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Two war veterans help an orphaned child find her grandfather.Two war veterans help an orphaned child find her grandfather.Two war veterans help an orphaned child find her grandfather.
Don Dillaway
- Eddie Smith
- (as Donald Dillaway)
Jackie Lyn Dufton
- Eddie's Baby
- (as Jacquie Lynn)
Richard Cramer
- Uncle Jack
- (as Rychard Cramer)
C. Montague Shaw
- Groom's Father
- (as Montague Shaw)
Chester A. Bachman
- Policeman
- (uncredited)
Symona Boniface
- Wedding Guest
- (uncredited)
Chet Brandenburg
- Bystander
- (uncredited)
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Mr. Laurel and Mr. Hardy wind up in the army in the Great War. In the trenches, they become friends with Don Dilaway. When he buys the farm, they return to the United States, rescue his orphaned daughter Jackie Lyn Dutton, and try to locate her grandfather amid the comedy set pieces.
It's a surprisingly serious movie amidst all the shenanigans and gags. Among the issues are marital breakdowns, abusive foster parents (played by the thoroughly malign Richard Cramer) and the unfeeling child welfare system (personified by Charles Middleton). Yet it never falters, thanks in no small part to direction by Ray McCarey and George Marshall -- the latter has three scenes as a miserable army cook. Through it all, the friendship of Stan and Ollie sustains them. They are stupid and ineffective, but they know they can rely on each other's poor best in the face of a hostile world. Plus they are so very funny.
It's a surprisingly serious movie amidst all the shenanigans and gags. Among the issues are marital breakdowns, abusive foster parents (played by the thoroughly malign Richard Cramer) and the unfeeling child welfare system (personified by Charles Middleton). Yet it never falters, thanks in no small part to direction by Ray McCarey and George Marshall -- the latter has three scenes as a miserable army cook. Through it all, the friendship of Stan and Ollie sustains them. They are stupid and ineffective, but they know they can rely on each other's poor best in the face of a hostile world. Plus they are so very funny.
PACK UP YOUR TROUBLES (Hal Roach/Metro-Goldwyn-Mayer, 1932), directed by George Marshall and Raymond McCarey, marks the second starring feature film from comedy team, Stan Laurel and Oliver Hardy, and one of their finest efforts. Though categorized as a war comedy, the film in itself, divided into two parts, starts off with war related themed material while the second half concentrates more on the team's attempt in locating a little girl's grandparents while civilians after the Armitice.
Opening title: "April 1917 – when the scratch of a pen on Capitol Hill caused crowns to rattle." After a brief montage of newspapers going to press with large headlines reading WAR DECLARED, Stan Laurel and Oliver Hardy are seen seated on a park bench reading the latest news. While Ollie declares that flat feet is all that's keeping him from enlisting, the two are soon approached by a tough recruiting sergeant (Tom Kennedy). Even while their attempts pretending to be unfit for active duty, Stan foils up their disqualification, finding them in the next scene at the U.S. Army Training Camp. "It didn't take Uncle Sam long to whip this raw material into real fighting machine." Causing their short-tempered drill sergeant (Frank Brownlee) to go out of his mind over their bumbling antics, Stan and Ollie create more trouble while on K.P. duty, taking foul odor garbage to the general's (James Finlayson) residence, ending up in the brig with a tough cook named Pierre (George Marshall) after naming him the one who told them to place the trash into the general's home in a sarcastic manner. Eddie Smith (Donald Dillaway), the boys' best pal, receives a letter written by his wife telling him she has left him for another man, resulting on Eddie to leave his little daughter (Jacquie Lyn) in the home of a bickering couple (Rychard Cramer and Adele Watson) for the time being. Eddie is killed in battle, while Stan and Ollie unwittingly becoming war heroes. With the war ending November 11, 1918, civilians Stan and Ollie locate Eddie's daughter, take her away from the unhappy environment. They make every effort finding her grandparents with the only clue that their last name is Smith, thus having them going through every Smith name in the New York City directory. More problems arise as they try getting a $12,000 loan from the bank on their lunch wagon, and face losing Eddie's child to a mean officer of the Welfare Association (Charles Middleton) with efforts on taking her to an orphanage.
While the final print is somewhat handicapped by some rough cuts resulting to flimsy material, it's a wonder whether the original concept of the movie was initially longer longer than the theatrical 68 minute time frame, probably explaining after repeated viewing why certain characters, especially those part of the Laurel and Hardy stock company of James Finlayson, Billy Gilbert or Charlie Hall, have only brief bits. There is no plot development nor how Laurel and Hardy got to become such good friends with Eddie Smith. One would assume there's an edited account of first their meeting resulting to their friendship during their Army training segment. His dying in battle leads to the purpose of the story with Stan and Ollie doing a good turn by taking the responsibility for his little girl while spending months trying to locate her grandparents. The tight editing, obviously, keeps in the necessary scenes for plot development purposes while leaving more room for comedy material. Memorable scenes include Jacquie reciting a bedtime story to Uncle Stanley, struggling to keep awake; Stan and Ollie's individual attempts locating the many Smiths in the telephone directory; arriving at 311 Chester Drive where Stan and Ollie disturb a wedding ceremony addressing the child to be Eddie's baby, Eddie being the hapless groom (Grady Sutton); Stan going to Poughkeepsie to acquire if the Smith Brothers of cough drop fame to be the relatives, among others. Fine casting goes to Mary Carr as the baby's nanny; Mary Gordon as Mrs. McTavish, the baby sitter during the second half of the story; and Charles Middleton going with honorable re-mention as the one with a face mean and scary enough to "haunt a house." Jacquie Lynn, who sometimes speaks like future child star, Shirley Temple, gets in her finest moments mimicking Stan and Ollie both in mannerisms and famous line quotes, adding much to the fun during their troubles.
