Roy is a government man sent to solve a novel crime problem: a woman flirts with unsuspecting ranchers in order to get information from them which she passes on to her cattle-rustling gang.Roy is a government man sent to solve a novel crime problem: a woman flirts with unsuspecting ranchers in order to get information from them which she passes on to her cattle-rustling gang.Roy is a government man sent to solve a novel crime problem: a woman flirts with unsuspecting ranchers in order to get information from them which she passes on to her cattle-rustling gang.
- Henchman
- (uncredited)
- Man with Packages
- (uncredited)
- Harry
- (uncredited)
- Henchman
- (uncredited)
- Cowhand
- (uncredited)
- Henchman
- (uncredited)
- Director
- Writer
- All cast & crew
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An unusual feature in many old B-westerns is to set them in the present day....but with everyone dressed as cowboys and plots which would have been just as appropriate for the mid-late 19th century. So, in a film like "Man from Cheyenne" you have cattle rustlers....who use trucks! Such things were common in Roy Rogers and Gene Autry movies...as well as with a few of the other film cowboys.
When the story begins, you see cattle being stolen...and hidden in a cave! Weird...but I saw this in a Hopalong Cassidy film. Roy gets involved when the government and the local Cattlemens Association are looking for some tough guy to go investigate...and that tough guy is, naturally, Roy. But what he and the Association don't know is that the leader of these baddies is a woman!
So is the film worth your time? Yes, though I think the writer wasn't willing to quite commit to a villainess in the film. She was, in some ways, presented as a 'nice' bad girl...which isn't very realistic. I think it's probably because in B-westerns there was almost an unwritten rule against a completely sociopathic lady villain...they often had SOME good quality about them. And, they often ended up dying by the end of the film! I personally wanted to see her with no redeeming qualities whatsoever! But, I know I am in the minority on this one...and must admit that this is a very good Rogers film....enjoyable throughout.
By the way, early in the film I really enjoyed one of the musical numbers, as Roy and the Sons of the Pioneers sing a dandy rendition of "Happy Cowboy". Sometimes the music in Roy's films were more a distraction than anything else...but here it was quite welcome.
In Wyoming, a modern-day (1941) gang is rustling a lot of cattle. We are immediately shown that a woman is in charge of the gang of rustlers. Roy's character grew up in the area and the U.S. government hires him to investigate the thefts. The shady lady running the gang has all the local ranchers fooled, as they think she is too sweet to be stealing cattle. The story is very good for about two-thirds of the film, as Roy is even considered a suspect in the cattle thefts. Unfortunately, the ending is marred by a ridiculous shootout between Rogers and many bad guys who have his house surrounded.
It is interesting that Roy also needs help from side-kick "Gabby" Hayes and comic-relief Sally Payne to get to the bottom of things. Of course Roy and The Sons of the Pioneers manage to sing a couple of songs too. Roy rides his horse Trigger throughout the film, but the horse is not mentioned by name or listed in the credits. Look for future TV-star Gale Storm as Roy's girlfriend.
If you watch this film in the spirit of a B-western, you won't be disappointed.
Good photography and some atmospheric scenes, including a neat night-time cattle rustle opening, highlight this fairly enjoyable Roy Rogers flick.
The heavies are pretty three-dimensional this time around and Roy joins Bob Nolan and The Sons Of The Pioneers for a few nice musical numbers. It's all good.
Kind of creepy though is Roy's making passes at his adoptive sister, especially the one on the street, near the beginning. That time he seemed downright lecherous!
It doesn't take too much investigating to discover that socialite Lynne Carver and her foreman William Haade are the organized band of rustlers who are presumably selling meat on the black market. Carver bats an eye at some of her neighbors and they spill all kinds of information that can be used by the gang. Both Sally Payne and Gale Storm are suspicious of her from the gitgo, but Roy requires more proof.
Although The Man From Cheyenne is dated in terms of the time and place that the film is in, it still holds up very well as entertainment. I definitely would put this one down as one of Roy Rogers better westerns from Republic.
It's a typical B movie plot with a touch of women's lib as Miss Storm decks Miss Carver, and the Sons of the Pioneers are on hand to sing and play. We even get to hear Gabby sing a verse or two. By now the Roy Roger franchise was smoothly operating, with all the pieces in place and a cast that repeated from movie to movie under the direction of Joseph Kane and good scripts. The songs are pretty good too.
Did you know
- Quotes
Gabby Whittaker: Hey, I'm late for the meetin'.
Roy Rogers: What meeting?
Gabby Whittaker: Over at the Hardy ranch. Since old man Hardy died his daughter's been runnin' it. You remember her.
Roy Rogers: Well, sort of.
Gabby Whittaker: Well, she's growed up too.
Sally Whittaker: [whistles] Boy, has she. Ever since she went East to that school she thinks she's a glamor girl.
Gabby Whittaker: Sally! Now that ain't nice.
Sally Whittaker: Well, it burns me up the way that dame makes fools of every old goat in the county.
Gabby Whittaker: Sally! She ain't a dame and I ain't an old goat.
- ConnectionsEdited into Meanwhile, Back at the Ranch (1976)
Details
- Release date
- Country of origin
- Language
- Also known as
- Vaqueiro Errante
- Filming locations
- Andy Jauregui Ranch - Placerita Canyon Road, Newhall, California, USA(ranch building scenes)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 1 minute
- Color
- Aspect ratio
- 1.37 : 1