This film hadn't been shown for decades and was found in a Merian C. Cooper collection that had been used for television. A 2½-minute sequence that had been cut from the print was located in a French negative discovered in the National Center for Cinematography in France and restored to the print. The brief segment had been cut for television because it indicated that the characters of Joan Colby and John Fletcher were having pre-marital sex.
The $5,000 in total Col. Colby says he has set aside for Joan and Valerie to be used for both their weddings would equate to about $119,000 in 2023.
The newspaper article announces that Valerie and Dennis have taken up residence at 2200 Lombard Street (in San Francisco). That address is in the Marina District of the city and as of 2016 is the address of a pizzeria.
Merian C. Cooper had accused RKO of not paying him all the money contractually due for six RKO films he produced in the 1930s. In 1946, a settlement was reached, giving Cooper complete ownership of the RKO titles: Idylle sous les toits (1933) with Ginger Rogers, La femme aux gardénias (1933) with Ann Harding and William Powell, The Right to Romance (1933) with Ann Harding and Robert Young, One Man's Journey (1933) with Lionel Barrymore, Living on Love (1937) and A Man to Remember (1938).
In 2006, Turner Classic Movies, which had acquired the rights to the six films after extensive legal negotiations, broadcast them on TCM in April 2007, their first full public exhibition in over 70 years. TCM, in association with the Library of Congress and the Brigham Young University Motion Picture Archive, had searched many film archives throughout the world to find copies of the films in order to create new 35mm prints.
In 2006, Turner Classic Movies, which had acquired the rights to the six films after extensive legal negotiations, broadcast them on TCM in April 2007, their first full public exhibition in over 70 years. TCM, in association with the Library of Congress and the Brigham Young University Motion Picture Archive, had searched many film archives throughout the world to find copies of the films in order to create new 35mm prints.
The play opened in London, England, UK on 11 January 1933.