Roar of the Dragon

In Manchuria, bandits besiege a group of westerners. While Richard Dix tries to figure out how to get them out of there, bandit leader C. Henry Gordon wants Gwili Andre.

Ever wanted to see a movie in which Edward Everett Horton mows down a bunch of marauders with a machine gun, and dies heroically? Here's your chance. For a performer best remembered for his many comedies, the only man to ever master the triple take, Horton acquits himself quite well. But then, I've always maintained that anyoneone can suffer on the screen; it takes something extra to do comedy.

The other performer worth commenting on is Miss Andre in her screen premiere. Director Wesley Ruggles keeps her speaking to a minimum, and has her posing a lot in profile, and it's quite a profile. It's no wonder she was a model. But her career as an actress is not impressive: fourteen films through 1941. She died in 1959 at the age of 52.

Other performers in this movie include Arline Judge, Zasu Pitts, and Dudley Digges.

I liked it. I thought that it was a pretty decent B-movie for its time. I have one question that maybe someone can answer, though. I thought that I heard "I'll Never Smile Again" playing throughout the soundtrack but, while looking it up, saw that that song wasn't written until 1940. Am I mistaken?

Travelers in China are trapped in a Manchurian riverside village by marauding bandits. Richard Dix is the hard-drinking riverboat captain who takes charge of the situation, and he has a STAGECOACH-like assortment of tourists under his wing who must unite in the face of danger. This is an ARGOSY magazine pulp novelette version of China, admittedly, a la the work of Loring Brent, but it is quite nicely done with some good atmosphere and plenty of action. And this may be the only movie in which you see Edward Everett Horton blasting away with a machine gun. Solid 7 on the IMDB scale.

Very serious dramatic roles for Edward Horton and Zasu Pitts, who had both made so many comedies over their careers. A riverboat is stuck in an area in Manchuria, which is about to be raided by the bandit Voronsky, Captain Carson (Richard Dix) must lead the group out of danger. unfortunately for them, he seems to be pretty drunk a lot of the time! sound and picture are quite good, for such an early talkie. co-stars the Danish Dwili Andre (her first US role... but with silly, drawn-in, thin eyebrows. i'm sure some director thought that was the right thing to do.) and Arline Judge. kind of funny that Judge keeps talking about "Bridgeport"... she really was from Bridgeport, Connecticut. it's a fun, wild adventure, mostly because of the "exotic foreign locale"... Manchuria, which was probably stage 33 somewhere in hollywood. supposedly the suspense is keeping the bandits outside the hotel, but with their axes and guns, it looks like they could have entered at will... and when someone gets knocked off through the window, the rest of the group gathers around the dead body, without thought that the killer might still be right outside the window. it's pretty good, if you can overlook some loop holes. Directed by Wesley Ruggles. nominated for Cimarron the year before. Should probably mention that Ruggles was married to Arline Judge, and they made FOUR films together. Wes Ruggles and his brother Charlie had started in the early days of silent films, and carried on into the talkies. This is pretty good. quite the adventure story.

Almost everything else I planned to say has been said by someone else here-- this is unusually zippy for a movie by the normally mediocre Wesley Ruggles, that big lummox Richard Dix is unusually animated and even amusing at times, the production design and cinematography are very handsome (and female leads Andre and Judge ain't bad to look at either), it's probably the only movie in which Edward Everett Horton handles a machine gun (although he does prove pretty handy with a pistol in 1938's Wild Money), and while the movie seems a bit underwritten (or more likely written in 3 days), it's pretty everything you could want from a 68-minute pre-Code B movie.

The other interesting thing I would note is that it could have inspired bits in two much more famous movies-- the whole opening, in which news of a bandit's rampage is conveyed by telegraph until the moment that the bandit's men chop down the telegraph pole, plays like a dry run for the much more famous and accomplished opening of Stagecoach-- and it's hard to think that's an accident when you know that co-writer, and RKO producer during this time, Merian C. Cooper (of King Kong fame) would soon work with John Ford on The Lost Patrol (as well as on most of his immediate postwar work). The connection with Howard Hawks is less obvious, but when you consider the situation (tough guy Dix surrounded in compound with a bunch of people whose ability to defend themselves is doubtful), and then hear him refer to Arline Judge by a nickname-- the town she was from ("Bridgeport")-- and hear her answer in a deep, insolent Betty Bacall-Angie Dickinson drawl, there's a definite whiff of the much later Rio Bravo, in which John Wayne is holed up with a bunch of questionable help and a girl called Feathers.