IMDb RATING
6.4/10
1.4K
YOUR RATING
Robert Montgomery and George Sanders team up to play against type in this probing psychological thriller that features Ingrid Bergman as the object of their obsessions.Robert Montgomery and George Sanders team up to play against type in this probing psychological thriller that features Ingrid Bergman as the object of their obsessions.Robert Montgomery and George Sanders team up to play against type in this probing psychological thriller that features Ingrid Bergman as the object of their obsessions.
- Awards
- 3 wins total
Frederick Worlock
- Solicitor-General
- (as Frederic Worlock)
Ludwig Hardt
- Durand
- (as Ludwig Hart)
Stuart Hall
- Traveling Salesman
- (scenes deleted)
Major McBride
- Bank Clerk
- (scenes deleted)
Clive Morgan
- Traveling Salesman
- (scenes deleted)
Joseph North
- Undertaker
- (scenes deleted)
Wyndham Standing
- Dr. McTernan
- (scenes deleted)
Harry Allen
- Jury Foreman
- (uncredited)
Storyline
Did you know
- TriviaW.S. Van Dyke took over the direction of the movie from Robert B. Sinclair, who became ill shortly after shooting began. Van Dyke was in the Marines, but was granted a 14-day leave to finish the picture. Neither Sinclair nor Van Dyke was available for re-takes, which were then directed by Richard Thorpe.
- GoofsThe movie commences with a quote, "Heaven hath no rage like love to hatred turned", which it attributes to Milton. The quote is in fact from William Congreve's play "The Mourning Bride".
- Quotes
Stella Bergen: My life is like this clearing. Nice and peaceful with paths leading in all directions. Only, I don't know which one to take.
- ConnectionsFeatured in Ingrid (1984)
Featured review
One of James Hilton's lesser novels got a lesser production from MGM with his Day Of Reckoning becoming Rage In Heaven. This has to be one of the few instances where a psychiatrist saves the day.
I think it ironic that Robert Montgomery got cast in the lead here against his usual type. It must have been an easier sell to Louis B. Mayer to cast him after having proved his acting chops in Night Must Fall. Playing another charming maniac got Montgomery an Academy Award nomination in that film. So Mayer having been convinced was less reluctant to have him cast here.
When we first meet Montgomery we find him inside an insane asylum in France and while his doctor, Oscar Homolka is discussing his case, Montgomery up and escapes from the place. Making it back to Great Britain he goes back to his mother's place and Lucille Watson as the mother welcomes him, not knowing of his hiatus in the booby hatch.
She's got a nice new secretary/companion in Ingrid Bergman and Montgomery likes her lot. She likes George Sanders his good friend and incidentally it was Sander's character name under which Montgomery was in the asylum under.
Montgomery woos and wins Ingrid, he's now running Watson's factory and that makes him a big man and no doubt helps his cause with Ingrid. Sanders is now working for him. But this Othello has his own Iago inside him provoking the green eyed monster without any outside provocation.
When Bergman turns to Sanders after one of Montgomery's inexplicable rages, Montgomery conceives a diabolical plot to frame Sanders for his own murder. That's the best part of the film, there's no way Sanders could have or should have gotten out of it. Especially without Montgomery to be questioned.
I liked the fact that both Montgomery and Sanders were playing against type. Sanders is a good guy, one of the few films he's not working any angles. Ingrid was steadfast and loyal, her part's not that much of a stretch for her talents.
I won't give away the ending, but let me say it was way too contrived and coincidental. Rage In Heaven does not belong in the top tier of films for any of the three leads.
I think it ironic that Robert Montgomery got cast in the lead here against his usual type. It must have been an easier sell to Louis B. Mayer to cast him after having proved his acting chops in Night Must Fall. Playing another charming maniac got Montgomery an Academy Award nomination in that film. So Mayer having been convinced was less reluctant to have him cast here.
When we first meet Montgomery we find him inside an insane asylum in France and while his doctor, Oscar Homolka is discussing his case, Montgomery up and escapes from the place. Making it back to Great Britain he goes back to his mother's place and Lucille Watson as the mother welcomes him, not knowing of his hiatus in the booby hatch.
She's got a nice new secretary/companion in Ingrid Bergman and Montgomery likes her lot. She likes George Sanders his good friend and incidentally it was Sander's character name under which Montgomery was in the asylum under.
Montgomery woos and wins Ingrid, he's now running Watson's factory and that makes him a big man and no doubt helps his cause with Ingrid. Sanders is now working for him. But this Othello has his own Iago inside him provoking the green eyed monster without any outside provocation.
When Bergman turns to Sanders after one of Montgomery's inexplicable rages, Montgomery conceives a diabolical plot to frame Sanders for his own murder. That's the best part of the film, there's no way Sanders could have or should have gotten out of it. Especially without Montgomery to be questioned.
I liked the fact that both Montgomery and Sanders were playing against type. Sanders is a good guy, one of the few films he's not working any angles. Ingrid was steadfast and loyal, her part's not that much of a stretch for her talents.
I won't give away the ending, but let me say it was way too contrived and coincidental. Rage In Heaven does not belong in the top tier of films for any of the three leads.
- bkoganbing
- Dec 17, 2008
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Rage in Heaven
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 25 minutes
- Color
- Aspect ratio
- 1.37 : 1
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