Nazty Nuisance

No doubt the Hollywood war propaganda machine was working overtime and exhausted when this little flicker was approved for production. The plot is terrible but the portrayals of Hitler and Mussolini are spot on. I bet GI's on troop ships heading for Europe found it hilarious. In that manner it's a little gem. A lot of production values in sets and costumes. Clever use of Alka-Seltzer. Enjoy it for what it is.

This is the sequel to The Devil With Hitler concerns Hitler, Mussolini and Suki Yaki going on a secret mission to sign a treaty with an Arab sheik. Once in the desert the trio run into not only the sheik but also a sailor with a talent for magic.

I don't know which is a better movie, this or the first film. The first film has long set pieces and not much in the way of "plot", this one has more of a plot and less set pieces. Both are funny, which is all that matters. Its more craziness as the three leaders attempt a game of oneupmanship with each other and only prove they are on up on no one. This is the lighter of the two films with the eeriness of Hitler's pronouncements about the horrors of the Third Reich gone, replaced by a magic act and an ape. Its a great deal of fun.

Worth seeing, especially if you can double feature it with the first film. (Apparently after the initial release the two "streamliners" were cut together into a regular feature)

Nazty Nuisance (1943)

* 1/2 (out of 4)

Hal Roach comedy is a sequel to The Devil With Hitler has Hitler, Suki Yaki and Mussolini traveling to a deserted island to sign a deal with an Arab but there's an American sailor there who has his own plans. This here comes as a real disappointment because I really enjoyed the previous film for its rather unique story. As with that film, this one here runs 44-minutes but there are only a couple laughs. There's one huge laugh where Hitler is fed soup with a box of pepper in it but outside of this scene there's really not much going on.

Considering that this film is LESS sophisticated and the humor is even broader than the Three Stooges in I'LL NEVER HEIL AGAIN (where the three play the leaders of the Axis Powers), it's no surprise that I only gave it a score of 3. Like many of the Hal Roach short movies of the early 1940's, this one is pretty poorly written and the humor is far from sophisticated--in fact, it's downright childish. This film is about as close as you'll find to "Bevis and Butthead" in this era--it's THAT silly. But, like Bevis and Butthead, you might in spite of the lameness, actually find yourself laughing at some of their antics. Just don't let anyone see you watch this dopey propaganda film if you want to impress them with your sophistication or intelligence!!!

As for the plot, it's a fantasy involving Hitler, Mussolini and, oddly, a Japanese general named "Suki Yaki"--instead of Hirohito or even Tojo. All three go to a fictional Arabic country to sign a treaty with a self-important despot. At the same time, a dingy full of Americans sailors from a sunken ship arrive and are able to thwart the evil trio's plans. It is fun to watch them beat up Hitler and it's a great historical insight into the times, but don't expect a great film. Dumb, silly and yet somehow watchable--this is NAZTY NUISANCE.

A couple of tidbits--First, the film refers to Hitler as "the paper hanger", though Hitler never worked putting up wallpaper (a common myth of the time). Second, I recognized the young lady who starred in the film (Jean Porter) but at first had trouble placing her. Among other films, she starred in an Andy Hardy film as well as a couple of the William Tracy army films made by Roach Studios.

Hitler, Mussolini and Suki Yaki go to a small island to negotiate with a stage magician. Little do they know they are dealing with shipwrecked sailors.

It's mean-spirited wartime burlesque, pure and simple, made while Roach's studio was mostly busy with war work. How Glen Tryon came to shoot this piece at the Lot of Fun is a bit of a mystery, but he did have a history with Roach, having been a starring player for several of Roach's mid-twenties features and shorts. Then he had gone on to other companies. Tryon's acting career ended in 1932. He moved behind the camera, writing and directing. His movie work ended in the late 1940s.

Before you start ranting about the racism evident in this movie, try taking a look at current Chinese movies about World War Two, made three quarters of a century after that conflict ended. They are even more racist about Japan.