Week-end à La Havane

The film begins with a cruise ship getting stuck on a reef. The cruise line sends one of its execs (John Payne) to meet the passengers in order to placate them and get each one to sign a release. However, one (Alice Faye) is not so easily satisfied and refuses to sign. After all, she cannot afford to take another trip a couple weeks later and she insists that the cruise line owes her a vacation and NOW! So, to avoid a lawsuit, he arranges for the woman to be flown to Havana to be wined and dined in style. She is happy but won't sign the release until AFTER the trip is over--as it COULD still be a lousy vacation. So, to be sure the vacation is great, he arranges for a local ne'er-do-well (Cesar Romero) to romance her. The problem is that he already has a girlfriend (Carmen Miranda)--and she's one jealous lady! What's next? Well, it's pretty predictable but quite entertaining.

This picture is pretty much what you'd expect from a film from this studio--some very nice Technicolor, a few songs and a lot of fun. While none of "Week-End in Havana" is certainly NOT a great film, it is a decent little time-passer and is worth seeing. It's also one of Miranda's best films, as she's used more effectively than in many of her Fox movies.

By the way, at the 73 minute mark, you can catch a brief glimpse of Hugh Beaumont--but look fast or you'll miss him.

The production team behind this film would have benefited if they had done research for the movie by taking a real weekend in Havana. It appears the studio executives flew down to Rio instead. How else did they come up with music and costumes that are more Brazilian than Cuban?

Maybe the studio thought of this as a vehicle for Carmen Miranda, the charismatic Brazilian star. Otherwise, it doesn't make sense at all to have turned everything into a samba flavored musical that is completely out of character with its setting of the romantic allure Havana of the 40s.

The music is mildly entertaining. We know what will happen and how it will end, yet, we stay with a movie that has been done better before. Walter Lang directed on auto pilot because there is nothing in the film that shows anything new that we haven't seen before.

Alice Faye plays a Macy's sales lady on a Caribbean cruise. Ms. Faye is a charming presence in the film. John Payne is the man who is sent to deal with the possible problem caused by the accident of the ship and ends up falling madly in love with the sales woman. Cesar Romero is suave as the gambler that tries to endear himself to the woman he thinks is an heiress. Carmen Miranda is the singing sensation at the Casino Madrileno.

"Weekend in Havana" is an inoffensive way to spend a little more than an hour and a half with these characters.

This movie doesn't lack talent; it's got the adorable Alice Faye, handsome Cesar Romero and John Payne, and fabulous Carmen Miranda. What it lacks is great songs. Made at a time when Cuba was still a glamorous destination for wealthy and famous Americans, the film cashes in on the contract between old New York in winter and the warmth of the Caribbean. It all seems like a bit fat cliché now, but in its time this kind of fun got people dancing and singing and appreciating the rhythms of Latin America. You'll hear all sorts of references in Miranda's rendering of the title song. Who cares if she was from Brazil? It's interesting to note that one of the themes of the film hinges on a cruise ship going aground-sound familiar? The scenes filmed in Havana are a delight. Note that some "Marquee 20th Century Box Musicals" DVDs of this film contain audio commentary by film historian Jeanine Basinger, which helps to explain the conventions, styles, and techniques of this movie. --from Musicals on the Silver Screen, American Library Association, 2013

Alice Faye knows more than she should about a cruise ship accident and gets herself a big vacation courtesy of the ship line in "Weekend in Havana," costarring John Payne, Carmen Miranda, and Cesar Romero. Alice plays a demanding young woman who insists on recompense for a long-planned vacation when handsome John Payne tries to convince her to sign a waiver. Payne escorts her to Havana where, anxious to get home for his wedding, he proves a dull escort. Faye soon hooks up with Romero, who thinks she's wealthy. He's on the lam from a casino proprietor to whom he owes money. Carmen Miranda, his girlfriend, is the jealous entertainer.

Everyone in the film is delightful. Having just seen Romero in "Captain from Castile," he is even more impressive in this light role. Miranda is always fun to watch. Faye is very pretty and sings well in her lush contralto. John Payne is easy on the eyes and makes an able leading man. Cobina Wright, as Payne's fiancée, is quite stunning.

I admit to liking Springtime in the Rockies and The Gang's All Here more, but "Weekend in Havana" makes for fun viewing.

As a kid growing up in the late '70s, I used to watch quite a lot of Technicolor musicals from M-G-M and 20th Century-Fox on my local public TV station. But this particular one was not one of them so when I saw this was in my local library, I had to get it! Having just watched this with Mom right now, it's quite a delight seeing the full spectrum of colors especially when Carmen Miranda is on the screen doing her numbers! There's also Alice Faye, John Payne, Cesar Romero along with nice support from the likes of Sheldon Leonard (another player from my favorite movie It's a Wonderful Life I like to cite when I see them in another picture) and Billy Gilbert (as a waiter who's not above tripping someone if they don't pay!). The songs are pretty enjoyable and the comedy is pretty hilarious part of the time. So on that note, Mom and I recommend Week-End in Havana.