L'homme-singe

One of Bela Lugosi's low budgeted Monogram films, THE APE MAN is entertaining in a so-bad-it's-good way. It's a riot to see poor Bela, so down on his luck by this point that he needed to act in anything just in order to eat, swaying and crouching about in a bad wig and beard, acting like he's "part ape" due to an experiment gone awry. And trying desperately to find some human spinal fluid to inject into himself so he may be able to straighten up again and lose his simian tendencies. If not for the stamina of Lugosi, the film would be intolerable. But he puts more energy into this crazy role than it deserves and keeps us entertained by being both effective at some times and unintentionally humorous at others. This one's not particularly well paced, and we've got the typical "hardnosed reporter/photographer" deal getting in the way of things every so often. There's also a decidedly screwy explanation offered at the end of the day for all these strange goings-ons which is not appreciated by this viewer. But there are far worse ways to spend a Saturday Night at the Monster Movies. **1/2 out of ****

This may not be the worst Lugosi film I've ever seen -- I've seen *The Gorilla* and *Bela Lugosi Meets a Brooklyn Gorilla* and *Mother Riley Meets the Vampire** -- but it may be the worst one that wasn't trying to be a comedy.

We begin with screaming newspaper headlines: SCIENTIST MISSING! Must have been a slow news day. Some reporters are waiting for the arrival of the missing man's sister from Europe by ship. (They ignore the fact that World War Two is going on, a fact which is confirmed later by the hero stating that the reason he isn't in the military is because he's 4-F.) A sort of goofy-looking guy is hanging around, edging the reporters on to talk to her. Keep your eye on this character, who keeps popping up for no reason, because he's the key to this movie's insane ending.

The sister (who is some sort of psychic or medium, a fact which has nothing at all to do with the story) meets the missing man's assistant, who soon gives us our absurd backstory. It seems the scientist gave himself injections of gorilla spinal fluid. (We are never told why.) As they arrive at the hiding place of the scientist (Lugosi), we see that he has been transformed into an APE MAN!

Well, he actually looks more like an Amish farmer with back pain. Lugosi's make-up consists of shaggy hair and beard. He conveys his simian nature by walking slightly bent over. We first see him locked up in the same cage as a gorilla (or a guy in a bad gorilla suit.) This is later explained when Lugosi says that sometimes he loses his human rationality and the animal side takes control. There is not the slightest evidence later in the film to confirm this. Lugosi continues to act like nothing more than the world's hairiest mad scientist.

It seems the cure for being an ape man is human spinal fluid. The only source, of course, is freshly killed humans, so Lugosi and the gorilla go on a killing spree. When he gets a shot of the spinal fluid, the only change is that he can walk upright. Don't expect any kind of transformation scene in this movie.

The heroes are a spunky reporter (the 4-F guy) and a photographer named Billie. Attempted comedy ensues when the reporter finds out that Billie is a woman. While all of this nonsense is going on, the goofy-looking guy is shown peeking into the window of Lugosi's hiding place. In the very last scene of the movie, the heroes confront the goofy-looking guy and find out his confounding identity.

This is probably one of the worst films with Lugosi in it where he is just unable to raise the overall rating.

This is a 1 point or a 10 point movie. 1 if you want to be sensible, but 10 if you love the Ed Wood or pre-Poe Roger Corman school of film. Terrible script, dreadful acting, poor lighting, and worse sound than a Caruso or Nellie Melba recording 40 years earlier.

Bela Lugosi does a poor ape imitation, and wears a very rough prototype of the mask Roddy McDowall wore in 'Planet of the Apes.' He monkeys about (sorry!) with one Emil Van Horn wearing a full gorilla suit - he looks exactly like the one (called Ethel) that Oliver Hardy ended up with when the circus went broke. (Stanley got the flea circus.) Lugosi & another scientist have been fiddling about with 'glands,' so when Lugosi decides to test it on himself... The only way to keep himself away from the furry side of life is to keep filling himself with human 'glands' from the recently deceased. He steps out into the night and orders 'Ethel' to murder people - it's 'The Murders In The Rue Morgue' all over again.

Hard to tell whether this was supposed to be funny or not - wisecracking journalists who annoy the editor by calling him 'chiefy,' brain-dead Irish policemen, bubbling retorts in the cellars of an old dark house etc. Clearly this was made when Lugosi's life was turning into a tragic horror story all of his own, and accepted any old rubbish to pay for the drugs and the booze.

One kind of wishes for Abbott & Costello or The Three Stooges to turn up, but no such luck. The star turn is the wonderfully named Miranda Urecal (almost born to appear in cheap horror films) who plays Lugosi's sister, screaming energetically or fainting at the drop of a coffin lid.

This isn't quite as funny as Ed Wood's stuff, but better than nothing now the hockey season's finished. The ending's quite amusing, and make sure you spot Charlie Hall (like Ethel, a left-over from the glory days of Laurel & Hardy) at the very start.

Ape Man, The (1943)

** 1/2 (out of 4)

No, this isn't Citizen Kane but it is a fairly entertaining Monogram flick that works in large part thanks to Bela Lugosi's performance. In the film Lugosi plays a scientist doing strange experiments and soon finds himself turning into an ape. Along with the help of another doctor he must try and find spinal fluid that can turn him back.

Without the benefit of Lugosi in the main role then this film would be pretty awful but with the great actor in the lead we at least get a fine performance and a fun one at that. If you think too hard about it you might get depressed but it is rather fun seeing Lugosi in the bad "ape wig", which covers most of his face and some of his body. The make up effects are rather lame and cheap but that just adds to the charm and fun nature of the film and Lugosi's performance. I'm sure the star knew he was working with junk but that didn't stop him from giving it his all and you can't help but respect him for that.

As for the rest of the film, the performances are rather bland, direction slight and the story is unoriginal to the max.

Bela Lugosi acting apish, and doing a good job. Minerva Urecal acting spooky, and doing a VERY good job. The other players do an equally good job given their respective roles. Of course there is that one guy. Some things need to be played for laughs, and I suppose that was especially true during a time when it looked as if Nazi hoards would over run the world. The makeup is fun. Some of the sets and props are recognizable from other movies, one in particular from Bela Lugosi's "Bowery at Midnight". That aspect makes for a fun kind of trivia or scavenger hunt while watching this flick. A real downside with this movie is the quality of the sound track. Very poor. But, the plot is fun, and must've worked well enough at the time because they actually did a not-so-sequel, using the title in part but not the plot line or characters, the next year in "Return of the Ape Man". As far as I know they stopped there. No "Revenge of the Ape Man" or "Son of Ape Man". I suppose they decided to play it safe. Otherwise they'ed have ended up with a whole planet of the apes.