Prospérité

Let's face it. ANY movie that features Marie Dressler is going to be a hit!! Dressler makes the movie fun, emotional, and spirit lifting!!

Dressler gets teamed up again with her side kick Polly Moran. There are many scenes where Moran's acting and expressions remind me of some of the best comedy scenes played by Bette Midler. Moran has the gift of gag reactions and makes a perfect companion for Dressler. Dressler can be "over the top" at times but Moran is SO "over the top", she makes Dressler look grounded. It all works out evenly in a perfect balance when these two get together.

Norman Foster is her son. He is weak and selfish and it makes it tough on Dressler when she turns the family bank over to his care. He means well but he just keeps messing things up. If he would only listen to his mother!!

The film deals with the Great Depression, inspiring supportive relationships, and learning when to speak and learning when to bite your tongue.

With the laughs come tears and Dressler is the best when it comes to playing the tough scenes. She has a heart of gold through out. If you liked her in "Emma", you will love her in "Prosperity".

Take 90 minutes out of your day and see this Classy Classic. You won't regret it.

The big-hearted matriarch of a small town bank works furiously to keep her institution alive. Though beset by trial & tribulation, she teaches her community that there is much more to PROSPERITY than how much money one has in the bank.

Marie Dressler was Hollywood's Queen when she made this crowd pleasing comedy/drama in 1932. She is perfect as the tough old lady with a tender heart who fights for her son's happiness and the well-being of their family owned bank. Depression audiences adored Marie because she was one of them, blunt, honest, no-nonsense, nothing fake or phony about her. They rewarded her by making her the box office champion in the years before her untimely death in 1934.

However, it's important to notice that Dressler shares star billing in PROSPERITY with her frequent sidekick, the ubiquitous Polly Moran. This spunky, buxom little comedienne cut her teeth in Mack Sennett Comedies and was most adept at slapstick & physical humor. Together, Marie & Polly, like a distaff Laurel & Hardy, were formidably funny. Their several screen pairings, though seldom revived today, are comedic gems.

Others in the cast (Anita Page as Polly's daughter, Norman Foster as Marie's son & John Miljan as the villain) are all very competent, but exist mainly to showcase the Ladies.

What drags Prosperity down is the repeated insertion of low comedy gags involving Polly Moran, a successful silent-era slapstick comedienne whose humor didn't play very well with sound. Far too much footage is wasted in setting up lame punch lines or overdone sight gags. These tedious distractions, unfortunately, also tend to involve the film's star, Marie Dressler, who could easily have done without them in her otherwise impressive portrayal of a small-town bank president who weathers the storm of economic depression by a combination of ingenuity and what they used to call gumption. The plot involves Dressler's struggle with entangled financial and familial crises.

Her son is played by Norman Foster who was an able actor but had no distinctive traits to set him apart from a host of other nice looking young male performers. Anita Page, just past her brief burst of major stardom, is cast as Foster's wife in an undemanding supporting role.

This film is less successful than "American Madness," released the same year, which is also about the travails of a small town banker during the Depression.

In 1925, childhood friends Marie Dressler (as Maggie Warren) and Polly Moran (as Lizzie Praskins) oversee the wedding of their children, Anita Page (as Helen) and Norman Foster (as John). Before the celebration, Ms. Dressler turns the reigns of her small town bank over to her son, Mr. Foster. Six years later, the Great Depression brings many bank closures, and financial insecurity. Banker Foster is able to survive, due to mother Dressler's wise planning. But, Ms. Moran is worried about her fortune, and loudly demands a complete withdrawal. Other "Warren Bank" customers hear Moran's rant, and start questioning their own solvency. Soon, the family is in financial crisis.

Dressler's huge critical and financial film hit "Emma" had been released early in the year, and MGM had to have wanted to get a new Dressler film out as soon as possible. Dressler's 1931 hits, "Reducing" and "Politics" were still making a lot of money; and, Dressler had become 1932's US #1 Box Office Star, according to the industry standard list compiled by Quigley Publications. "Prosperity" certainly celebrated Dressler's status, but the production appears uncharacteristically sloppy, and rushed. The cast does well, considering. Some more care in direction and editing, and some retakes, would have helped… apparently, they needed it in theaters for the holidays.

**** Prosperity (11/12/32) Sam Wood ~ Marie Dressler, Polly Moran, Anita Page, Norman Foster

I am not familiar with Marie Dressler at all so I approached this unprimed without any preconceptions whatsoever. As a Dressler virgin, I found this difficult to get into, it feels like it was made for her fans.

A lot of us grew up watching Laurel and Hardy on the tv so when we watch them now it's with a sense of nostalgia. They're likeable because we feel we know those guys intimately. Because we like them we can relate to them and laugh along with them. However had we never seen a L&H film and stumbled upon one, to be honest I doubt we'd find them as funny. For this type of comedy to work, it's essential that we like the characters. Comedy is very much a two way process and so without knowing who Marie Dressler is, this just leaves the uninitiated cold. This might work for her fans but my excuse would be: It not you Marie, it's me.

This film however is not just comedy. It's also a full blown melodrama with a serious dark sub-plot - comedy from a dark place is always more effective and there aren't much darker places than The Depression. The subject of this film is the United States banking crisis of the 1930s. Whilst this is a really fascinating subject to study, it clearly wasn't fun if you had to live through it so making light of people's misery peppered with trite optimistic and patriotic speeches was not what people who had just lost their jobs and homes wanted to hear.

This subject was handled much better in Frank Capra's fantastic AMERICAN MADNESS made a few months after this one. That however benefited from being released at the same time FDR was just taking charge of America and also from a typically impassioned performance from Mr integrity himself, Walter Huston. That was also written by the great Robert Riskin whereas this wasn't which is a big factor. Irving Thalberg's sister's script is ok, Sam Wood's direction is a bit more pedestrian than usual but ok and the acting is ok but this relies too much on the appeal of Miss Dressler.