Mortimer Brewster, a Brooklyn writer of books on the futility of marriage, risks his reputation after he decides to tie the knot. Things grow complicated when he learns that his beloved maid... Read allMortimer Brewster, a Brooklyn writer of books on the futility of marriage, risks his reputation after he decides to tie the knot. Things grow complicated when he learns that his beloved maiden aunts Abby and Martha are serial murderers.Mortimer Brewster, a Brooklyn writer of books on the futility of marriage, risks his reputation after he decides to tie the knot. Things grow complicated when he learns that his beloved maiden aunts Abby and Martha are serial murderers.
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That's right, no cheap shots here. There are some absolutely brilliant scenes in this film that made me laugh out loud, while at the same time scream out "Capra's a genius!" If you wanna see what comedy is truly all about, watch the scene where Cary Grant (noted drama critic) is describing the story of a bad play he had just seen to Peter Lorre. As he's doing so, everything that happened in the story is going on right behind his back. Doesn't sound like much on paper, but you have to see it to believe it. There are also many great lines, including "Pull up a tombstone."
The acting is topnotch. I can't believe Grant felt this was the worst movie he's ever done (check the Trivia section). I actually liked the fact that this was a different role for him, as opposed to the suave, quiet, laid-back romantic he-man he usually plays. In this movie, we really get to see his knack for slapstick--and he's great at it! Every facial expression, every bulge of the eyes--he did it with such perfect timing. There's also a great scene where they all start fighting, and Grant sits on the stairs and smokes a cigarette while all this bedlam ensues. His deadpan expression during that scene is classic. I also have to give it up for everyone else in the cast--though Grant deserves the most acclaim.
There are lulls here and there, and the film runs a little long (though that wouldn't surprise me being that it was adapted from a stage play), but there are so many beautifully crafted, hilarious moments that I can't rate this movie as anything less than a must-see! I would go on and on about which scenes I found memorable, but I don't wanna spoil it for anyone. Just see it for yourself! Trust me, you'll die laughing!
My score: 9 (out of 10)
Mortimer and Elaine take a taxi to Brooklyn to bring their luggage and Mortimer visits his adorable elderly aunts Abby (Josephine Hull) and Martha Brewster (Jean Adair), who raised him and are considered Good Samaritans in the neighborhood, renting rooms and giving meals to the poor. His aunts live with his insane brother Teddy (John Alexander), who believes that is Theodore Roosevelt and is digging locks for the Panama Canal in the basement of the house. When Mortimer is ready to go, he finds a dead body hidden in the window seat and his aunts explains that they have murdered the poor men for charity to stop their suffering serving wine spiked with arsenic and other poisons. Then Teddy buries the corpses in the locks believing that they had yellow fever.
Mortimer decides to send Teddy to the Happy Dale Sanatorium but things get worse when his other insane and cruel brother Jonathan Brewster (Raymond Massey), who had disappeared twenty years ago and has the face of Boris Karloff, unexpectedly appears in the house with his alcoholic partner, the plastic surgeon Dr. Einstein (Peter Lorre), expecting to find a place to dispose the corpse of his victim. The place transforms in a nuthouse.
"Arsenic and Old Lace" is a hilarious screwball comedy by Frank Capra based on a theater play. The plot and the characters are very funny with Josephine Hull and Jean Adair performing two innocent serial-killers believing that the death of their victims is charity. Cary Grant exaggerates in his reaction and he seems to be crazier than his insane relatives, but the result is wonderful. My vote is eight.
Title (Brazil): "Este Mundo é um Hospício" ("This World is a Sanatorium")
Arsenic and Old Lace was running on Broadway at the time and authors Howard Lindsay and Russell Crouse had sold the film rights to Warner Brothers. Capra negotiated a deal with Jack Warner for a percentage and told him how he would do the film on the cheap, but not cut production values. Years of experience at Columbia had taught him how. The property was perfect since 90% of it is on one set, the Brewster living room.
So the shooting was for four weeks and a big percentage of the budget was spent on getting a name star for guaranteed box office, that of course being Cary Grant. Of course this being 1941 the shooting was interrupted briefly by the actual attack on Pearl Harbor. But the film wrapped up quickly and was not released to the public until 1944 after the show on Broadway closed. It was however shown to troops overseas as were several other Hollywood films before they reached the domestic market.
Of course with a Capra selected cast the film was a great triumph. Only Jean Adair and Josephine Hull as the Brewster sisters and John Alexander as "Theodore Roosevelt" Brewster repeated their Broadway roles. Capra had insisted on that.
I don't think Cary Grant was ever more frantic in his film career than in Arsenic and Old Lace. He's one bundle of perpetual motion as Mortimer Brewster theater critic and member of a family where insanity doesn't just run, it gallops. He's got two daffy old spinster aunts who poison lonely old men to cure their loneliness, a brother who thinks he's Teddy Roosevelt, and another brother who is a homicidal maniac. Quite a family tree. Grant's performance is so good, you can see the fevered workings of his mind in his facial expressions as he frantically tries to get his whole family committed before the aunt's deeds are discovered.
Of the supporting cast I think that Raymond Massey as the homicidal brother, Peter Lorre as his sidekick, and Jack Carson as the dense police officer truly stand out. They and the others play parts that seem tailor made for them.
Over fifty years later, Arsenic and Old Lace will still fracture the funny bone in you.
And I wouldn't bet we've still not seen the last Roosevelt in the White House.
Did you know
- TriviaAt the time of production, Warner Bros. announced that the Brewster house was the largest set ever built at the studio. The house was complete, room by room, in every detail. Production records confirm that several scenes were shot in various rooms of the Brewster house. (Mortimer's grandfather's study, the aunts' bedroom, and the cellar were filmed, but not included in the final cut of the film).
- GoofsThe movie opens with the Brooklyn Dodgers winning a baseball game on Halloween, weeks after the end of baseball season. This is a gag to suggest that the only time the Brooklyn Dodgers could win is on Halloween, similar to saying when pigs fly.
- Quotes
Mortimer Brewster: Look I probably should have told you this before but you see... well... insanity runs in my family...
[he hears Abby and Martha singing]
Mortimer Brewster: It practically gallops.
- Crazy creditsThis is a Hallowe'en tale of Brooklyn, where anything can happen -- and it usually does. At 3 P.M. on this particular day, this was happening. [Scene of Brooklyn Dodgers and New York Yankees baseball game, irate fans and brouhaha between teams on the field, then...] While at the same time across the river in the UNITED STATES PROPER there was romance in the air. [Scene of cruise ship on the river with NY City skyline in the background, then...] And now, back to one of Brooklyn's most charming residential districts -- [Scene of old gabled Brewster house next to a cemetery, then...] -- From here on you're on your own.
- Alternate versionsAlso available in a computer colorized version.
- ConnectionsFeatured in The 42nd Annual Academy Awards (1970)
- SoundtracksThere Is a Happy Land
(uncredited)
Music by Leonard P. Breedlove
Arranged by Max Steiner
[quoted in score]
Details
Box office
- Budget
- $1,164,000 (estimated)
- Runtime1 hour 58 minutes
- Color
- Aspect ratio
- 1.37 : 1