User reviews

I have always wanted to watch this movie if only for the title alone. Bonita Granville plays Anna, a young lass at the American school in Berlin. It is 1933, not a good year to be a German born Yank residing in the Deutschland (not a good year for anyone to be there). The film opens with our freedom loving friends fighting a bunch of Nazi Youth. During the fracas Tim Holt, a strapping example of Germany's future meets the spunky Bonita. He quickly succumbs to her cheeky charms and after a bit of resistance Bonita returns his affection.

Time passes and Holt rises in the Nazi machine while Bonita remains in Germany (why didn't she leave? Because then we would have no movie) Eventually Bonita ends up in a labor camp unwilling to renounce her loyalty to the USA and suffers fierce reprisals for her stubbornness. Holt ultimately allows his love for her to overcome his Nazi leanings. How does this turn out? Watch and find out.

This film made a lot of money for RKO in 1943 but today it seems like an obvious piece of wartime propaganda, melodramatic and shrill but for a few interesting moments. A close-up of Holt and Granville embracing in shadow was beautiful and a fine example of German Expressionism. There were scenes of Anna fleeing her enemies in the woods. These were lovely and evoked again those fabulous Universal horror films of the thirties. Nice film noir touches. Granville's flogging by the Nazi's was appropriately brutal. Otto Kruger and Hans Conried are always a welcome addition to any movie. H.B. Warner plays a very talkative Catholic priest.

Directed by Jules Dassin, it is interesting to see for that reason alone.

This film must have been rather shocking at the time, as it revealed many Nazi practices which would have offended American morality:

• They forced single women to have babies "for the Fuehrer"

• They sterilized women who were undesirables, either because of their race or their ideas

• They raided churches and preached the destruction of Christianity

• They brainwashed young people and encouraged them to violence against their enemies

Of course, mixed in among the propaganda is a love story between a Hitler Youth member and an attractive German/American girl attending an American school in Germany (which is conveniently situated across from the humorously-named "Horst Wessel School"). Besides having solid lead players, this film also boasts a strong supporting cast including H. B. Warner, Hans Conried, and Erford Gage (who would soon be killed in action during WW2).

The quality of this film is higher than other similar propaganda movies of the time, and has some touching (although predictable) scenes of love and sacrifice. And the opening scene of a Hitler Youth rally may serve as a warning against what happens when a politician with a cult of personality tries to control the minds of young people.

I stumbled across this film on cable and was immediately hooked. Created as a propaganda film to show the horrors of living in Nazi Germany, it seems quite naive in retrospect, as the full atrocities of the Holocaust were not yet public knowledge. Subtle, it is not, but it is definitely interesting as a historical novelty.

I used to think this film quite dated, but still moving.

Now that I know more about Hitler Youth and about "lebensborn", forced sterilization, training in cruelty, and other Hitler Youth goals, this film stands up extremely well.

***What was 'lebensborn'? Basically, those considered "racially pure" were encouraged to have tons of kids...in or out of wedlock. About 10,000 born in Germany & 10,000 born in Norway from German soldier fathers, per one Internet source. Do your own internet search to learn more about "lebensborn".

In the movie, Bonita Granville's character refuses to deliberately sire a child out of wedlock even with her love, Tim Holt.

***Forced sterilization. Bonita's character is threatened with forced sterilization since she is not cooperative. Again, this was a historical Nazi tactic. She would rather undergo the procedure than bring a child into such a regime.

***Hitler Youth cruelty...One sees some of the Hitler youth trained to

be cruel. One need only listen to the old former Hitler Youth speak (some with tears & great sorrow) about various ways they were so abused (i.e. trained to be cruel) by the Nazi regime.

***Harrassment of Christians...The resistance of some Christian leaders to the Nazis. Near the end of the movie, the priest rebukes the Nazis who apparently dare not carry him off for punishment. This happened sometimes...A Christian leader might rebuke the Nazis such as Bishop Von Galen who stood against the destruction of retarded, etc. Some Christian leaders went to jail like Pastor Niemoller. Some Christian leaders were martyred for their stance against Nazis (including anti Jewish policies) like Dietrich Bonhoeffer. Here again, the movie is quite timely.

From these main examples, I conclude that this movie is **not** merely propaganda but reflects many historical accuracies (at least what was known at the time). Does it cover all the Nazi atrocities? No. (One movie alone wouldn't be long enough to do so.)

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Hitler's Children could be shown on a "Movie in Time" sequence on History Channel. The corrections, amendations to it based on actual history, I predict, would be slight. It's from a book on Nazi education of youth written by educator and correspondent Gregor Ziemer who also taught in the American School in Berlin. (Hit Ziemer's name in the credits for details!)

Don't let the black & white film & slightly older dialogue deter you from using this film to teach yourself (or your kids, or your class) as to how German youth were abused thru Hitler Youth and lebensborn programs.

