Broadway

I first saw this movie in 1941 when I was 12 years old, I thought it was a great movie then. Later on it came out on the late show in 1965 and it was still a great movie especially since it featured some of my favorite actors: George Raft, Pat O^Brien, Broderick Crawford and of course the lovely Anne Gwynne. I wish I could find this movie on video but alas....it is not available.

"Broadway" is a little-known semi-musical that grips the audience despite being handicapped with two pointless gimmicks. The first gimmick is that George Raft plays himself, and the movie supposedly recounts an episode early in his career. The second gimmick is that the story is told in flashback. Neither gimmick helps the film at all, and "Broadway" would have been better without them.

Once the flashback starts, the story unfolds quickly and blends a gangster story with a back-stage musical drama. Many films have tried this mixture. A few, like "Party Girl" succeed but most, like "The Cotton Club" fail. "Broadway" succeeds, and does not glamorise life back-stage. It shows the tackiness of show business in a small club which is small and shabby. No new songs were written for the film and familiar old songs like "Dinah" and "I'm Just Wild About Harry" are performed.

Apart from the gimmicks, the film has two other problems. Many of the characters are clichés, both as written and as acted. For example both S. J. Sakall and Pat O'Brien give the same performance they gave in several other movies, and S. J Sakall, in particular, is completely wrong for this movie. By contrast, Broderick Crawford gives an interesting performance as the main gangster and avoids cliché acting. The second weakness is that the screenplay does not bring out clearly what motivates the characters. For example, the Janet Blair character is attracted to the gangster and closes her eyes to what he really is. At a celebration party she is propositioned by an unwelcome admirer and the gangster intervenes. The man backs down and there is no violence. Nevertheless, the girl now sees the gangster for what he is and is no longer attracted to him. This would have made more sense if there had been a fight in which the gangster displayed sadism and brutality.

Although George Raft and Janet Blair were reasonable dancers, they were nothing special and "Broadway" succeeds more as a melodrama than as a musical. (If Gene Kelly and Rita Hayworth had been cast, and more prominence given to the dancing, "Broadway" might have been a great musical.)

This is an interesting film as it starred George Raft as George Raft, reminiscing on the good old days of the 1920s when he was trying to become famous as a hoofer at a nightclub. Flashback to a time when Raft flailed around like a knock-off James Cagney amid a group of girls who look suspiciously more like 1940s pin-up girls than 1920s flappers. Broadway has plenty of action and a great cast, although it is relatively predictable and Raft's last line leaves us with a pressing, unanswered question.

See it for Raft in an unusual role. I caught a screening at Cinevent in 2012. Broadway is definitely entertaining and worth searching out.

"Broadway" is a semi-biopic/gangster movie in which the stars align and everything works. It has all the elements of a hit movie; good idea, good script, good cast, good music, good pacing. It is listed as a musical but the musical is almost incidental; the movie takes place backstage at a theater (which is also a speakeasy) and it contains a couple of old songs for the chorus girls to perform. George Raft tells the story in flashback, as he visits New York and reminisces about the old days, particularly about his gangster involvement.

I don't care for George Raft. He was a wooden actor and had an unattractive persona and appearance. But here I feel he did his best work, even creating a little sympathy for his character as well as showing his dancing feet - remember, he is a middle-aged guy playing a young guy. He was better here than in "Souls At Sea". The picture gets a big lift from Broderick Crawford as the heavy, and his acting here rivals his AA performance in "All The King's Men". Pat O'Brien plays a 'flatfoot'(no surprise) and comic relief comes in the form of SZ Sakall and Edward Brophy. Janet Blair and Anne Gwynne were very pretty in slight roles; too bad their careers weren't more prolific.

The picture moves at a good pace, and I really can't think of a drawback or a valid complaint. Thoroughly entertaining from start to finish, a quick 90 minutes. It was shown at Cinevent, Columbus,O. 5/12.

George Raft -- playing George Raft on loan to Universal -- wanders the streets of Broadway, and into a bowling alley under construction. He tells watchman Arthur Shields about when it was a night club during Prohibition, his dancing partner Janey Blair, and bootlegger Broderick Crawford feeding her a line.

This remake of 1929's movie of the same name doesn't have the spectacular visual qualities of the original, but it does have a lot of fine character actors in small and medium parts: S. Z. Sakall, Pat O'Brien as the cop, Eddie Brophy, Marie Wilson, Ralf Harald, Iris Adrian, Marjorie Rambeau, Jimmy Conlin, Tom Kennedy, Charles Lane, and many others. It's a feast for fans of these players who often seem more important in their small turns than the stars who headline the show.

Raft is pretty good too, as he offers some of his nifty dancing, and some coin flips. Director William Seiter offers a movie that seems nostalgic for the day without resorting to the Runyonesque fantasy that it's all good laughs and mangled grammar, and the assortment of songs popular two decades before this movie, many of them still known, lends a lot of bright detail to the production.