A Havana bar girl with a tough "protector" falls for a young sailor.A Havana bar girl with a tough "protector" falls for a young sailor.A Havana bar girl with a tough "protector" falls for a young sailor.
- Awards
- 2 wins total
Vince Barnett
- Waiter
- (uncredited)
Frank Brownlee
- Drunk
- (uncredited)
George Chandler
- Barfly
- (uncredited)
Richard Cramer
- Detective Mac
- (uncredited)
Blythe Daley
- Dance Hall Girl
- (uncredited)
Edgar Dearing
- Marine
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured review
This isn't the safe, sanitised Cuba we see in HAVANA WIDOWS. No, this is a much darker, dirtier and dangerous place. Hugely underrated director Tay Garnett has gone for gritty, grimy realism here - this is certainly not the sort of place you'd find Joan Blondell! It's surprising therefore to find Helen Twelvetrees, the epitome of purity and sweetness here as one of the seasoned prostitutes servicing and fleecing the sailors on shore leave.
She might not have been as great an actress as some of her contemporaries but in this she is absolutely magnificent. Her dissolute character is so believably real and yet her face is so impossibly pretty and innocent that your brain explodes with the cognitive dichotomy of it all. If you've only ever seen her playing stereotypically mistreated young women constantly crying, this will be a revelation for you. Had she not got pigeonholed she might have been a great actress - who knows!
Interestingly this is one of those rare talkies made by Pathe before it was taken over by RKO. It's a superbly well made film and had the Depression not happened just as they were getting going, Pathe might have been one of the great studios - who knows!
Besides Helen Twelvetrees' remarkable acting masterclass, Ricardo Cortez is also great as her semi-psychopathic pimp. You can see why Garnett used him a year later to play the crazy, evil mob boss in his impressive gangster picture, BAD COMPANY. Overall, this is a surprisingly exciting and quite riveting drama. Some commentators have said that there's an annoying amount of irritating comedy - I disagree, I think the blend is just right making this a very entertaining film.
She might not have been as great an actress as some of her contemporaries but in this she is absolutely magnificent. Her dissolute character is so believably real and yet her face is so impossibly pretty and innocent that your brain explodes with the cognitive dichotomy of it all. If you've only ever seen her playing stereotypically mistreated young women constantly crying, this will be a revelation for you. Had she not got pigeonholed she might have been a great actress - who knows!
Interestingly this is one of those rare talkies made by Pathe before it was taken over by RKO. It's a superbly well made film and had the Depression not happened just as they were getting going, Pathe might have been one of the great studios - who knows!
Besides Helen Twelvetrees' remarkable acting masterclass, Ricardo Cortez is also great as her semi-psychopathic pimp. You can see why Garnett used him a year later to play the crazy, evil mob boss in his impressive gangster picture, BAD COMPANY. Overall, this is a surprisingly exciting and quite riveting drama. Some commentators have said that there's an annoying amount of irritating comedy - I disagree, I think the blend is just right making this a very entertaining film.
- 1930s_Time_Machine
- Apr 1, 2023
- Permalink
Storyline
Did you know
- TriviaThe film now exists in a 4k digital restoration, shown at London's National Film Theatre in February 2017; it's in superb condition, sharp, well graded and not a mark on it. It really does look as if it was shot yesterday. The sound is extremely good for the period; the stunning opening tracking show has some complex mixing as the camera tracks past various bars and different bands are heard playing (rather like the restored opening to La Soif du mal (1958)).
- Quotes
Annie: Say, can't a dame go no place nowadays without bein' insulted?
Detective Mac: The only place you're goin', baby, is right back where you came from.
- Crazy creditsOpening credits are etched into the sand of a beach alcove, paging continually with each new incoming wave.
- ConnectionsFeatured in Rumba d'amour (1931)
- How long is Her Man?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Son homme
- Filming locations
- Havana, Cuba(atmosphere shots)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $400,000 (estimated)
- Runtime1 hour 25 minutes
- Color
- Aspect ratio
- 1.20 : 1
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