a big over here; in this film, he is a scrappy freedom fighter.