Jerry Stafford, a businessman, is in love with his secretary but she deserts him for another man. When she realizes her mistake, she goes back to him. Doris Brown is her girlfriend who is in... Read allJerry Stafford, a businessman, is in love with his secretary but she deserts him for another man. When she realizes her mistake, she goes back to him. Doris Brown is her girlfriend who is in love with a man named Monty Dunn.Jerry Stafford, a businessman, is in love with his secretary but she deserts him for another man. When she realizes her mistake, she goes back to him. Doris Brown is her girlfriend who is in love with a man named Monty Dunn.
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It's a pre-code romantic drama in New York City in 1930-1931. Being pre-code allows the characters' morals to be more suspect than in later films. Wealthy Wall Street tycoon Jerry Stafford (Fredric March) is in love with his highly efficient secretary, Julia Traynor (Claudette Colbert). However, he's not the marrying kind, so he invites her to accompany him on an around-the-world trip. She has a young boyfriend, Philip Craig (Monroe Owsley), near the beginning of his Wall Street career. Philip and Julia plan to marry when they have enough money, but Jerry's aggressive pressure on Julia prompts them to marry immediately. Jerry is not impressed and fires Julia.
The film follows Philip's efforts to build his business as a broker for Jerry and Monty Dunn (Charles Ruggles), one of Jerry's friends. Things have appeared well on the surface for a year, but Philip is encountering serious financial trouble. Jerry re-enters their lives, which ends in a highly conflicted climax.
"Honor Among Lovers" is early filmmaking by Dorothy Arzner, the only woman who directed sound films in those years. By modern standards, it's unpolished, but Colbert and March make the best of a thin story. The studio cinematography features long shots, and the pacing is quite pedestrian. It's interesting, mainly as a period piece.
The film follows Philip's efforts to build his business as a broker for Jerry and Monty Dunn (Charles Ruggles), one of Jerry's friends. Things have appeared well on the surface for a year, but Philip is encountering serious financial trouble. Jerry re-enters their lives, which ends in a highly conflicted climax.
"Honor Among Lovers" is early filmmaking by Dorothy Arzner, the only woman who directed sound films in those years. By modern standards, it's unpolished, but Colbert and March make the best of a thin story. The studio cinematography features long shots, and the pacing is quite pedestrian. It's interesting, mainly as a period piece.
"I've been taking care of myself. Trying to recapture my lost youth. Exercise, you know? Seven beautiful thoughts before breakfast, bursting into song at unexpected moments. I'm a changed man."
Claudette Colbert is absolutely gorgeous and she plays her scenes of emotional conflict well, but the story has too many unpleasant aspects to truly like this film. Frederic March is an alpha businessman carrying on with a lot of women with no intentions of marrying (he calls the institution "bunk"). He puts the moves on his secretary (Colbert) and when she resists, he goes off to screw someone else for hours, missing an entire football game in the process. He can't stop thinking about his secretary, however, so Monday morning he says he'll marry her if it means that much to her, but when she informs him that she just got married (to a stock broker played by Monroe Owsley), he fires her on the spot despite her stellar performance in the office. And this, naturally, is ultimately going go to be the protagonist, helped along by his impossible-to-believe transformation and an all-too-convenient implosion from the stock broker.
Had it gone in a different direction at a few moments in the story, including late when a somewhat surprising event occurs, it could have been brilliant, but the film plays it safe, and didn't really feel pre-Code. The virtuous woman never gives in to premarital sex, the womanizing alpha male should have been her choice all along because he's successful and can be trusted to do the right thing (ha!), and divorce is justified by an avalanche of reprehensible things the husband does. These are cartoon characters. On top of it, the small part of a dimwitted woman (Ginger Rogers, argh) is spoken to like a child each time she's on the screen. But hey, it's worth seeing for Colbert.
Claudette Colbert is absolutely gorgeous and she plays her scenes of emotional conflict well, but the story has too many unpleasant aspects to truly like this film. Frederic March is an alpha businessman carrying on with a lot of women with no intentions of marrying (he calls the institution "bunk"). He puts the moves on his secretary (Colbert) and when she resists, he goes off to screw someone else for hours, missing an entire football game in the process. He can't stop thinking about his secretary, however, so Monday morning he says he'll marry her if it means that much to her, but when she informs him that she just got married (to a stock broker played by Monroe Owsley), he fires her on the spot despite her stellar performance in the office. And this, naturally, is ultimately going go to be the protagonist, helped along by his impossible-to-believe transformation and an all-too-convenient implosion from the stock broker.
Had it gone in a different direction at a few moments in the story, including late when a somewhat surprising event occurs, it could have been brilliant, but the film plays it safe, and didn't really feel pre-Code. The virtuous woman never gives in to premarital sex, the womanizing alpha male should have been her choice all along because he's successful and can be trusted to do the right thing (ha!), and divorce is justified by an avalanche of reprehensible things the husband does. These are cartoon characters. On top of it, the small part of a dimwitted woman (Ginger Rogers, argh) is spoken to like a child each time she's on the screen. But hey, it's worth seeing for Colbert.
Easily the least of the early Dorothy Arzner's I have so far seen, 'Honor Among Lovers' doesn't begin to deliver the saucy preCode frolics promised by the title, and the presence early on of a pert young Ginger Rogers raises expectations soon dashed.