While the title, PACK UP YOUR TROUBLES, was used again for a Ritz Brothers comedy for 20th Century-Fox (1939), this is where the similarity ends. Home video prints to the original Laurel and Hardy edition (black and white or colorized) often eliminate material involving unpleasantness between the bickering couple looking after little Jacquie. Restored prints have turned up on numerous cable channel networks over the years, from American Movie Classics (1996-97) to Turner Classic Movies (TCM premiere: April 1, 2003). Adding a touch of World War nostalgia with background music from that era, including the title song, "Where Do We Go From Here?" and so forth, PACK UP YOUR TROUBLES is one of those films that seems to get better and funnier after repeated viewings, especially for devotees of this most famous of comedy teams of all time, Laurel and Hardy. (***)
Opening title: "April 1917 – when the scratch of a pen on Capitol Hill caused crowns to rattle." After a brief montage of newspapers going to press with large headlines reading WAR DECLARED, Stan Laurel and Oliver Hardy are seen seated on a park bench reading the latest news. While Ollie declares that flat feet is all that's keeping him from enlisting, the two are soon approached by a tough recruiting sergeant (Tom Kennedy). Even while their attempts pretending to be unfit for active duty, Stan foils up their disqualification, finding them in the next scene at the U.S. Army Training Camp. "It didn't take Uncle Sam long to whip this raw material into real fighting machine." Causing their short-tempered drill sergeant (Frank Brownlee) to go out of his mind over their bumbling antics, Stan and Ollie create more trouble while on K.P. duty, taking foul odor garbage to the general's (James Finlayson) residence, ending up in the brig with a tough cook named Pierre (George Marshall) after naming him the one who told them to place the trash into the general's home in a sarcastic manner. Eddie Smith (Donald Dillaway), the boys' best pal, receives a letter written by his wife telling him she has left him for another man, resulting on Eddie to leave his little daughter (Jacquie Lyn) in the home of a bickering couple (Rychard Cramer and Adele Watson) for the time being. Eddie is killed in battle, while Stan and Ollie unwittingly becoming war heroes. With the war ending November 11, 1918, civilians Stan and Ollie locate Eddie's daughter, take her away from the unhappy environment. They make every effort finding her grandparents with the only clue that their last name is Smith, thus having them going through every Smith name in the New York City directory. More problems arise as they try getting a $12,000 loan from the bank on their lunch wagon, and face losing Eddie's child to a mean officer of the Welfare Association (Charles Middleton) with efforts on taking her to an orphanage.
While the final print is somewhat handicapped by some rough cuts resulting to flimsy material, it's a wonder whether the original concept of the movie was initially longer longer than the theatrical 68 minute time frame, probably explaining after repeated viewing why certain characters, especially those part of the Laurel and Hardy stock company of James Finlayson, Billy Gilbert or Charlie Hall, have only brief bits. There is no plot development nor how Laurel and Hardy got to become such good friends with Eddie Smith. One would assume there's an edited account of first their meeting resulting to their friendship during their Army training segment. His dying in battle leads to the purpose of the story with Stan and Ollie doing a good turn by taking the responsibility for his little girl while spending months trying to locate her grandparents. The tight editing, obviously, keeps in the necessary scenes for plot development purposes while leaving more room for comedy material. Memorable scenes include Jacquie reciting a bedtime story to Uncle Stanley, struggling to keep awake; Stan and Ollie's individual attempts locating the many Smiths in the telephone directory; arriving at 311 Chester Drive where Stan and Ollie disturb a wedding ceremony addressing the child to be Eddie's baby, Eddie being the hapless groom (Grady Sutton); Stan going to Poughkeepsie to acquire if the Smith Brothers of cough drop fame to be the relatives, among others. Fine casting goes to Mary Carr as the baby's nanny; Mary Gordon as Mrs. McTavish, the baby sitter during the second half of the story; and Charles Middleton going with honorable re-mention as the one with a face mean and scary enough to "haunt a house." Jacquie Lynn, who sometimes speaks like future child star, Shirley Temple, gets in her finest moments mimicking Stan and Ollie both in mannerisms and famous line quotes, adding much to the fun during their troubles.
