Two sisters, May, older, naive, and June, younger and worldly, arrive in New York straight from the country and settle down in a boarding house. Their search for jobs leads them to find beau... Read allTwo sisters, May, older, naive, and June, younger and worldly, arrive in New York straight from the country and settle down in a boarding house. Their search for jobs leads them to find beaus and romantic trouble.Two sisters, May, older, naive, and June, younger and worldly, arrive in New York straight from the country and settle down in a boarding house. Their search for jobs leads them to find beaus and romantic trouble.
Adrienne Ames
- Bit
- (uncredited)
Edith Arnold
- Verne
- (uncredited)
Mischa Auer
- Elsie's Boyfriend
- (uncredited)
Sheila Bromley
- Carrie
- (uncredited)
Marion Byron
- Ellen
- (uncredited)
Leonard Carey
- Boyd's Butler
- (uncredited)
Ruth Channing
- Frieda
- (uncredited)
Pat Cummings
- Singer with Megaphone
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured review
There's a lot to commend Dorothy Arzner's simple film about two out of towners trying to survive in the big bad city. Virtually everyone involved in making this were women so you'll not be seeing the usual misogynistic moralistic preaching about how to be a decent girl or the horrors that will befall you if you're a naughty one!
Whilst you can appreciate that it is superbly directed, scripted, photographed, edited and reasonably well acted, it doesn't emotionally grab you as much as you'd expect. Arzner favoured depicting realism rather than melodrama and whilst realism gives a wonderful insight into life at the start of The Depression, it can also feel a little drab.
Another "problem" is the two leads: Judith Wood and Dorothy Hall. Whether it's because we don't know them or they're just not charismatic enough, it takes a while to engage with them. It's not until the end that you finally start to care about them. Wood is the one who looks a bit like an annoyed Ginger Rogers, Hall is the one with the very annoying voice. Adopting that affected 'baby talk' really was a thing back then! They're both meant for be normal, reflecting the struggles thousands of normal young ladies would have encountered but I'm not sure whether they don't come across as maybe a bit too ordinary.... not that interesting.... apart from that voice!
The theme this picture explores is how women had to conform to the male-written rules of society. It questions a world where a woman can never be independent and only has one option, one life choice only: to get married - almost to become a complete person. But this is a light, good humoured little picture so unlike some of those campaigning Warner films made about this time, it isn't trying to change the system. It's just saying: this isn't fair but if it's played like this, life won't be too bad and you might even have a bit of fun on the way.
It's a reasonably entertaining film but definitely not one of Miss Arzner's or indeed one of Miss Akin's best. Similar storylines have been done much more explosively - I prefer my pre-codes where everything's set to eleven!
Whilst you can appreciate that it is superbly directed, scripted, photographed, edited and reasonably well acted, it doesn't emotionally grab you as much as you'd expect. Arzner favoured depicting realism rather than melodrama and whilst realism gives a wonderful insight into life at the start of The Depression, it can also feel a little drab.
Another "problem" is the two leads: Judith Wood and Dorothy Hall. Whether it's because we don't know them or they're just not charismatic enough, it takes a while to engage with them. It's not until the end that you finally start to care about them. Wood is the one who looks a bit like an annoyed Ginger Rogers, Hall is the one with the very annoying voice. Adopting that affected 'baby talk' really was a thing back then! They're both meant for be normal, reflecting the struggles thousands of normal young ladies would have encountered but I'm not sure whether they don't come across as maybe a bit too ordinary.... not that interesting.... apart from that voice!
The theme this picture explores is how women had to conform to the male-written rules of society. It questions a world where a woman can never be independent and only has one option, one life choice only: to get married - almost to become a complete person. But this is a light, good humoured little picture so unlike some of those campaigning Warner films made about this time, it isn't trying to change the system. It's just saying: this isn't fair but if it's played like this, life won't be too bad and you might even have a bit of fun on the way.
It's a reasonably entertaining film but definitely not one of Miss Arzner's or indeed one of Miss Akin's best. Similar storylines have been done much more explosively - I prefer my pre-codes where everything's set to eleven!
- 1930s_Time_Machine
- Oct 2, 2024
- Permalink
Storyline
Did you know
- TriviaThe original play, "Blind Mice" by Vera Caspary and Winifred Lenihan, premiered on Broadway at the Times Square Theatre on October 15th, 1930, and ran for a mere 14 performances. The opening night cast included Betty Breckenridge, Claiborne Foster, Hallie Manning, Gloria Shea (billed as Olive Shea) and Geraldine Wall. Unlike the film, the play has an all-female cast and takes place entirely within one room of the Rolfe House, the women's hostel where the film opens. The play was itself a reworking of Caspary's novel "Music in the Street" published by Grosset & Dunlap in December, 1929.
- Quotes
Mae Thorpe: [about June] Don't think she's conceited because she talks big Miss Johnson. She's just young.
Details
- Release date
- Country of origin
- Languages
- Also known as
- めくらの鼠
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 17 minutes
- Color
- Aspect ratio
- 1.20 : 1
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