A young girl from the "sticks" comes to the city to live with her wealthy relatives. At first she is the objection of derision and made fun of because of her unsophisticated nature, but it t... Read allA young girl from the "sticks" comes to the city to live with her wealthy relatives. At first she is the objection of derision and made fun of because of her unsophisticated nature, but it turns out that there's a bit more to her than most of her snooty relatives and their condes... Read allA young girl from the "sticks" comes to the city to live with her wealthy relatives. At first she is the objection of derision and made fun of because of her unsophisticated nature, but it turns out that there's a bit more to her than most of her snooty relatives and their condescending friends think.
- Nominated for 1 Oscar
- 1 win & 1 nomination total
- Chorus Girl
- (uncredited)
- Chorus Girl
- (uncredited)
Featured reviews
The name Judy Canova may not be familiar to non-fans of old movies and radio. Perhaps the best way to describe her appeal is as a country cousin of TV's Gomer Pyle. She had an inimitable style doing either novelty songs or knock-about dances. But beneath her rather homely appearance, an appealing persona shone through. Unfortunately, this is not her best showcase, maybe because screen time is shared by a number of performers, including mustachioed comic Jerry Colonna taking a break from radio, and an unexpected Susan Hayward already showing a sharp edge behind that soft beauty. Unfortunately, the musical selections are pretty forgettable, rather surprising given Bob Crosby's popular presence. And what's with that hugely overdone final production number. Its lordly costuming appears jarringly out of place. But at least there's a lot of sexy girls backstage for guys to look at. Then too, I suspect the patriotic curtain closer was anticipating WWII then only months away. All in all, the 100-minutes may not be top-notch Canova, but does remain a decent time- passer.
The missus won't have Canova around, so Butterworth sends her off to college with Hayward. Of course Susan isn't crazy about the prospect of rooming in the dormitory with her country cousin, especially when the rich society kid Bob Crosby starts checking her out.
Sis Hopkins is the quintessential Judy Canova film where Judy may come off like a hayseed, but she's got good instincts and a good heart that people eventually warm up to. Even her rich relatives eventually come around.
I can't leave Sis Hopkins without mentioning Jerry Colonna who plays a wacky music professor who house mother Elvira Allman has a bit of a thing going for. Allman plays Margaret Dumont to Colonna's Groucho Marx and the results are pretty funny.
Sis Hopkins has a nice cast of colorful supporting players who nicely frame Judy Canova in her quintessential part. One of those is Susan Hayward as her snooty cousin. Hayward is fifth billed in Sis Hopkins and probably no one but Susan Hayward saw Oscar in her future. It took 17 years to get there, but Susan Hayward knew her worth and had that kind of determination.
Sis Hopkins was produced by Republic and the production values aren't the greatest. Still the cast puts this one over very well.
I'm sure you can guess the answer after watching the first ten minutes. Most of the movie is incredibly silly, and the rest of it is predictable and trite. Judy sings everything from country tunes to opera to yodeling, but if you find her annoying, you probably won't like this movie. She's on the screen almost the entire time, so you'll be able to quickly find out if you'll like the movie or hate it.
Did you know
- TriviaAccoring to reporter Sheilah Graham's syndicated newspaper column Hollywood Gadabout, a musical number in this production utilized some of the Louis XVI-style wigs made for Norma Shearer in Marie-Antoinette (1938)
- Quotes
[on arriving at her uncle's mansion]
Sis Hopkins: Why, it couldn't be purtier if it were a gas station.
Details
- Runtime1 hour 39 minutes
- Color
- Aspect ratio
- 1.37 : 1