Gung Ho

I've seen this film several times and it reflects the patriotism of America during WWII. It actually intertwines real history with Hollywood fantasy by modeling the story from the Marine Corps' Raider Battalion. Randolph Scott's Col. Thorwald is loosely based on Lt.Col. Evans Carlson's philosophies and his own experience in China. I enjoyed seeing Noah Beery, who would later become James Garner's dad in "The Rockford Files", and Robert Mitchum, already possessing his laid-back approach to acting. Most war-themed movies made during the war were aimed to boost morale and make our boys into the heroes they eventually became, although at times the dialogue was over-the-top. Still entertaining, and gives an idea what a war with a purpose was about.

Other reviewers have published some excellent critiques of this 1943 war-action film from the perspective of the military and military history. Given the subject matter - the introduction of guerilla tactics to the Marine Corps - the historic perspective is particularly important. Though I am no stranger to either perspective, I am going to discuss Gung Ho strictly from the perspective of its genre - military action.

Though loaded with clichés such as rousing pre-battle speeches and over-dramatized death scenes, Gung Ho tells a more-or-less true story about the successful deployment of the Makin Raiders (Carlson's Raiders) on a minor Japanese stronghold (Makin Atoll). Fifteen thousand men volunteer, and in the end, only 200 make the team. These two hundred men will adopt the Chinese phrase Gung Ho (roughly translated as working harmoniously) as a philosophical approach to the task at hand.

In the military action film tradition, we are briefly introduced to each of the men whose battle experience will form the central action later in the film. The characters are surprisingly well-developed and realistic, but the laundry-list approach to character development doesn't work very well in terms of pace and cinematography. Once deployed, the Makin Raiders immediately spring into action, employing intelligence, an unusual degree of individual initiative, and great courage, to challenge the overwhelming odds against their capture of the island of Butaritari in the Makin Atoll.

The action sequences are quite entertaining, nicely thought-out, and the effects are brilliantly executed. From a pure action perspective, the film rates high for its time. The cinematography is quite good, the acting is OK, but hampered by some very mediocre directing. The early appearance of later legend Robert Mitchum is noteworthy, and Mitchum, even this early in his career, dominates every scene he is in.

Gung Ho, however, has been justly accused of propagandism and jingoism, as well as historical inaccuracy. Overall, given the fact that this film was released in 1943 within months of the securing of Guadalcanal by U.S. forces, this is hardly surprising.

From a civilian perspective, it's really just a 'pretty good' war film.

A lot has been said about this picture's outrageous jingoism, and that's a valid point, but this wasn't intended to be a history lesson (although it's based on a true story), it was made as propaganda to further the war effort, and at that it succeeds. It's quite well made, the battle scenes are exciting and very well done, and it probably did what it was intended to do, which was to give the public something to feel good about; in 1943 the war wasn't going all that well for the Allies. Robert Mitchum was starting to get bigger parts about this time; he has a fairly substantial part here, and his laconic style is quite evident. Some of the dialogue is a bit difficult to get past (one soldier says he wants to join the unit that is being put together to raid a Japanese-held island because "I just don't like Japs"), and some of the heroics are a bit much, but overall it's no worse, and a bit better, than many of the war pictures to come out of Hollywood around that time.

The campaign of Makin Island which was the very first piece of Pacific Island we invaded against the Japanese in World War II. It serves as the basis for this film. Not much of an island the island was directly between the Hawaiian Islands and a place called Guadalcanal. The theory was get in, destroy the Japanese base and communications and get out. That much is true. The rest of the film is Hollywood hype.

Randolph Scott plays a character based on Major Evans Carlson of Carlson's Raiders which was an elite unit of Marines trained to take the island. Carlson had seen service in China and was impressed with the Chinese guerrilla campaign against the Japanese there. He studied the tactics of Chu The who was the military commander of Mao Tse-tung's Chinese Communists. I don't know much Marxism, if any, Carlson took to heart, but after World War II it got him in no small amount of trouble. In an organization as conservative and tradition bound as the United States Marines he became a pariah. He died in 1951.

Since the Makin Island campaign was the start of our Pacific Offensive it was natural that Hollywood seized on the opportunity to make a quick B picture as a morale booster. Universal assembled a good cast that included a young Robert Mitchum before stardom. Besides Mitchum, I liked J. Carroll Naish and Sam Levene who gave good support to Scott. Levene played the typical serviceman from Brooklyn which by that time was becoming a cliché in war pictures.

Anyway Carlson's lasting contribution to the Marines was the phrase Gung Ho. So if you want to know how that got into the Marine vocabulary, see this movie.

I thought it was interesting that Carlson claims in the beginning that he was with Mao Tse Tung on his Long March. Apparently, Carlson takes the skills and lessons that he learned from the Red Army in Guerilla Warfare and trains a couple of hundred bad boy Americans how to kill and throw themselves on barb wire. The first half of the film follows the training and even has time for a bit of a love story with Noah Beery Jr. (best known from "Rockfile Files" perhaps).

The second half involves a submarine ride and a raid on an island held by the Japanese. The action is surprisingly intense. Some scenes, like the shooting of Japanese out of trees reach the level of brutal poetic metaphor. These action scenes detail fierce fighting and are surprisingly even handed with both American and Japanese troops biting the dust pretty regularly.

Unlike, "Walk in the Sun" where the audience is given the chance to know and care about each soldier, there is only a pretty stereotyped introduction and then they are molded into one tough killing machine. The title "Gung Ho" we learn means "harmonious work" and that is what we get with precision maneuvers and no hesitation in the face of death on the battlefield.

One could call this communist propaganda, but without films like this, could fascism East and West have been defeated?