Mon amie Sally

For a movie that had to pass the Production Code, My Gal Sal has some pretty racy lines that passed through the censors. Victor Mature obviously has a physical relationship with Carole Landis while working in a travelling vaudeville show, and when he starts coming onto Rita Hayworth when he moves up in the world, he's very interested in in seeing her bedroom. He keeps pushing until she finally relents, and she's next seen in a disheveled appearance running late to her next performance.

The costumes in this movie are gorgeous, so if you like the time period of the 1890s, you'll love watching all the beautiful outfits parade across the screen. The songs are source music from the protagonist's collection, but if you aren't familiar with Paul Dresser's work, there will be new schmaltzy tunes for you to listen to. The love story, honestly, isn't that great. Victor's character is written to be selfishly ambitious with a big temper. Rita is rude, snobby, and also has a huge temper. You can't even imagine the depths of their fights, and it makes the audience wish they'd end up with calmer people who might soften their rough edges. Carole was a sweet, caring girl, and John Sutton is steady, stable, and puts up with way too much from Rita.

But hey, you can't have everything. If you like Rita, you can check out this early musical. It's pure escapism that fits right in with the backstage musicals of the WWII era.

The plot is silly & preposterous, as is the case most often when it comes to these eye candy extravaganzas, but it is kept alive by the irrepressible charm of Rita Hayworth & Victor Mature, not to mention Fox's customary glowing Technicolor (there are some moments that are not only gorgeous to look at, but also sublimely awe-inspiring and evocative of its Gay 90s milieu).

"My Gal Sal" is basically a nostalgic period musical, about 1890s songwriter Paul Dreiser (Mature) who leaves his country town in Indiana to find a big success on Broadway in New York. He meets and falls in love with a musical performer, a gal named Sally Elliott (Hayworth). They start hating each other at first but soon grow into one another. Their contrived romance is kept afloat by various passable numbers, including the title tune (written by Paul), "On the Big White Way," "The Convict and the Bird", "Liza Jane", and "Mr Volunteer".

Not a classic, but it passes the time. Try to watch it along with Hayworth's other musical of 1942, the gloriously carefree "You Were Never Lovelier" with Fred Astaire.

Amiable musical is loaded with good music and sprightly performances. Originally planned for Betty Grable whose pregnancy prevented her appearance, then Carole Landis who stubbornly refused to change her hair color and was punished by Zanuck by being relegated to a secondary part he then borrowed Rita from Columbia. She was in the midst of her climb to the top having made strides over the previous two years in a succession of spotlight parts and this continued her ascent.

As a biography it's worthless but as a showcase for Rita's talent and beauty it can't be beat. There are one or two occasions where she is so heavily made up and dressed in an unflattering pink that she appears corpse like but otherwise looks sensational in her period costumes and her dancing and singing are marvelous. Mature is fine as the male lead but is overshadowed by Rita.

Not a classic but a bright, pleasant entertainment. A must for Hayworth fans.

This biopic chronicles the life of songwriter Paul Dresser, played by Victor Mature, in the Gay Nineties, as he moves from carnival entertainer into New York society. Rita Hayworth stars and does the songs-dubbed by Nan Wynn. More a curiosity than a memorable musical.

I think I heard of Paul Dresser and wanted to hear his music. Only song I can say I knew - faintly- was the Wabash song, which turns out to be the Indiana State song. So, yeah, I didn't know much about this story. It was interesting to see the 1890s period sets. Mostly I watched this to see Rita Hayworth. Never saw anything of hers (but I probably did). She is actually a good actress and dances well. Victor Mature seemed to be an odd pick for the role of Paul. But their chemistry on screen was apparent.

It's interesting that Paul started out singing at carnivals before hitting the big time on Broadway. I suppose that's similar to singers/songwriters who toiled away in bars before getting discovered.

Anyway, the movie was comfortable, pleasant, relaxing to watch and gave me a glimpse into a seemingly simpler happy world, even if it's idealistically presented. Thank you TCM for keeping these flicks on the air.