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Joan Bennett and Charles Farrell in Wild Girl (1932)

News

Wild Girl

The Noteworthy: Savides & Szeto & De Gregario, Fincher's Kickstarter, Pre-Code Sirens
News.

Above: Harris Savides. Photo by Brigette Lancombe for Interview magazine.

We were saddened and shocked to hear of the passing of one of film's great cinematographers, Harris Savides. Our brief note includes an indelible clip from Gerry, one of his collaborations with Gus Van Sant. David Hudson has rounded up commentary at Fandor.

One of Savides' chief collaborators, director David Fincher, is also in the news with an animated film project that's appealing to Kickstarter to get funded.

Two big trailer debuts have sprung on us over the last week. One's the second trailer for Quentin Tarantino's Django Unchained:

...and the other is the first full trailer for Kathryn Bigelow's Zero Dark Thirty:

Filmmaker Jon Jost has started a petition calling for Ray Carney to return underground director Mark Rappaport's film materials. As the petition explains:

"In 2005, when Mark Rappaport moved to France, Ray Carney,...
See full article at MUBI
  • 10/17/2012
  • by Notebook
  • MUBI
Clara Bow: Savage!
Above: Clara Bow in a publicity still for Call Her Savage. Courtesy of the Museum of Modern Art.

Opening October and running through November at the Museum of Modern Art is the much anticipated 10th edition of the To Save and Project International Festival of Film Preservation. One of the major highlights is a gorgeous 35mm print of John Francis Dillon's Call Her Savage (1932), starring Clara Bow and shot by Lee Garmes. The film will open the series, on October 11, and be followed that evening with a screening of another must see restoration, Raoul Walsh's Wild Girl.
See full article at MUBI
  • 10/4/2012
  • by Notebook
  • MUBI
Il Cinema Ritrovato 2012 #2
The problem with writing daily updates for a film festival such as Il Cinema Ritrovato is that you never find time to do it! The screenings start from 9 in the morning and continue ceaselessly till the evening, and then you can go for the outdoor projection which starts at 10 pm, and if it is something like the restored version of Roman Polanski's Tess, then the end of screening would be on the following day.

To begin, let’s start with a cinephile, rather than the films: Olaf Möller is a hard-to-miss cinephile who dresses in black (but his beard distinguished him from Johnny Cash), and when he talks about Mosfilm director, Ivan Pyr’ev whose retrospective Möller curated, it looks as if he discovered Solomon's mines. Olaf’s aim is to go beyond the officially acknowledged names in the Soviet Union cinema. In the technical mastery of Pyr’ev,...
See full article at MUBI
  • 6/28/2012
  • MUBI
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