L'Étrangleur

That body - those legs - yes, it's Barbara Stanwyck, who is sensational in "Lady of Burlesque," a 1943 film based on Gypsy Rose Lee's novel "The G String Murders." The murder mystery aspect of this film (which is pretty lame) is just an excuse to give the audience a taste of life in a burlesque house - the crummy dressing rooms, the fights, the raids, the dumb on-stage humor, and underneath it all, a camaraderie and a closeness. The performances are all very chaste thanks to the censors. Stanwyck performs "Take It Off the E-String (Play It On the G-String)" and she's fantastic. It sounded like she was dubbed in the big parts of the song, but the lower register sounds a lot like her.

Stanwyck is Dixie Daisy, a newcomer to this burlesque house who's making a big splash with the customers and with one of the comics (Michael O'Shea). When one of the girls is murdered, and then another (strangled with a G string), it begins to look as if someone is trying to close the old opera house where the show plays.

Stanwyck is backed up by a lot of pros, including Iris Adrian, O'Shea, J. Edward Bromberg, and Pinky Lee. They're pros but she's a star - and it's her film from beginning to end. Somehow Stanwyck made it all look easy, slipping as easily into this role as she did into all the parts she played throughout her career. And it looks like she did her own dancing too.

"Lady of Burlesque" is a lot of fun, and Stanwyck - sexy, tough, and warm - is spectacular.

William Wellman, the man who brought you NOTHING SACRED, BEAU GESTE, ROXIE HART, THE PUBLIC ENEMY, A STAR IS BORN, and WINGS, brings you this neglected gem starring the one and only Barbara Stanwyck. Available for some reason in a thousand cheapie video bins for under five bucks, this 91 minute classic B-movie puts the B in sublime. An A-list group decided to adapt Gypsy Rose Lee's exploitation sex - murder - laughs novel for the silver screen, and the sheer joy brought to the tawdry enterprise somehow transmutes the base material - the murder plot was creaky for 1943 - into show-biz gold. When you think of old-fashioned entertainment, you are picturing LADY OF BURLESQUE, in which a maniac is killing the show-girls in a run-down burlesque theater, and a baggy-pants comic steadfastly pursues Barbara Stanwyck with wisecracks and dutch-treat dates. The real stars are the burlesque performers, lovable freaks from the Hollywood gutter spouting a hard-bitten patter with the nano-second timing of people who'd been doing this since their parents dragged them onto the vaudeville stage when they were three. Stanwyck was the only major screen queen from the thirties and forties who specialized in hopelessly vulgar heroines (see STELLA DALLAS and BABY FACE), but here she's the class act because she's the only one not trying to be classy. Her love interest is the wonderful Michael O'Shea, who plays the false nose comedian who falls for Stanwyck. Stanwyck puts a spin on the word "comic" that makes it sound like a four letter word. One scene above all others stakes this movie's claim to greatness - while in the middle of a hoary old comedy sketch, Stanwyck and O'Shea are interrupted by the off-stage wailings of a stripper being beaten up by her thug boyfriend. No one backstage will stop the brutality because they're all scared of the thug, so the onstage performers strike up the band and try to drown out the screams with an up-tempo musical number and improvised jitterbugging. Note, too, the big built blonde with the lisp who declares of the most recent murder "How gruethome!"

"Lady of Burlesque" takes an unusual combination of story, setting, and characters, and puts it together into a rather entertaining movie. The murder mystery plot, the cast, and the seedy backstage setting make for an interesting setup, with things moving at a good pace.

Barbara Stanwyck makes an interesting lead, as the burlesque star who has to try to track down a murderer while having some tart exchanges with her companions backstage. Michael O'Shea plays his stage comic role a bit too broadly at times, but he is often entertaining. Charles Dingle makes good use of his scenes as the police inspector, and he gives Stanwyck a good foil to play off of. Of the numerous other dancer characters, a couple of them are given some occasional good moments, although several of the others remain too indistinct from one another.

Almost the entire story is told in the theater and dressing rooms where the company is playing, and the script is generally resourceful in keeping things interesting within these narrow confines. The mystery in itself is not particularly complex, but it works as a setup for a number of interesting sequences. Overall, there's not anything remarkable, but it works well as light entertainment with some interesting character interaction.

Barbara Stanwyck got to really show her versatility in Lady of Burlesque doing a couple of numbers that did make me wonder why she didn't try to do a full blown musical. Of course she had the best of inspiration in a book that was partially written by the one and only Gypsy Rose Lee.

Gypsy needed a ghostwriter, but she certainly knew the world of burlesque as none other. So with Craig Rice's ghostwriting they fashioned a murder mystery set in the burlesque world. Somebody is killing the strippers at a burlesque theater and Barbara isn't sitting around waiting to be the next victim. With the help of comic Michael O'Shea she's going to find the perpetrator before she gets done in with her G String.

A lovely group of movie queens help Barbara out in this film. Playing some of her peers are Iris Adrian, Gloria Dickson, Marion Martin, Janis Carter, Stephanie Bachelor, and Victoria Faust. Some of these don't make it to the end of the picture.

Playing another of the comics is Pinky Lee who I well remember because I used to watch his kid's television show back in my salad days. Pinky was as frantic as I remember him and he does a mean jitterbug with Stanwyck.

William Wellman as director keeps the pace of things going pretty nicely. And if you're a leg man, this picture will leave you nothing to complain about. As for the murderer, here's a hint, it's roughly the equivalent of the butler doing it.

Gypsy Rose Lee wrote several mystery novels. The most famous is "The G-String Murders", from which "Lady of Burlesque" was adapted. The novel is delightful, as many have noted, opening a window onto a lost world of performances and the lives of those who peopled it. Director William Wellman and writer James Gunn combined their talents with Bernard Herbzrun's inspired art direction to produce a wonderfully-mounted B/W classic of images, characters and mystery here. Heading the cast are dynamic Barbara Stanwyck, Marion Martin, Pinky Lee, J. Edward Bromberg as the policeman on the case and Michael O'Shea as the brash but lovable comic who pursues Stanwyck. The storyline involved rivalries, pretensions and tensions among the ladies of a burlesque troupe; the plot is about respect and how the characters plan to obtain it. The entry of a murderer into the performers' insular and fascinating world of performing and being apart from a society which finds them amusing, exotic and unknowable makes this an interesting "island" vehicle, one used for examining and exampling human values, ideas and actions. The rooftop sequences are still stunning; I find that the human values retain their potency to move and to interest. Stanwyck is marvelous, O'Shea and Pinky Lee perfect. Marion Martin and Iris Adrian, as well as Bromberg, get everything out of their parts that is there, and then some. One-of-a-kind because of Miss Lee's authenticity. faithfully reproduced on screen with swift pace and intelligence. Highly recommended for its atmosphere and for much, much more.