A gossip columnist helps a Broadway ingenue beholden to a penthouse gangster.A gossip columnist helps a Broadway ingenue beholden to a penthouse gangster.A gossip columnist helps a Broadway ingenue beholden to a penthouse gangster.
André Luguet
- Max Boncour
- (as Andre Luguet)
William Burress
- Ollie
- (scenes deleted)
George Raft
- Sneaky
- (scenes deleted)
George Beranger
- Manager of Elizabeth Morgan's
- (uncredited)
Gino Corrado
- Sardi's Waiter
- (uncredited)
George Ernest
- Newsboy
- (uncredited)
Harrison Greene
- City Editor
- (uncredited)
Eddie Kane
- Sardi's Captain of Waiters
- (uncredited)
John Larkin
- Tod - Jimmy's Elevator Operator
- (uncredited)
John Marston
- George Curley
- (uncredited)
- Director
- Writers
- All cast & crew
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Featured review
The quality of films from 1931 was variable to say the least but if William Wellman's name was on the credits you could be assured of getting slick, professional and expertly made entertainment.
This is no exception although it's not exceptional.
Although Douglas Fairbanks Jr is definitely Clarke Gable if your studio can't afford the real Clarke Gable, he's fabulous in this. He's like someone you meet on holiday and think you've known since school. How he manages to do this is something only a few actors can do. His character is not unlike the role he played a year later in (the much better) 'Union Depot' but a bit more cynical. The rest of the cast too are all exceptional as well - everyone one of them. It's brilliantly put together, it's got excitement, plays with your emotions with menace, excitement and hope and you will enjoy watching this ...but somehow 24 hours later, like that bloke you met on holiday, you'll have forgotten it as though you were at the bathtub brew, had a great time somewhere but can't quite remember.
Maybe because it's so well made (not just for 1931) you don't notice how lightweight the story actually is. Maybe because you'll forget that you've seen it is a good excuse to watch it again - it's worth it.
This is no exception although it's not exceptional.
Although Douglas Fairbanks Jr is definitely Clarke Gable if your studio can't afford the real Clarke Gable, he's fabulous in this. He's like someone you meet on holiday and think you've known since school. How he manages to do this is something only a few actors can do. His character is not unlike the role he played a year later in (the much better) 'Union Depot' but a bit more cynical. The rest of the cast too are all exceptional as well - everyone one of them. It's brilliantly put together, it's got excitement, plays with your emotions with menace, excitement and hope and you will enjoy watching this ...but somehow 24 hours later, like that bloke you met on holiday, you'll have forgotten it as though you were at the bathtub brew, had a great time somewhere but can't quite remember.
Maybe because it's so well made (not just for 1931) you don't notice how lightweight the story actually is. Maybe because you'll forget that you've seen it is a good excuse to watch it again - it's worth it.
- 1930s_Time_Machine
- Sep 7, 2022
- Permalink
Storyline
Did you know
- TriviaDuring his tenure with Warner Bros., William A. Wellman churned out a number of energetic, fast-paced entertainments which are often overlooked by admirers of his work but stand out from the assembly-line programmers they were intended to be. Among the highlights from this early period are L'ange blanc (1931) with Barbara Stanwyck, the grim Pre-Code drama La fille de l'enfer (1931) and Love Is a Racket (1932) (1932) starring Douglas Fairbanks Jr. as a newspaper columnist working the Broadway beat. The latter film is not only a fascinating time capsule of its era, with glimpses of then-popular New York City nightspots such as Sardi's, but also presents an unapologetic, cynical view of reporters who often resort to any means necessary to score a front-page story.
Wellman would go on to make several more distinctive B-pictures for Warner Bros. including the post-World War I social drama Héros à vendre (1933) and the picaresque railroad adventure, Les enfants de la crise (1933), but Love Is a Racket (1932) is a fun, unpretentious introduction to his Pre-Code films for the studio.
- Quotes
James 'Jimmy' Russell: [Giving her a gift of 'nylon' stockings] Here you are, ya' peroxide pirate.
Switchboard Operator: Oh, Mr. Russell... they're lovely! And extra length, too!
James 'Jimmy' Russell: Yeah... winter'll soon be here.
- ConnectionsAlternate-language version of L'athlète incomplet (1932)
Details
- Runtime1 hour 12 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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