Pie, Pie, Blackbird

Hard to believe this was only 11 min. Long!, as it packs quite a bit in. The theme is pie making, thus all the band members wore baker's hats. We get to see and hear a glamorized 20y.o. Nina Mae McKinney, 3 years after her role as a crooked seductress in the pioneering 1929 all black film "Hallelujah". She sings 2 songs in the first half of the film, including "It takes a Blackbird to make the Sweetest Kind of Pie"............. Then, the young Nicholas Brothers entertain in the 2nd half, with their unique 'flash dancing' style, which mixed conventional dance with tap dancing, and acrobatics. One clearly is much taller than the other at this time, since one was only 11, while the other was 18, in this, their first film appearance. They would become quite famous on and off screen. Probably, their film apex occurred in the 1943 all-black "Stormy Weather". ............Blake was a song writer, pianist and singer, as well as band leader. His favorite type of music was jazz, and most of the numbers are jazzy............An excellent film copy is included in the Hallelujah DVD, and is also viewable nearby here, on the internet. 4 years later, Nina and the Nicholas Brothers would again be featured in the 20min. "Black Network", although they would have to share the spotlight with several other musical performers.

This Vitaphone musical short was included on the DVD for the feature film "Hallelujah". As "Hallelujah" had an all-black cast, it made sense to include a couple shorts as well with Black-American casts like "Pie, Pie Blackbird". It also is available on the six DVD set "Warner Brothers Big Band, Jazz & Swing" set.

Like so many Vitaphone shorts, this one consists of musical acts and no actual story. The first segment is a short song by Nina Mae McKinney followed by a number by Eubie Blake and his orchestra followed by McKinney singing with the band followed by some amazing tap dancing followed by a VERY creepy ending. Seeing the giant pie set is a treat--something very weird but cool in an old fashioned way.

While I was not particularly in love with the music (it's just my taste), I was thrilled to see a film that was made by Hollywood that chronicled some of the great black talent of the day. As such, it's nice for its historical value. Sadly, however, the sound quality was not at all good and hearing he words to "I'll Be Glad When You're Dead You Rascal You" was quite a chore. It was a bit better on the "Warner Brothers" DVD--as I saw this a year later.

By the way, having McKinney perform also made sense as she starred in "Hallelujah" as the evil temptress. And man, was she evil!

Nina Mae McKinney is beautiful, as always, in this well budgeted little charmer. The very young Nicholas brothers drop by to talk pie and Nina obligees by bouncing them on her knees with a song. Then the camera zooms into the pie cooling near by and the image dissolves into a shot of the pie getting larger and larger. As the pastry fills the screen the crust peels back to reveal a small swing band with two back to back baby grand pianos! Another number, some scat singing and those sexy brown eyes of Nina's make this another short to be savored again and again. If you can find it. you will be enchanted.

Here's another fascinating Vitaphone musical short, one of those quirky 10-minute novelties that used to play before the feature attraction, along with a cartoon, a two-reel comedy, and a newsreel. Most of the major studios produced these mini-musicals, sometimes using them as screen tests (in effect) for popular stage or radio stars who might then "graduate" to appearances in features. The shorts were quickly cranked out and generally regarded as ephemeral little trifles in their day, but for theater historians and movie buffs alike they provide a valuable record of some of the top entertainers of the 20th century. Some of these shorts simply offer straightforward footage of the artists doing their thing, but others -- like Pie, Pie, Blackbird -- are more imaginative. Here, the filmmakers employ clever touches such as giant props, overhead camera views, etc., to keep viewers amused, but the central point of interest for us today is that this film showcases several first-rate African American performers who were rarely given such opportunities in mainstream Hollywood feature films. Top billing goes to Eubie Blake and his Band, with featured billing for the gorgeous Nina Mae McKinney, star of King Vidor's Hallelujah, but for me what makes this film really special is that it marked the movie debut of two very young stars who received no billing in the credits at all: the fabulous Nicholas Brothers, 17 year-old Fayard and 11 year- old Harold.

The film opens in a kitchen as Nina, playing a cook and dressed in traditional Aunt Jemima garb, is shown taking a pie from an oven and setting it out on a counter to cool. The Nicholas Brothers (looking even younger than their actual ages) enter excitedly and ask what she's baking. She replies by singing a song about blackbird pie, and as soon as she's finished the pie splits open and out pops a miniature version of Eubie Blake and his orchestra, dressed in chef outfits. They perform a beautiful instrumental rendition of "Memories of You" and are then joined by a doll-sized Nina Mae, who sings "Everything I've Got Belongs to You" while her full-scale double looks on approvingly. For the finale, a miniaturized pair of Nicholas Brothers appear from behind the giant pie and perform one of their amazing tap specialties, all the more amazing when you consider how very young they were in 1932, and that they were facing a movie camera for the first time. The short ends on a bizarre, macabre note, with a closing gag that implies the boys' dancing is so hot that it literally causes the whole place to ignite.

The musical performances in this little film are terrific, and the artists manage to transcend the patronizing presentation so typical of its era. Modern day viewers will wince at the implications of the lyric when Nina Mae sings "the master says it takes a Blackbird/to make the sweetest kind of pie," but somehow she conveys an unshakable dignity and strength that overcomes any insult implicit in the script. It's too bad that McKinney, Eubie Blake, and the Nicholas Brothers didn't live in a more enlightened time, and didn't get to show what they could do in major feature-length films tailored to their talents, but, thanks to the Vitaphone series, we can at least catch these brief glimpses of them in their heyday.

This film is available as an extra feature on the DVD release of King Vidor's Hallelujah, along with another musical short featuring Nina Mae McKinney and the Nicholas Brothers.

The Nicholas Brothers ask about the pie on the stove, and Nina Mae McKinney tells them it's a blackbird pie. Then the pie opens, and it's a small band led by Eubie Blake on the piano. Usually I'd be anxious while watching a short until the Nicholas Brothers start to dance. Here, I'm quite happy to wait while Blake and his group play and Miss McKinney sings. As long and they dance eventually, and they do.

Shorts like this were made to play in all the theaters up north, but they had a special market, even in the south. They might not be seen in the whites-only theaters, even with the stellar talents on view, but they were sure hits for the theaters frequented by Black movie-goers.