IMDb RATING
7.3/10
19K
YOUR RATING
At an inn which is open only on holidays, a crooner and a hoofer vie for the affections of a beautiful up-and-coming performer.At an inn which is open only on holidays, a crooner and a hoofer vie for the affections of a beautiful up-and-coming performer.At an inn which is open only on holidays, a crooner and a hoofer vie for the affections of a beautiful up-and-coming performer.
- Won 1 Oscar
- 3 wins & 2 nominations total
Bob Crosby Orchestra
- Orchestra
- (as Bob Crosby's Band)
Edward Arnold Jr.
- Second Dancer Ted Bumps Into
- (uncredited)
Loretta Barnett
- Dancer
- (uncredited)
Muriel Barr
- Dancer
- (uncredited)
Harry Barris
- Midnight Club Orchestra Leader
- (uncredited)
Patsy Bedell
- Dancer
- (uncredited)
Featured reviews
"Holiday Inn" is the story of singer/dancer entertainers (Fred Astaire, Bing Crosby, Virginia Dale) who work together in New York. As the group splits up, one seeking a more tranquil life style, a third entertainer comes on the scene as a young aspiring singer/dancer (Marjorie Reynolds). Hoping to break into the business, she meets and begins work with one of the successful members. Relationships develop and change. This film (if it is not) should be an American classic. The music is excellent with performances of "White Christmas" and "Easter Parade." Both singing and dancing is very good (and what else could you expect with Astaire and Reynolds) and singing with Crosby. It is a warm, romantic film which depicts the celebration of many holidays. We use "Holiday Inn" as a staple, showing it several times during the Christmas season. Unlike many films from this era, it can be found is BOTH VHS and DVD. The DVD version includes both "Holiday Inn" and "Going My Way," another Crosby film. This is a great "feel good" film with a fantastic cast.
This film is good in so many ways. The song and dance numbers were all great. Teaming Bing Crosby and Fred Astaire was a great idea. These two played off each other so well that I can't imagine two other actors doing so well. Even Crosby and Hope wouldn't have done as well here. Marjorie Reynolds was a treat to look at but also had good chemistry with both Crosby and Astaire. The support cast was equally as good, Walter Abel as Danny Reed, Virginia Dale as Lila Dixon and Louise Beavers as Mamie gave solid performances.
The set was also beautiful. Obviously the Hollywood set of Holiday Inn at the end of the film that was supposed to be a reproduction of the real Holiday Inn in Connecticut is the same set used for both scenes. However it is such a realistic set that the viewer never suspects that the Connecticut scenes were filmed indoors. I think the fact that the film was in black and white helps in that respect. A color film may have actually looked more phoney.
The story is a simple one but well put together. I think many viewers can relate to guys trying to steal girls from one another, its a common enough practice today. The ending is a bit fairy tale like but then that is why so many probably like it. We get enough "reality" in our every day lives. It is nice to escape reality with a film like this.
Lastly, the black face scene during the Lincoln Day performance is offensive but it does not ruin the film. Of course a minstrel show today using black face would be unacceptable in today's environment but you can't hold a 1940's film to the same standards. I know some would like to have that scene removed from the film but I disagree. I am of African American decent and while I could view this film as a disgrace I accept it for what it is. Rather than try and obliterate scenes such as this from our film history I think they should be viewed as stepping stones to where African Americans are in film today. There may still be barriers that need to be broken through in the film world but considering where African Americans started we as a society should also take time to appreciate the accomplishments that have been achieved. Black face is out. Demeaning "yesum" roles are for the most part gone and now leading roles that portray African Americans in well to do positions in society are becoming more and more frequent. So while some of the film history regarding African Americans portrays them in a negative manner it is because of those actors and actresses were able to work in those roles and under those conditions that the modern day African American actors and actresses are able be seen in a more positive light. Ignoring the past roles ignores the actors and actresses that struggled through those times.
The set was also beautiful. Obviously the Hollywood set of Holiday Inn at the end of the film that was supposed to be a reproduction of the real Holiday Inn in Connecticut is the same set used for both scenes. However it is such a realistic set that the viewer never suspects that the Connecticut scenes were filmed indoors. I think the fact that the film was in black and white helps in that respect. A color film may have actually looked more phoney.
The story is a simple one but well put together. I think many viewers can relate to guys trying to steal girls from one another, its a common enough practice today. The ending is a bit fairy tale like but then that is why so many probably like it. We get enough "reality" in our every day lives. It is nice to escape reality with a film like this.
