In winter-time, the boys fail to earn any money by playing their musical instruments in a bad neighborhood but their luck seems to improve when they find a wallet full of money on the street... Read allIn winter-time, the boys fail to earn any money by playing their musical instruments in a bad neighborhood but their luck seems to improve when they find a wallet full of money on the street.In winter-time, the boys fail to earn any money by playing their musical instruments in a bad neighborhood but their luck seems to improve when they find a wallet full of money on the street.
- Director
- Writers
- Stars
- 'Blind' Man
- (uncredited)
- …
- Man at Window
- (uncredited)
- Woman at Window
- (uncredited)
- Annoyed Shopkeeper Throwing Snowball
- (uncredited)
- Policeman
- (uncredited)
- Diner in Restaurant
- (uncredited)
- Diner in Restaurant
- (uncredited)
- Bartender
- (uncredited)
- Woman Leaving Window
- (uncredited)
- Formidable Woman
- (uncredited)
- Pete
- (uncredited)
- Diner in Restaurant
- (uncredited)
- Crook
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
While they don't deserve much entertaining the people on the streets their luck changes when Laurel finds himself a filled wallet. They're almost robbed but a cop comes to their rescue. To thank him, they take him to dinner.
When the check is due though they find out that the wallet they found is actually the cop's, so in the end they're thrown out of the place.
Amusing short from this funny couple, though a bit slow at times, in particular in the first part. 6/10.
Laurel & Hardy are street-musicians in the winter of 1929. They don't have any success, perhaps because of the kinda unfitting song they play, "In The Good Old Summertime" or the place they've chosen to perform at, the deaf and dumb-institute. Their luck seems to change when they find a wallet, but a suspicious looking guy obeys them and chases them down the street until a cop holds him up. Thankful, L&H spend him a lunch at a nearby restaurant. When it comes to paying, they find a photo of the cop in the wallet. The cop sees it too, misunderstands the situation, thinking L&H had stolen the wallet from him. He pays his check with his money and L&H are left to the wrath of the waiter.
A strange film, but one of my favourites L&H-shorts.
Aspect ratio: 1.37:1
Sound format: Mono
(Black and white - Short film)
A pair of bumbling street musicians (Laurel and Hardy) find a wallet in the snow, leading to a series of comic complications.
James Parrott's wonderful comedy short opens with L&H playing 'In the Good Old Summertime' to unappreciative passers-by during a heavy snow storm, only to discover they've been performing on the most unprofitable street in the city (I won't spoil the gag by revealing it here)! H.M. Walker's inspired screenplay piles disaster upon disaster for our hapless heroes, culminating in a restaurant encounter with outraged cop Frank Holliday and no-nonsense restaurateur Tiny Sandford. Like so many of these early shorts, the movie amounts to a loose assortment of comic incidents rather than a cohesive narrative, but it works like a charm. Highlights include L&H's encounter with hatchet-faced Blanche Payson, who responds with violent abandon to an errant snowball, and a surreal ending which closes proceedings on a slightly cryptic note (modern viewers will have their own idea what Stan whispers into Ollie's ear during the closing moments!). Photographed with vivid intensity by future filmmaker George Stevens, BELOW ZERO is one of the highlights of L&H's illustrious career.
Problem with some of the Laurel & Hardy pictures is that the movies that are divided in two separate parts are not the best or most consistent ones, due to the fact that often the one part is better than the other. In this case both parts of the movie have their own certain charm and entertainment value and they go very well together.
The first part is fun and a bit slapstick like and features some good old fashioned snowball fights. To be honest in the second part nothing really happens but it's hilarious nevertheless, due to the very fine comedy execution from director James Parrott and actors Stan Laurel and Oliver Hardy. It makes both parts solid and should more than please the fans.
8/10
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Did you know
- TriviaThe short was filmed on a soundstage under hot studio lights, and at the time the building didn't have air conditioning. Stan Laurel's daughter Lois later recalled how hot and muggy the set was and how the fake snow kept melting. Shots had to be retaken. Once the director said "Cut!", both Laurel and Hardy took off their winter coats because it was so hot inside the studio.
- GoofsAfter Stan's throws Blanche Payson's pail into the road, Ollie is laughing and is covered in snow, but when Blanche smashes his bass fiddle on his head, he hardly has any snow on him.
- Quotes
Ollie: Oh, garçon?
Pete: Yes, sir?
Ollie: Bring me a parfait.
Pete: Yes, sir.
Stan: Put one on my steak, too.
Ollie: You don't put parfaits on steaks. Just cancel the parfaits.
Pete: Yes, sir.
Ollie: But, bring me a small demitasse.
Pete: Yes, sir!
Stan: Oh, Gaston.
Pete: Yes, sir.
Stan: Bring me one too, in a big cup.
Ollie: A big cup. Where were you brung up?
- Crazy creditsOpening credits prologue: The freezing winter of '29 will long be remembered-
-Mr. Hardy's nose was so blue, Mr. Laurel shot it for a jay-bird-
- Alternate versionsA colorized version exists.
- ConnectionsAlternate-language version of Tiembla y Titubea (1930)
- SoundtracksIn the Good Old Summertime
(1902) (uncredited)
Music by George Evans
Lyrics by Ren Shields
Sung by Oliver Hardy and Stan Laurel, with Hardy on bass violin and Laurel on piano
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Les deux musiciens
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime20 minutes
- Color