Claudette Colbert gets top billing but bears little resemblance to the sleek screen goddess she would soon become. Typically of Ms Arzner the men are a sorry lot - Monroe Owsley in particular being an absolutely charmless creep as Claudette's lawful wedded (heaven knows what she ever saw in him in the first place) - while Fredric March - who sports a distracting moustache - despite playing a hot shot investment broker shows far more interest in courting the married Colbert than in his job.
Claudette Colbert gets top billing but bears little resemblance to the sleek screen goddess she would soon become. Typically of Ms Arzner the men are a sorry lot - Monroe Owsley in particular being an absolutely charmless creep as Claudette's lawful wedded (heaven knows what she ever saw in him in the first place) - while Fredric March - who sports a distracting moustache - despite playing a hot shot investment broker shows far more interest in courting the married Colbert than in his job.
Directed by Dorothy Arzner, Honor Among Lovers concerns a smart and efficient secretary, Julia (Claudette Colbert) to mogul Jeffy Stafford (Fredric March) who is in love with her.
Knowing that she can't fit in with Stafford's wealthy friends, Julia marries Philip Craig (Monroe Owsley), who turns to be a weak loser and winds up putting both of them in a terrible situation.
Colbert is absolutely wonderful in this -- natural, charming, and relaxed. Charlie Ruggles is a riot as a stockbroker, and watch for Ginger Rogers in a small role.
Nothing special except for the performances. And, we get a chance to see Claudette Colbert's right side.
Knowing that she can't fit in with Stafford's wealthy friends, Julia marries Philip Craig (Monroe Owsley), who turns to be a weak loser and winds up putting both of them in a terrible situation.
Colbert is absolutely wonderful in this -- natural, charming, and relaxed. Charlie Ruggles is a riot as a stockbroker, and watch for Ginger Rogers in a small role.
Nothing special except for the performances. And, we get a chance to see Claudette Colbert's right side.
You might think that one of those early 1930s 'women's films' about a girl who marries the wrong man is not for you? Don't think that - this is brilliant! OK, essentially it is just a trashy soap but it's fantastic - honestly!
So why would a Cagney fan watch this? It's made for women, it's written by a woman, directed by a woman and staring THE woman of the 1930s. This isn't the usual type of movie I'd consider watching but because I'm weirdly infatuated with Claudette Colbert I gave it a go. So glad I did! It might be because I wasn't expecting much but I found this absolutely enthralling.
For a film made in 1931, it's extraordinarily well made and the acting is outstanding. We've got none of that theatrical, silent movie type over-gesturing or gazing wistfully into the camera which plagued many early 1930s pictures - this has naturalistic acting and realistic, believable real characters.
The story is nothing original - a pretty girl, chased by two men marries the wrong one. It's not however a sickly sweet romantic melodrama (like one of those mushy Kay Francis films), no, this works so well because its two leads are so utterly real and likeable. You become totally engaged with the romantic dilemmas and emotional traumas of Colbert and March. They're both so natural and real, avoiding the usual clichéd stereotypes.
Claudette Colbert is dazzling, her perfectly well developed character is flirty and bubbly but also sensible and intelligent. Fredric March, playing a millionaire isn't the usual over entitled cad, he's charming and suave but he's also sensitive and a genuinely really nice guy. Dorothy Arzner's supporting cast also give refreshingly proper performances as well portraying real people: Charlie Ruggles plays his usual inebriated friend and Ginger Rogers, still in her 'Betty Boop' phase is fun.
This has a much more modern feel to it than a lot of early 30s films whilst still retaining that naive charm of the era. It's 100% entertaining.
So why would a Cagney fan watch this? It's made for women, it's written by a woman, directed by a woman and staring THE woman of the 1930s. This isn't the usual type of movie I'd consider watching but because I'm weirdly infatuated with Claudette Colbert I gave it a go. So glad I did! It might be because I wasn't expecting much but I found this absolutely enthralling.
For a film made in 1931, it's extraordinarily well made and the acting is outstanding. We've got none of that theatrical, silent movie type over-gesturing or gazing wistfully into the camera which plagued many early 1930s pictures - this has naturalistic acting and realistic, believable real characters.
The story is nothing original - a pretty girl, chased by two men marries the wrong one. It's not however a sickly sweet romantic melodrama (like one of those mushy Kay Francis films), no, this works so well because its two leads are so utterly real and likeable. You become totally engaged with the romantic dilemmas and emotional traumas of Colbert and March. They're both so natural and real, avoiding the usual clichéd stereotypes.
Claudette Colbert is dazzling, her perfectly well developed character is flirty and bubbly but also sensible and intelligent. Fredric March, playing a millionaire isn't the usual over entitled cad, he's charming and suave but he's also sensitive and a genuinely really nice guy. Dorothy Arzner's supporting cast also give refreshingly proper performances as well portraying real people: Charlie Ruggles plays his usual inebriated friend and Ginger Rogers, still in her 'Betty Boop' phase is fun.
This has a much more modern feel to it than a lot of early 30s films whilst still retaining that naive charm of the era. It's 100% entertaining.
Did you know
- TriviaFinal film of Avonne Taylor.
- ConnectionsVersion of Paid in Full (1914)
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- Another Man's Wife
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- Runtime1 hour 15 minutes
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