Lastly, the black face scene during the Lincoln Day performance is offensive but it does not ruin the film. Of course a minstrel show today using black face would be unacceptable in today's environment but you can't hold a 1940's film to the same standards. I know some would like to have that scene removed from the film but I disagree. I am of African American decent and while I could view this film as a disgrace I accept it for what it is. Rather than try and obliterate scenes such as this from our film history I think they should be viewed as stepping stones to where African Americans are in film today. There may still be barriers that need to be broken through in the film world but considering where African Americans started we as a society should also take time to appreciate the accomplishments that have been achieved. Black face is out. Demeaning "yesum" roles are for the most part gone and now leading roles that portray African Americans in well to do positions in society are becoming more and more frequent. So while some of the film history regarding African Americans portrays them in a negative manner it is because of those actors and actresses were able to work in those roles and under those conditions that the modern day African American actors and actresses are able be seen in a more positive light. Ignoring the past roles ignores the actors and actresses that struggled through those times.
I am most certainly under 70 and I absolutely adore this movie! Fred and Bing are great together. The songs are some of Irving Berlin's best. With Bing's voice together with Fred's dancing...it is a first class classic! My sister & I always looked forward to watching this at the holiday season.
This is truly one of the great musicals to ever grace the silver screen. Between the great song, the dance numbers and the chemistry between Bing Crosby and Fred Astaire, this film really is one of the the all time classics. What really makes it great is that it pretty much plays like a great Broadway review that uses the different holidays as an excuse to display the individual talents of each of the film's stars. However, the thing that this film will truly be remembered for is the fact that it introduced one of the all time classic song's to the world, "White Christmas".
Another thing that makes this film so beloved is that it came out during a time when America needed somewhat of a diversion, World War II. This film helped to give people something to put smiles on their faces as the whole world was going to hell. At least for two hours, this film helped America to forget its troubles and put a smile on everyone's faces.
Another thing that makes this film so beloved is that it came out during a time when America needed somewhat of a diversion, World War II. This film helped to give people something to put smiles on their faces as the whole world was going to hell. At least for two hours, this film helped America to forget its troubles and put a smile on everyone's faces.
In Holiday Inn it isn't Bing Crosby or Fred Astair that makes the movie outstanding, but rather the relatively unknown "B" movie star of the time, Marjorie Reynolds. As you watch this movie you can "feel" the mood that Marjorie is portraying at the time, just by the look on her face. For example, during the the "Easter" scene, her eyes and smiles say it all, you can see she is in love, and as she sings "White Christmas" at the end you can feel the sadness of her character - throughout the entire movie she says more with her facial expressions then the most popular movie stars do today in their entire careers... If you love truly good acting, Holiday Inn will make you smile and make you cry, it will bring back memories of a time when ladies could truly dance in high heel shoes, we don't see that type of dancing these days in movies. Picture quality, sound and special effects are not of primary importance in these kinds of films, these are the kind that rely on your own imagination and feelings, much in the way you do when you read a good book.
These older movies serve up so much good feelings they could be used to replace prescription meds for those feeling bad.
These older movies serve up so much good feelings they could be used to replace prescription meds for those feeling bad.
Did you know
- TriviaThe Connecticut inn set for this film was reused by Paramount 12 years later as a Vermont inn for the musical Noël blanc (1954), also starring Bing Crosby, and again with songs composed by Irving Berlin.
- GoofsThe telegram that Ted Hanover receives from Jim Hardy on Christmas Eve is dated December 25th.
- Quotes
Linda Mason: My father was a lot like you, just a man with a family. Never amounted to much, didn't care. But as long as he was alive, we always had plenty to eat and clothes to keep us warm.
Jim Hardy: Were you happy?
Linda Mason: Yes.
Jim Hardy: Then your father was a very successful man.
- Crazy creditsIn the opening titles the main credits for Irving Berlin as composer and lyricist, and Mark Sandrich as producer and director, are each facsimiles of their genuine signatures.
- Alternate versionsIn 2008, the film was restored and colorized by Legend Films.
- ConnectionsFeatured in Concept (1964)
- SoundtracksOverture
(uncredited)
Music and Lyrics by Irving Berlin
Performed by the Paramount Pictures Studio Orchestra and Chorus conducted by Robert Emmett Dolan
Details
- Release date
- Country of origin
- Language
- Also known as
- Cinco días de placer
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $3,200,000 (estimated)
- Gross worldwide
- $80
- Runtime1 hour 40 minutes
- Color
- Aspect ratio
- 1.37 : 1
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By what name was L'amour chante et danse (1942) officially released in India in English?
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