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5.0/10
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The East Side Kids try to fix up a house for newlyweds, but find the place next door "haunted" by mysterious men.The East Side Kids try to fix up a house for newlyweds, but find the place next door "haunted" by mysterious men.The East Side Kids try to fix up a house for newlyweds, but find the place next door "haunted" by mysterious men.
Ernest Morrison
- Scruno
- (as Sammy Morrison)
William 'Billy' Benedict
- Benny
- (as Billy Benedict)
Harry Depp
- John G. Elwood
- (uncredited)
Tom Herbert
- Park Central Plaza Desk Clerk
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The Director, William Beaudine, also known as, "One-Take Beaudine, believed in filming one take of one scene. Get it right the first time. Bela Lugosi, as a gag, said a bad four-letter word in the first take of one specific scene. Bela Lugosi standing still as a portrait, while sneeezing expelled the expletive. Director William Beaudine kept the take in the film. This may be the first time a very bad expletive word had ever been heard and used in a film, with the exception of Gone With The Wind (1939), in which Clark Gable said in his memorable last line, used the word "damn", Bela Lugosi used the word "shit" uncalled for and not in the script. Ghosts On The Loose was released in 1943.
The East Side Kids decide to do some redecorating for a pal on his honeymoon. He's marrying Ava Gardner and the gang wants to give him a token of friendship. However, Bela Lugosi appears talking about being surrounded by imbeciles. No spooks, but some WWII spies. An early version of the Bowery Boys, this film is silly entertainment. Gorcey, Hall, Jordan, and Billy Benedict are more youthful, which adds to the escapades. 2 out of 4 stars
Slapstick meets Bela Lugosi in this all-but-forgotten 1943 comedy. Just think about that statement... Comedy, Bela Lugosi. And that right there is why I allowed myself to splurge 2 bucks for a used VHS copy, because the very concept made me crack a smile.
But although Lugosi's performance can't be argued with, the plot underpinning his role certainly doesn't help to elevate this film to award-winning, or even memorable, status. There isn't any "bad" acting from anyone on the cast. It would be more accurate to say that each part was played with about as much talent and gusto as it required. While Lugosi can just walk on screen and be effective by looking like himself, the other parts are a little trickier. There is a doofus, a few cronies, a guy getting married, or a very flat Ava Gardner, so take your pick. There isn't much depth behind those parts that a halfhack drama student couldn't pull off with a hangover, so they are adequately acted.
But all criticisms of writing and the very nature of crackerjack comedy aside, the whole thing was pretty good. There are plenty of gags and stupid lines to keep anyone with at least half a heart interested. Paintings with moving eyes, secret passages, etc. The gags get old from the start but some of the lines just snap off like popcorn and I appreciate that type of writing. It's an older, fast-talking style that Hollywood tends to ignore nowadays, if people are even writing like that any longer, but I doubt it; there's too much interest in color film, sex and violence to make dialogue important.
This film has no blood, no senseless violence, no gratuitous sex, and no crass language. Don't get me wrong, there is an upside (heh). So I'm not going to pretend that I'm too cool to say this wasn't any good, because it's funny, simple, and downright ridiculous. All I mean to say is that when those factors are combined in a script today, they doubtlessly create a tasteless, fluffy PG sleeper not worth the price of the ticket. This movie is different, however, just don't expect a cinematic masterpiece. Expect it to be what the title suggests, a simple and stupid comedy starring Bela Lugosi as a secret Nazi, and you've got to love that.
But although Lugosi's performance can't be argued with, the plot underpinning his role certainly doesn't help to elevate this film to award-winning, or even memorable, status. There isn't any "bad" acting from anyone on the cast. It would be more accurate to say that each part was played with about as much talent and gusto as it required. While Lugosi can just walk on screen and be effective by looking like himself, the other parts are a little trickier. There is a doofus, a few cronies, a guy getting married, or a very flat Ava Gardner, so take your pick. There isn't much depth behind those parts that a halfhack drama student couldn't pull off with a hangover, so they are adequately acted.
But all criticisms of writing and the very nature of crackerjack comedy aside, the whole thing was pretty good. There are plenty of gags and stupid lines to keep anyone with at least half a heart interested. Paintings with moving eyes, secret passages, etc. The gags get old from the start but some of the lines just snap off like popcorn and I appreciate that type of writing. It's an older, fast-talking style that Hollywood tends to ignore nowadays, if people are even writing like that any longer, but I doubt it; there's too much interest in color film, sex and violence to make dialogue important.
This film has no blood, no senseless violence, no gratuitous sex, and no crass language. Don't get me wrong, there is an upside (heh). So I'm not going to pretend that I'm too cool to say this wasn't any good, because it's funny, simple, and downright ridiculous. All I mean to say is that when those factors are combined in a script today, they doubtlessly create a tasteless, fluffy PG sleeper not worth the price of the ticket. This movie is different, however, just don't expect a cinematic masterpiece. Expect it to be what the title suggests, a simple and stupid comedy starring Bela Lugosi as a secret Nazi, and you've got to love that.
I have some bias with regards to this classic slapstick comedy because I watched it several times at a young age, but I must admit it's still VERY funny in what is at least 15 years later. Sure, the characters and acting are all extremely dated, but that's the beauty of it! The Bowery Boy gang's line of films can be compared to the comedic stylings of the Thee Stooges and other similar old Hollywood comedies. I found myself grinning through much of the duration of this film. It's good, fun comedy. The kind of humor that you can really enjoy at any age. If you go into this film (and all the others like it) without cynicism, then you'll undoubtedly enjoy it.
The boys attend their friend's wedding. They mistakenly renovate the wrong house. It's next door which is supposedly haunted. They find a Nazi printing press.
The two houses confused me as much as it confused the boys. The story should be simpler. Quite frankly, the boys try to hide the Nazi stuff when they thought it was their friend. I don't know if that's a good message during the war years. I understand the back and forth is supposed to be funny but there is something fundamentally unfunny about this one.
The two houses confused me as much as it confused the boys. The story should be simpler. Quite frankly, the boys try to hide the Nazi stuff when they thought it was their friend. I don't know if that's a good message during the war years. I understand the back and forth is supposed to be funny but there is something fundamentally unfunny about this one.
Did you know
- TriviaSome enterprising exhibitors billed the recently married Ava Gardner as "Mrs. Mickey Rooney" on the marquee.
- GoofsIn the credits, Bobby Stone is billed as playing "Dave," Bill Bates is billed as playing "Sleepy," and Billy Benedict is billed as playing "Benny." In actuality, Stone plays the role of "Rocky," and it's Bates who plays "Dave" (a character who is, indeed, defined by his sleepiness). Benedict indeed plays Benny, but several times he's called "Skinny," his character name in other movies.
- ConnectionsEdited into The Our Gang Story (1994)
- SoundtracksDrink to Me Only with Thine Eyes
(uncredited)
Music by R. Melish (1780 ?)
Lyrics (poem To Celia) by Ben Jonson (1616)
Played on an organ by Bill Bates and sung by The East Side Kids
Reprised by them at the wedding
Details
- Release date
- Country of origin
- Languages
- Also known as
- Ghosts in the Night
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $85,000 (estimated)
- Runtime1 hour 7 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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