While the title, PACK UP YOUR TROUBLES, was used again for a Ritz Brothers comedy for 20th Century-Fox (1939), this is where the similarity ends. Home video prints to the original Laurel and Hardy edition (black and white or colorized) often eliminate material involving unpleasantness between the bickering couple looking after little Jacquie. Restored prints have turned up on numerous cable channel networks over the years, from American Movie Classics (1996-97) to Turner Classic Movies (TCM premiere: April 1, 2003). Adding a touch of World War nostalgia with background music from that era, including the title song, "Where Do We Go From Here?" and so forth, PACK UP YOUR TROUBLES is one of those films that seems to get better and funnier after repeated viewings, especially for devotees of this most famous of comedy teams of all time, Laurel and Hardy. (***)
"Pack Up Your Troubles" is a much funnier and better made film for Laurel and Hardy. The plot is more solid with a tighter narrative and the comedy has been blended in well. The opening of the film is 1917 - the year America entered the First World War. Stan and Ollie are drafted into the army where they befriend a fellow private. Sadly, this other soldier is killed in action and Stan and Ollie take it upon themselves to look after the deceased's little daughter. With the war ended, they need to avoid the dreaded orphanage as the child's mother shows no interest. Stan and Ollie try to locate the child's grandparents and this is what dominates the majority of "Pack Up Your Troubles." The team are on top form and they have great material to work with. Besides the comedy, there are moments of drama. Laurel and Hardy handle the more serious material very well. The scene where they realise their soldier friend has died is greeted with no humour or slapstick of any kind. James Finlayson has a brilliant cameo as the army officer, whose army quarters are accidentally smelling of litter. Watch his expression as he blows his whistle! Another regular supporting comedian, Billy Gilbert, makes an appearance as a rather irate future father-in-law at a wedding. I enjoyed the way the film ended, it was quite moving.
Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. Didn't find 'Pack Up Your Troubles' quite one of their very best, but it to me still very good and some of the best material is among their funniest.
Admittedly, the story is pretty thin and is pretty standard and the beginning is a touch slow.
Despite that, 'Pack Up Your Troubles' is great fun while also having a definite degree of substance, never less than very amusing and the best moments, such as the ending, being classic hilarity. It is never too silly, there is a wackiness that never loses its energy and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive. Yet there is also a surprising amount of pathos, that is actually genuinely moving and not over-sentimental. A lot happens yet it doesn't ever feel rushed or over-stuffed. The ending is a delight.
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Pack Up Your Troubles' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable.
'Pack Up Your Troubles' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid, but Laurel and Hardy steal the show as they ought to.
Concluding, very good. 8/10 Bethany Cox
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. Didn't find 'Pack Up Your Troubles' quite one of their very best, but it to me still very good and some of the best material is among their funniest.
Admittedly, the story is pretty thin and is pretty standard and the beginning is a touch slow.
Despite that, 'Pack Up Your Troubles' is great fun while also having a definite degree of substance, never less than very amusing and the best moments, such as the ending, being classic hilarity. It is never too silly, there is a wackiness that never loses its energy and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive. Yet there is also a surprising amount of pathos, that is actually genuinely moving and not over-sentimental. A lot happens yet it doesn't ever feel rushed or over-stuffed. The ending is a delight.
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Pack Up Your Troubles' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable.
'Pack Up Your Troubles' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid, but Laurel and Hardy steal the show as they ought to.
Concluding, very good. 8/10 Bethany Cox
10Petey-10
Stanley's and Oliver's army buddy Eddie Smith gets killed in a war, so the boys have to find the grandparents of Eddie's daughter.So they go from door to door looking for every Smiths there are in the town.It's not an easy job for the boys to do, because there are many Smiths but only two boys.And it doesn't make the job any easier that they get blamed for a bank robbery. Pack Up Your Troubles is a very funny comedy from Laurel and Hardy.It is one of the best Laurel and Hardy movies.The movie has many funny situations.Watch the movie and you just can't stop laughing.
Did you know
- TriviaStan Laurel once remarked that Richard Cramer, seen here as the abusive foster father, had absolutely no sense of humor, and played everything straight. Stan used him when he needed a serious character who wouldn't try to get a laugh.
- GoofsWhilst in the apartment, Stan looks at a newspaper article referencing the Empire State Building in New York. The Empire State Building wasn't built until 1931, but Stan and Ollie supposedly had just returned from the Great War, meaning the year should have been 1918 or 1919 and the Empire State Building was not yet built.
- Crazy creditsOpening credits prologue: April 1917 -
When the scratch of a pen on Capitol Hill caused crowns to rattle - -
- Alternate versionsA condensed two-reeler version was released to the home 8mm/16mm market by Blackhawk Films in the 1970s under the title "Doughboy Daze". Said shorter cut was included on the "Hal Roach Comedy Classics, Volume 2" videocassette, released to VHS and Betamax in 1985.
- ConnectionsEdited into Dance of the Cookoos (1982)
- How long is Pack Up Your Troubles?Powered by Alexa
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- El abuelo de la criatura
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- See more company credits at IMDbPro
- Runtime1 hour 8 minutes
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- 1.37 : 1
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