Do your own research. Verify for yourself. While Hitler's concentration camp murders were the most cruel of his abuses, his other abuses of even the so called "nordic" peoples, especially women and girls, should also be REMEMBERED! (PS real life Hans and Sophie Scholl, college age German resisters to the Nazis, would also be a great research topic!)

The very much critically acclaimed Hitler's Children is still quite a powerful film today. Potential lovers Tim Holt and Bonita Granville can never quite get together because of the Nazi ideology that Tim espouses.

The film has certain similarities to MGM's The Mortal Storm though without the A list cast of that one. The two go to different schools across the street from each other. Bonita is German born, but a naturalize American living with her grandparents while she attends the American school run by Kent Smith. Tim goes to the German all boys school for the new Hitler Youth and it was new when this film's action starts in 1933.

It's no accident that this was a boys school for the German youth. The Nazi ideology was firmly patriarchal and eloquently expressed the fact that women were child bearing vessels and nurturers of future Nazis and nothing more. No accident when you see Nazi rally newsreels for the young and old it's an all male cast. Hitler's Children explores that issue far more than most wartime films made by the Allies.

Kent Smith has the Nick Carroway narrative part in the story, we see it through his eyes up to the moment he departs for Paris and knowing full well the Nazis will be there shortly.

Holt and Granville are an attractive pair. Hitler's Children has aged far better than most American war films of the World War II era.

Gripping WW2 movie about a young Gestapo officer (Tim Holt) who must choose between his loyalty to Hitler and the American girl he loves (Bonita Granville). Well-photographed and directed, it's a powerful and fascinating movie that has a lot to chew on for history buffs but is also an entertaining dramatic picture. It was pretty shocking stuff at the time, which led to it being a big hit at the box office. Tim Holt is fantastic in this. Definitely in his top three roles. He was a good actor who's largely forgotten today except among classic film fans. Bonita Granville has one of her meatiest parts here. This is a far cry from Nancy Drew. Kent Smith has a nice role as a sympathetic teacher. He narrates the first part of the movie. Otto Kruger and Hans Conried are two of the Nazis. As with a lot of WW2 era films on IMDb, you'll notice the reviews here are full of the word 'propaganda.' Try to ignore that. The problem isn't with the word itself but some use it to cast aspersions or impugn the honesty of a film. People these days have so many axes to grind and so much anger towards the wrong things. It's unsettling to me but, frankly, I'd rather not unravel that thread.

I can see how this film would have created a stir when it was released in 1942.World War II was being fought and the Germans dominated Europe. The film is the story of two star crossed lovers: an American girl with German blood and an unfortunate young man who rises from the Hitler Youth and becomes a colonel in the Gestapo. Kind of an unusual take on the boy meets girl story but a good film just the same. Recommended for history buffs and Tim Holt fans.

I saw this as a young girl in 1943. It was in the middle of WW2 and the end of the war was not clear cut as it might seem now. People were getting tired of rationing certain foods and gasoline and the restrictions of war time precautions on the East Coast.

Looking back I see now that this type of propaganda was necessary in the view of the Movie crowd. Many young men were being killed and taken prisoner in France and Germany and Italy. I think people needed to be reminded that the war was necessary because of the aggression forced upon the United States people.

I suppose not too many of us are alive now to remember those days so it is easy to put the movie down as exaggerated propaganda. And it was but I see it as one of those things that one would expect during a war.

Truthfully I saw the movie as being very real at the time and I loved Bonita Granville and Tim Holt as the stars. I see it now as part of a pattern of keeping the ordinary people stirred up against our enemies. So be it. How will todays movies be interpreted in 60 years?

It's just interesting to have lived through 5 wars and be able to look at things more objectively.

Hitler's Children exists now only as a historical curio – an example of wartime propaganda at its most blatant. There are a few points of interest: Edward Dmytryk directed it, and Roy Webb wrote the score, while a number of not-too-small stars showed up to perform their patriotic duty: Tim Holt and Bonita Granville claim top billing, assisted in a large cast by Otto Kruger, H. B. Warner, Kent Smith and Hans Conried.

The movie opens with a tableau of a nighttime Nazi rally that might be a Ku Klux Klan meeting – or one of Wieland Wagner's postwar Wagner productions at Bayreuth. It tells the story of Granville, an American of German extraction who is, basically, kidnapped by the Reich. Troubled by her mistreatment, childhood sweetheart Holt, now a Nazi officer, ultimately if too late sees the error of his ways.

Propaganda, of whatever stripe, adopts totalitarian rules, or lack thereof. We're asked simultaneously to accept contradictory propositions: that an evil clique illegitimately holds the power of the state and imposes Nazism on a terrorized populace, but that the populace fervently believes in Nazi values and supports Hitler's government at great personal sacrifice. When Hitler's Children was released, The United States was already at war with Germany. The question remains, at whom was this propaganda directed, and what did it hope to accomplish?

