Le château des loufoques

The Boogie Man Will Get You: 6 out of 10: If Ma and Pa Kettle ever did Arsenic and Old Lace it would be this movie. Very very silly and occasionally quite funny the Boogie Man has a couple of big faults. The supporting cast is mixed at best and the ending is a mess.

It also has two great assets, Boris Karloff and Peter Lorre. Karloff is spot on as the bumbling well meaning murdering scientist. Whose experiments on traveling salesman to create super-soldiers for the war effort are both well meaning and quite homicidal.

Peter Lorre is hilarious as the Mayor, Police Chief, Undertaker, Notary, excreta. He dresses in a three piece suit with a Siamese kitten in his pocket to which he coos in German.

Watching these two together is pure entertainment and certainly worth a viewing. The rest of the movie is light, frothy, derivative, and occasionally irritating. Just watch the stars at work and forget the rest.

Horror King Boris Karloff seems to be having a good time here spoofing his own mad doctor image in this light-hearted black comedy which was probably inspired by ARSENIC AND OLD LACE. As a kindly (but naive) old inventor, the wacky Karloff wants to "aid the war effort" by creating his own homegrown superman. Boris teams up in this one with the offbeat Peter Lorre as another "scientist" and "jack of all trades" to bop unsuspecting subjects over the head for usage in their daffy experiments. One of their dimwitted victims is even Max "Slapsie Maxie" Rosenbloom. Karloff and Lorre make a good comical duo in the first of a few films where they'd eventually share the spotlight together, and there are some light chuckles to be had in this good natured, if uneven, diversion. **1/2 out of ****

Though conceived as a quickie ripoff of "Arsenic and Old Lace," "Boogie Man" now seems more like a weird precursor of "Green Acres," featuring (Miss) Jeff Donnell as a sort of young female Eddie Albert, and Boris Karloff in what might be called the Eva Gabor position, spoofing his kindly old mad scientist roles as a semi-senile inventor attempting to create a race of electrically enhanced supermen in the basement of a crumbling colonial inn while Miss Donnell joyously appraises all the charming old antiques upstairs. Peter Lorre, of all people, gives a rare comic performance as the local version of Mr. Haney, running around dressed like Robert Mitchum in "Night of the Hunter," with a cute little Siamese kitten in his pocket that he periodically coos to in German. This is the sort of movie you used to catch one night on the late late show, and wonder for years afterwards if you'd actually seen it or just dreamt it.

From the very beginning, during the opening credits, you already know what you are dealing with, despite Boris Karloff and Peter Lorre. It's not my cup of tea, but that's a movie from Lew Landers,, a grade B movies provider whose I have already tried not to miss any movie available; many are not anymore. Fortunately for me, this feature is not too long, so it was not too hard for me to really focus on the plot. It is definitely fun, enjoyable. Impossible to say the least harm about this film. Made during the war, 1942, it is obviously destined to help audiences to forget, at least for more than one hour, the nightmare of the conflict.

The title, "The Boogie Man Will Get You" should give you an idea of the sort of film you're going to see. Its basically a minor horror/comedy played out more or less like a Three Stooges comedy with a budget. For stars Boris Karloff and Peter Lorre, it was probably a welcome change of pace from the roles both had been playing. The story is similar in many ways to "Arsenic and Old Lace" a hit Broadway play of the day in which Karloff had been starring.

Two eccentrics, Professor Nathaniel Billings (Karloff) and Amelia Jones (Maude Eburne) live in a run down old Colonial Inn which they have put up for sale. A young lady Winnie Layden (Jeff Donnell) comes to look over the place and decides to buy it. As a condition of the sale Billings asks that he, Amelia and handyman Ebenezer (George McKay) be allowed to stay so that Billings can complete his experiments in the building's basement.

The mortgage holder Dr. Lorentz (Lorre), who is also the sheriff, the coroner and the Justice of the Peace, among other titles, arrives. Billings gleefully pays off his mortgage and Winnie takes title to the property just as her former husband Bill (Larry Parks) arrives to try for some unknown reason to prevent her from buying the Inn.

Meanwhile Billings continues his experiments to try to perfect a super human, but his test subject apparently dies. Bill discovers the body in the basement and he and Winnie report the crime to Lorenz in his role of the town sheriff. On investigating, Lorenz learns of Billings plans and wants in on the action. He also discovers that there are also four other "test subjects" laid out in the next room.

A "ballet master", J. Gilbert Brampton arrives at the Inn and begins to snoop around. A traveling powder puff salesman (Maxie Rosenbloom) arrives and Billings and Lorentz plan to make him their next "test subject". An escaped fascist prisoner (Frank Paglia) also drops in and threatens to blow everybody up. Two cops (Frank Sully, James Morton) arrive to investigate a reported murder.

Everything manages to get sorted out in the end.

The film leaves a few unanswered questions such as "Where did Winnie get all of the cash?, Why were Bill and Winnie divorced?, Who was really making the Indian whooping noise? and What was the "arrangement", if any between Billings and Amelia? And beware of the typical Hollywood Production Code ending. This was Karloff's final film on his Columbia contract and he would be off the screen until 1944's "The Climax" while he continued to appear in "Arsenic and Old Lace", which by the way prevented him from getting a part in the 1944 film version.

The two leads seem to enjoy all of this nonsense and both would appear in comedic parts over the years for the rest of their careers.