Mon mari et sa fiancée

Mary Astor stars as Nancy Gibson, the titular wife who returns from a trip abroad to discover her husband has fallen for another woman. Women of 1931 are, of course, enlightened and modern, so she takes it all in stride. Well, at least she pretends to, but she is devoted to her husband, Don (Robert Ames). So she uses reverse psychology in an attempt to win him back.

Viewers might wonder who is more stupid: Don for cheating on a wife who is beautiful, intelligent, and devoted to a fault? Or Nancy, for wanting to keep Don despite his deceit and stupidity?

Noel Francis plays Peggy Preston, the other woman. She is blonde, of course, and insipidly shallow. John Halliday is wonderful as Sir Guy Harrington, a rich bachelor who develops a crush on Nancy while sharing her homeward cruise. Edward Everett Horton, as Billy Ross, plays his usual comic relief role.

Adapted from the play, "Smart Woman" has a simple plot. But it's a mixture of drama and tragedy that requires Mary Astor to show shades of feelings and to turn on an emotional dime, which she does very adeptly. Her performance is the best part of the film.

This early Gregory La Cava film is a nice comedy-drama, starring the beautiful and talented Mary Astor, who is the show's main attraction, because I have to admit that I found the other leading player, Robert Ames, who plays her husband, rather dull in this one.

The film's plot has to do with the marital problems between Astor and Ames, after the former arrives from a travel to France. Noteworthy performances by John Halliday as a debonair man of the world who befriends Astor and Edward Everett Horton as Ames' Business Partner, who's highly amusing in his role, as always, and gets to say a lot of witty lines & wisecracks.

Early 30's and Mary Astor fans will have a good time watching this film, which at 68 minutes, is very short by today's standards.

In some ways, this film is a bit regressive in its views on women and marriage. After all, it seems to say that if a man cheats on his loving wife, she should move heaven and earth to keep him. But, if you can look past this, the film is quite enjoyable and worth your time.

The film begins with Mary Astor and John Halliday on a cruise. She went to Europe because her mother was there--dying. He is just a nice rich English nobleman who has fallen in love with her. However, despite his infatuation, she is loyal to her husband back home and Halliday must let her go. Unfortunately, however, when Astor arrives, the husband is not there to meet the boat...and she soon learns it's because he's met someone else--a younger woman! Instead of fighting her husband, however, she acts quite accepting of this--even offering to have the mistress and her mother come to their estate for the weekend! Personally, I would have shot the guy...by Astor has a plan. She invites Halliday and pretends that she, too, has met someone else.

It's all very sophisticated and clever--and very well written. I've actually seen several films like this, but this is one of the better ones--and a darn good movie for 1931. Intelligently written and with sparkling dialog--this film is a winner.

The great Mary Astor never looked better and rarely had such a juicy role. She had an incredibly long career, with nary a dud, and it spanned movies like this, the poignant "Dodsworth," the justly famous "Malteste Falcon," "Meet Me in St. Louis." Its highlight was the magnificently over-the-top "Great Lie," for which she won of the most richly deserved Oscars in that award's history.

Here she is a loving wife who returns from a trip to Europe only to learn that her husband plans to ditch her. She learns from his sister and his business partner, who become her partners in thwarting him.

He invites his old-digging girlfriend and her bossy mother for a weekend at their country home. So she invites a very eligible nobleman she met on shipboard and she and her cohorts collaborate to make it seem hat she is in love with him and more than glad her husband has found someone else.

The girlfriend is treated humorously, not cruelly. (An example of a cruelty in a comedy is the Gail Patrick character in "My Favorite Wife." Nor is the happy ending forced. Everything works out. The bad are dispatched, the good reunited.

Gregory La Cava directed and boy! This makes clear how different a fine director can make a relatively routine movie look from the way it would like if handled by a routine Doctor.

Smart Woman (1932)

** 1/2 (out of 4)

Racy pre-code from Warner has Mary Astor returning from a vacation to learn that her husband is having an affair. In order to get back at him she decides to stage her own affair. This is a rather interesting film due in large part to Astor who gets to put on the sex appeal. She would play a lot of nice women in her career so it's fun seeing her getting to act a tad bit naughty. The film has plenty of nice laughs but the ending is a bit too over-dramatic. Astor is terrific in her role as are the supporting players.