NOTE: Owing presumably to wartime passions, Hitler's Children became one of RKO's biggest money-makers up to that time (far outdoing, for instance, Citizen Kane).

A Nazi officer (Tim Holt) falls in love with a freedom-fighting American girl (Bonita Granville) in WWII Germany. Very dated (of course) but still worth seeing. The film pulls no punches is showing how horrible life in Germany was during the war. I especially like them showing German citizens as being against Hitler and unhappy also. It is naive (concentration camps are mentioned once and very casually) but, at the time this was made, that's all we knew about Germany. A big hit in its day--it's easy to see why.

Holt and Granville are good in the leads--especially Holt who has a powerful speech at the end. Also the film moves quickly and is never dull. A very good look at Germany during WWII. Well worth catching.

Tim Holt is a nazi youth devoted to Alolf Hitler, but also in love with a petite American blonde (Granville, stepping up from A-support to B-lead) who lives and eventually works in the American school next to the nazi academy. If it sounds like a ridiculous story will develop, you won't be too surprised. Straight propaganda with the spice of melodrama. Kruger is great in a supporting part as Holt's mentor, an Oxford educated nazi colonel. I believe this movie was distributed by expoiteers wiht added holocaust footage on the end (if the sherrifs were out of sight) in the 50s. Interesting to see once, but probably not twice.

War time propaganda films must be viewed in the context of the times in which they were made. It is sometimes difficult to appreciate a film because of the framework of propaganda. This film, made at the beginning of the war with Germany, attempts to depict what was happening in that country and the threat it posed to the world. It may be somewhat simplified but it gets the point across.

Bonita Granville, an appealing actress who began her career as a child star, does a fine job as the German/American young woman who is caught up in the maelstrom of Nazism. Tim Holt, as the German officer, seems miscast somehow.....I still see him searching for the Treasure of Sierra Madre with Humphrey Bogart but maybe that's just my problem. Kent Smith, a yeoman actor, whose face was everywhere during the 40's, is his usual bland self. The coup of casting is Otto Kruger as Tim Holt's mentor.....he was an underrated actor, who always gave good performances.....see him in "Murder My Sweet" as the sleazy Anthor to really appreciate his talents. Hans Conreid, usually thought of as a comic actor, plays against type here and it works well enough. Since hindsight is 20/20, we notice that some of the major atrocities of the Nazi regime, such as concentration camps (mentioned briefly) and the "Jewish question" are not addressed. View this film for what it is....propaganda....an attempt to show the audience that other world, where terrible things were happening and why America was fighting to preserve freedom. It's a piece of history that is worth watching.

I found this film to be one of the most captivating and well-kept movie secrets of all time. If it is the first time you see it, you might be surprised that it was boldly made before WWII was over. The film stretches some emotions like taffy, while it is not overly-graphic, and only moderately intense. It instills in you with what seems to be a fair overview of the Nazi regime, while entertaining you with a plot of escape & a love story. To be expected, the conversation in it is surreal, typical of the film's era, but the only drawback for me is that Bonita Granville (age 19 when the film was made), who plays Anna Miller, passed in 1988 and actually stopped making major films after 1950. I did not realize what a beautiful girl she was until I discovered her in this picture a few weeks ago. A film for all generations (I was born 20 years after WWII).

Oddly the Most Reeking Propaganda in this Movie Pertains to the Catholic Religion as a Combatant Against Hitler and the Nazis. In Fact, the Pope and the Church in Rome Never Spoke Out Against the Nazis and in Some Respects Supported Their Anti-Jewish Sentiment, or at the Very Least Looked the Other Way and did Virtually Nothing to Condemn or Stop Them.

But that Third-Act Flaw Aside, this is a Dramatic and at Times Powerful Look at Germany and its Evil Practices. There are Many Scenes of Highlight. The Torch Lit Rallies, the Operating Room Surgeries (must have been unsettling for audiences at the time), the Bound and Gagged Little Boy Tortured to Learn a Lesson, the Flogging of a Young Woman, and a Few Others.

So Overall this is Hollywood Anti-Nazi Propaganda at its Best. A Huge Money Maker for RKO and a Movie that is Disturbing Even Today. It is a B-Movie but the Low-Budget, Second Tier Actors, and Limited Production Values do Nothing to Make this Anything Less than a Stinging Indictment of the Nazis and is Actually, for a Change, Highly Historically Accurate, Except for the Aforementioned Religiosity.

This movie's message or slogan could be "Inside every Nazi there's an American trying to get out".

Another what you see is what you get experience. Propaganda film made for the Allied war effort. If you read one sentence about the movie from a DVD back cover you will know what will happen and why. No surprises here.

The list why this kind of thing never actually happened in real history is long. The Nazis weren't this gullible nor interested in special cases. They were petty when they looked for criminalizing details about people but grand when it came to slaying them.