German artists faced a painful choice under the Nazis. Many fled abroad, driven by ideology or religion; a few resisted. Those remaining had little choice beyond collaboration: Propaganda Minister Joseph Goebbels’ dictatorial control of German culture, especially cinema, demanded public and private conformity. Usually, Goebbels tolerated a Jewish spouse or off-hand criticism, but occasionally he felt compelled to make an example.
This article briefly profiles two men who became such “examples.” Among the millions killed by Hitler’s regime, it’s easy to overlook individual tragedies. Yet their fates show that fame, wealth and talent were no guarantee against persecution.
Joachim Gottschalk had a promising career (and life) cut tragically short. Born in Calau, Brandenberg in 1904, Gottschalk acted on stage throughout the 1920s and 1930s. Gottschalk married Meta Wolff, a Jewish actress, in 1930; three years later, they had a son, Michael. When the Nazis came to power, Wolff was denied right to work onstage.
This article briefly profiles two men who became such “examples.” Among the millions killed by Hitler’s regime, it’s easy to overlook individual tragedies. Yet their fates show that fame, wealth and talent were no guarantee against persecution.
Joachim Gottschalk had a promising career (and life) cut tragically short. Born in Calau, Brandenberg in 1904, Gottschalk acted on stage throughout the 1920s and 1930s. Gottschalk married Meta Wolff, a Jewish actress, in 1930; three years later, they had a son, Michael. When the Nazis came to power, Wolff was denied right to work onstage.
- 7/26/2015
- by Christopher Saunders
- SoundOnSight
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