IMDb RATING
6.4/10
1K
YOUR RATING
This lurid exposé of the Hitler Youth follows the woes of an American girl declared legally German by the Nazi government.This lurid exposé of the Hitler Youth follows the woes of an American girl declared legally German by the Nazi government.This lurid exposé of the Hitler Youth follows the woes of an American girl declared legally German by the Nazi government.
Carla Boehm
- Magda
- (uncredited)
Egon Brecher
- Mr. Müller
- (uncredited)
Billy Brow
- Boy
- (uncredited)
Bill Burrud
- Prof. Nichols' Student
- (uncredited)
Bruce Cameron
- Storm Trooper
- (uncredited)
Paula Corday
- Young Matron
- (uncredited)
Yvonne Cross
- Bit
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured review
I have always wanted to watch this movie if only for the title alone. Bonita Granville plays Anna, a young lass at the American school in Berlin. It is 1933, not a good year to be a German born Yank residing in the Deutschland (not a good year for anyone to be there). The film opens with our freedom loving friends fighting a bunch of Nazi Youth. During the fracas Tim Holt, a strapping example of Germany's future meets the spunky Bonita. He quickly succumbs to her cheeky charms and after a bit of resistance Bonita returns his affection.
Time passes and Holt rises in the Nazi machine while Bonita remains in Germany (why didn't she leave? Because then we would have no movie) Eventually Bonita ends up in a labor camp unwilling to renounce her loyalty to the USA and suffers fierce reprisals for her stubbornness. Holt ultimately allows his love for her to overcome his Nazi leanings. How does this turn out? Watch and find out.
This film made a lot of money for RKO in 1943 but today it seems like an obvious piece of wartime propaganda, melodramatic and shrill but for a few interesting moments. A close-up of Holt and Granville embracing in shadow was beautiful and a fine example of German Expressionism. There were scenes of Anna fleeing her enemies in the woods. These were lovely and evoked again those fabulous Universal horror films of the thirties. Nice film noir touches. Granville's flogging by the Nazi's was appropriately brutal. Otto Kruger and Hans Conried are always a welcome addition to any movie. H.B. Warner plays a very talkative Catholic priest.
Directed by Jules Dassin, it is interesting to see for that reason alone.
Time passes and Holt rises in the Nazi machine while Bonita remains in Germany (why didn't she leave? Because then we would have no movie) Eventually Bonita ends up in a labor camp unwilling to renounce her loyalty to the USA and suffers fierce reprisals for her stubbornness. Holt ultimately allows his love for her to overcome his Nazi leanings. How does this turn out? Watch and find out.
This film made a lot of money for RKO in 1943 but today it seems like an obvious piece of wartime propaganda, melodramatic and shrill but for a few interesting moments. A close-up of Holt and Granville embracing in shadow was beautiful and a fine example of German Expressionism. There were scenes of Anna fleeing her enemies in the woods. These were lovely and evoked again those fabulous Universal horror films of the thirties. Nice film noir touches. Granville's flogging by the Nazi's was appropriately brutal. Otto Kruger and Hans Conried are always a welcome addition to any movie. H.B. Warner plays a very talkative Catholic priest.
Directed by Jules Dassin, it is interesting to see for that reason alone.
Storyline
Did you know
- TriviaEdward Dmytryk in his autobiography 'It's a Hell of a Life But Not a Bad Living', states: "A friend of mine, Irving Reis, had prepared and actually started shooting a film called 'Hitler's Children', an exploitation B. Irving was rather headstrong and somewhat touchy - a bad combination in Hollywood. After a few days, he got into a fight with producer Doc Golden [Robert Golden]. Getting his back up, he quit the film, expecting, so he told me later, to win a quick apology and a free hand. Instead, the studio said, 'As you wish,' and asked me to take over the direction. He gave me his blessing, asking only that his name be completely removed from the film's credits. The studio was willing and I went to work. I finished on schedule, cut and dubbed it, and turned it over to the distribution department. None of us at the studio was sure of what we had."
- GoofsKarl Bruner is wearing the four pips and strip on his uniform collar of an SS Obersturmbanfuhrer, or Lieutenant Colonel, when Colonel Henkel said he would be promoted to Captain (or Hauptsturmfuhrer) and should be wearing a collar tab with three pips (diagonally) and two stripes. Colonel Henkel's insignia is also incorrect. He is wearing the three oak leaves of a Brigadefuhrer (Brigadier General) when he should have only one leaf of a Standartanfuhrer (Colonel).
- Quotes
The Bishop: [to the Nazi Major] No wonder you take away the breath of life so readily. The breath of death is already upon you.
- Crazy creditsDuring opening credits, the camera zooms in on a German book burning, and the book on top of the pile is "Education for Death" by Gregor Ziemer. That was another book by the same author of the novel on which this film is based.
- Alternate versionsThere is an Italian DVD edition of this movie, distributed by DNA Srl. The movie was re-edited with the contribution of the film history scholar Riccardo Cusin. This version is also available in streaming on some platforms.
- ConnectionsFeatured in Hollywood the Golden Years: The RKO Story: Dark Victory (1987)
- SoundtracksFur Elise
Composed by Ludwig van Beethoven (1810)
- How long is Hitler's Children?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Hitler's Children
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $205,000 (estimated)
- Runtime1 hour 22 minutes
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content