Way Out West

The story of William Haines and his fall from Hollywood stardom is pretty well known. Popular in the silent era where his smart aleck all American type of character did well, Haines did not survive the transition to sound well even before the gay scandal decked his career for good. Way Out West is an example of this.

In Way Out West Haines is a carnival barker who rooks some cowboys out of their dough with a crooked wheel. The cowboys almost hang him, but instead are persuaded to take him back to the ranch and let him work out the $200.00 or so that cheated them out of. Of course being a city slicker he does not take to ranch life with the usual gags that follow. They are the best part of Way Out West.

But for the life of me I can't see why ranch owner Leila Hyams falls for Haines, especially when she has good old reliable Ralph Bushman around with whom she has a lot more in common. The film made little sense to me in that vein.

Charles Middleton is Hyams righteous brother and Cliff Edwards plays a sidekick role and even sings a forgettable ballad. Way Out West turned out to be the direction down for the career of William Haines.

Carnival barker Windy (William Haines) cheats a group of cowboys with a rigged roulette wheel. Instead of hanging him, the boys decide to force him to work off the stolen money. He falls for ranch owner Molly Rankin (Leila Hyams).

I really like him as a scheming con-man in a carnival side show. I wouldn't mind a whole movie with that. Once he gets on the ranch, I like him a lot less. In fact, I don't think I like him at all. His flirting with Molly comes off as lies and deceits. I don't really care about the romancing and the movie falls flat. There is an undercurrent of something more which only backs up why the romance doesn't work.

Way Out West (1930)

** 1/2 (out of 4)

How much entertainment you get out of this Western spoof is certainly going to depend on your tolerance level of star William Haines. In the film he plays Windy, a carnival con man who rips off a bunch of cowboys who plan on killing him when they find out but instead they take him back to the ranch and put him to work. Of course, Windy causes one problem after another but before long the beautiful owner (Leila Hyams) begins to fall in love with him while her brother and the other cowboys continue to see him as a threat. The more pictures I see from Haines the more I realize that everyone of them are pretty much the same with just the settings changed. As you'd expect, Haines plays a fast-talking, sexist, at times mean-spirited clown who is so out of it that you honestly can't look at him as a human. This is the type of character that Haines would play throughout his career and if you can put up with the style of comedy then you have to admit that he's pretty good at it. I wouldn't say I'm a die-hard fan of Haines but I always find it somewhat amusing how far he's willing to go to try and capture a laugh. At times it's in terms of some sort of physical slapstick while at other times it's just him being downright obnoxious and rude. Of course, I think we'd all ask how any beautiful woman would fall for his type of character but it happened in each one of these MGM features. I was really impressed with the supporting cast as well. Hyams is extremely fun to watch as the sexy ranch owner and she manges to have quite a bit of chemistry with Hyams. Cliff Edwards and Francis X. Bushman, Jr. both have nice supporting parts as does Polly Moran. At just 70-minutes the film has a pretty good pace from start to finish as well as some nice laughs along the way. There's even a nice fist-fight at the end of the movie to cap everything off. WAY OUT WEST certainly isn't a classic but for fans of Haines they should enjoy it.

If you understand the background plot of "Singing in the Rain" this is a great film to watch. Made in 1930 it is a fun movie to watch. The actors were mainly silent film stars giving it a go in the infancy of talking movies. Often the dialog is absolutely horrible, exactly what was explained in "Singing in the Rain". If a confusing abduction scene the heroine is speaking a repetitious monotone with no voice inflection speaking the same line over and over again. "Please do not hurt me, Please do not hurt me. Please do not hurt me...." The gunfights are straight out of the Max Sennett school of movie making. It is one of the earliest films shot in Monument Valley, the studio scenes were done in New Mexico. When I first saw the title I thought, "Geez I really do not care for Laurel and Hardy, but what the hell I do not have anything better to watch while waiting for a delivery." After a few minutes I caught on that this Way Out West was a much earlier talkie than the Laurel and Hardy film of the same name. It is a pre code movie so the "Gay" caricatures will surprising to say the least. If you are expecting a western the calibre of "The Searchers" but if you are interesting in understanding the evolution of movie making industry this is worth watching.

WAY OUT WEST is a film designed to be a star vehicle for the controversial WILLIAM HAINES, who was during this time an outspoken gay member of the Hollywood community. He was a talented charmer, capable of natural performances rather than the standard overacting typical of many a silent screen star.

While the film itself may not be a winner, it's entertaining enough to keep you watching until the happy ending. Haines plays a carnival worker whose crooked ways lead to his capture by a bunch of cowboy roughs who want him to work off his debt to them by doing chores as a farmhand. FRANCIS X. BUSHMAN is one of the guys, POLLY MORAN makes a winsome female, and CLIFF EDWARDS has an innocuous supporting role.

It's strictly standard stuff but interesting to watch Haines at work, creating a character you can't help but like despite his sordid reputation (in the film). Rumor has it that his being openly gay ruined his career in up tight Hollywood when morality clauses were enforced rather harshly.

Summing up: Definitely worth a look.