The fortunes of a Broadway costume company rise and fall depending on who is running it, and whether its clients' shows succeed or not.The fortunes of a Broadway costume company rise and fall depending on who is running it, and whether its clients' shows succeed or not.The fortunes of a Broadway costume company rise and fall depending on who is running it, and whether its clients' shows succeed or not.
Lilian Bond
- Sewing Girl
- (uncredited)
Buster Brodie
- Little Man in Vassily's Prologue
- (uncredited)
Charles Coleman
- Laffingwell
- (uncredited)
Helen Jerome Eddy
- Delman's Secretary
- (uncredited)
Douglas Gerrard
- Toreador with No Pants
- (uncredited)
June Gittelson
- Miss Hemingway
- (uncredited)
Ethel Griffies
- Mrs. Beacon
- (uncredited)
Featured review
My vote of 10 out of 10 does not mean this is a 'great' movie in any traditional sense. In fact, from the point of view of standard film reviewing, it's lacking in almost all the qualities of a well-made, polished Hollywood film.
The film feels haphazardly made, but there are so many bizarre, surreal moments that proponents of non-traditional criticism will love. Take this one: for no stated reason, a elephant's head and trunk are being painted with a large question mark; minutes later, a woman in a nude suit walks by with a large question mark covering her body. Both the elephant and the woman are part of a theatrical production, but these two scenes have no motivation.
But even for those who don't particularly care for what I've said above, pre-code fans will be delighted by the film's several risqué moments.
This film has only 9 votes at the time of my writing this, but seeing as TCM aired it last night in its 8pm prime-time slot, perhaps the gave many (like myself) an opportunity to watch this film which is available neither on VHS or DVD.
The film feels haphazardly made, but there are so many bizarre, surreal moments that proponents of non-traditional criticism will love. Take this one: for no stated reason, a elephant's head and trunk are being painted with a large question mark; minutes later, a woman in a nude suit walks by with a large question mark covering her body. Both the elephant and the woman are part of a theatrical production, but these two scenes have no motivation.
But even for those who don't particularly care for what I've said above, pre-code fans will be delighted by the film's several risqué moments.
This film has only 9 votes at the time of my writing this, but seeing as TCM aired it last night in its 8pm prime-time slot, perhaps the gave many (like myself) an opportunity to watch this film which is available neither on VHS or DVD.
Storyline
Did you know
- TriviaAlthough it was filmed in 2-strip Technicolor, 35MM surviving material is in black & white, but UCLA holdings include a 16MM color print. Two songs by Harold Arlen and Ted Koehler, "I Love a Parade" and "Temporarily Blue," were cut before release, although "I Love A Parade" is heard over the opening and closing credits. "I'm Happy When You're Jealous" by Bert Kalmar and Harry Ruby was also cut before release.
- Quotes
Herbert T. Herbert: Henry the VIII wore night gowns. No, pajamas weren't introduced into bed - into England - until much later.
- ConnectionsFeatured in Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008)
- SoundtracksI Love a Parade
(1931) (uncredited)
(From the first "Cotton Club" revue)
Music by Harold Arlen
Played during the opening and end credits
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