Grande chérie

Cute early musical starring Nancy Carroll as a chorus girl who inherits a men's college where her ex-boyfriend (Stanley Smith) is a star football player. She tries to sabotage his career until she gets school spirit. An original musical for the screen, SWEETIE boasts a good cast and some solid tunes.

Helen Kane co-stars as the troublemaking Helen who boop-a-doops through "He's So Unusual" and does a mean "Pep Step" with Jack Oakie, a brash hoofer who follows Carroll to college and enrolls. William Austin is the silly college dean, and Stu Erwin is a dumb-blond football player who is usually the target of Kane's pop gun.

Carroll and Smith sing a few songs, but it's Oakie's "Alma Mammy" that flows through the film as a theme song after Oakie is told that alma mater is Latin for dear mother, which he converts into a Jolson-like MAMMY song.

Nancy Carroll was Paramount's top musical star in early talkies, and she's stunning, but this film belongs to Helen Kane and Jack Oakie.

Nancy Carroll quits her show to marry Stanley Smith, only to find out that he will not be quitting school to marry her because the football team is depending on him. When she dejectedly returns to work (after being dumped back into the chorus!), she learns she owns the school, even if not the ladies' seminary next to it. She and Jack Oakie head out to take over.

It's one of the approximately 48% of 1920s musicals concerning college and football. There is are a large number of mediocre songs. The one good number is "You Romeo, Me Juliet," sung by Helen Kane. However, her three musical numbers show up one upon the next, and by the time she was in the second chorus of this one, I was tired of her helium voice, even if she boop-a-doops a few times in it.

Eventually, you realize early on, there will come the show--ending football game against the school's rival. I began to wonder "What if they lose? Won't life go on? Won't this journey also end in lovers' meetings?" I doubt it would surprise you if they win in the end.

In the end, this is a college musical exactly like every other college musical. If you like college musicals, you'll like this. If you're as tired of them as I am, you won't.

Betty Boop... whoops i mean helen kane makes a wonder perfomace in this early talkie as well as Nancy Carroll who does well in this musical drama but wished she did more singing in this picture. Some scenes were corny and rushed but then again this was the early days of sound. It is a wonder how early colleges looked liked in the 1920s and wonder how it would be during the great depression. Football is depicted as it was in the motion picture "so this is college" also a film that came out in 1929. Most of these college productions of the early days of hollywood dont show a classroom or the students even attending any classess.

SWEETIE is a better than average musical from 1929, the first year talking pictures were the norm but many were quite stiff. This one is well photographed, moves well, and most thankful for a 1929 Paramount, the cast is including the men are not decked out in heavy makeup.

Rising Broadway starlet Nancy Carroll and college football quarterback Stanley Smith decide to leave their current activities behind and elope. Coach Wallace MacDonald talks Stanley out of it since he's important to Pell College potentially getting their first winning season ever and the college's survival may depend on it. Alas Nancy has already quit her show and she is furious when Stanley asks her to wait until the season's over, just eight months. They break up and she goes back to Broadway - and has to start over as a chorus girl. Revenge shows up out of nowhere (in one of the weirdest ever "meeting again" scenarios in films) when Nancy's distant cousin dies, and it turns out she will inherit the very college Stanley attends! The all-boys school welcome the young beauty with open arms including a surprised Stanley but she has revenge up her sleeve even if it closes the college!

Nancy Carroll is the nominal star but I'd venture both Stanley Smith and Helen Kane have more footage; there's quite a piece before Carroll enters the picture and even then she is off the screen for periods. Carroll was fast becoming a popular star on the early talkie screen but here her character is considerably more devious and selfish than in other films. Another comet of the era is Helen Kane, now a legendary vocalist but her peak was also brief. Helen Kane was one of a kind, a slightly plump comic vocalist specializing in sexy songs and as man hungry in her films as Mae West would later be. She may be an acquired taste but plenty of fans myself included most definitely acquired it. She's delightful and keeps this film moving with her cute songs, including the now classic "He's So Unusual" which was given renewed fame in the 1980's by Cyndi Lauper. Jack Oakie, early in his career and much thinner than in his salad days, is good as Nancy's pal and Helen's song partner. He pens a new college song for Pellham, a sassy "Alma Mammy", a parody of a Al Jolson number which is given three performances in the film, one by Oakie, a quite elaborate one by the school chorus including the girls from the neighboring college, and finally and unfortunately one at the big football game in which the chorus wears comic black masks.

Three supporting players of note standout here. William Austin is a kindly, effete staff member named "Professor Willow" (the credits suggest his nickname is a word often used before willow, and which probably would be censored here but I didn't hear anyone use it; it was either cut or the work of some bad boy in Paramount's credits title division). Austin had a long career playing "sissy" types in films but rarely gets mention in film history books like Franklyn Pangborn. Wallace MacDonald was playing bits from the early 1910's, often in Charlie Chaplin pictures. He was quite a handsome hunk of a man and looks remarkably young at 38 for this era when most men of his age back then seemed quite middle aged, he later had a brief career in B westerns beore moving on to a long career as a film producer for Columbia. Another handsome supporting player was Joe Depew as one of the youngest on the football team (just 17 in 1929) , his acting career never got off the ground but he worked behind the scenes and worked steady as a associate director for Paul Henning on his television shows in the 1950's leading to his being the director of over 140 (over half of the series) for the legendary sitcom "The Beverly Hillbillies".

Neither Stanley Smith nor Stu Erwin, as a dumb student, seem that credible as football heroes (Smith is both the star quarterback and the composer of the school's musicals!) but this movie is quite fun and has a talented cast that makes it work, perhaps so much so that there were dozens of similar musicals in the next few years.

Had this film debuted into the 1930s, I would have given it a lower score. However, films from 1928-29 were a rather crude lot because the sound systems they were using were so antiquated and they weren't yet able to film well outdoors or in more natural environments because of this bulky sound equipment. So, comparing them to later films doesn't seem fair and I cut these early sound flicks some slack.

"Sweetie" is a college musical comedy. And, like nearly all college films of the day, the students never seem to go to classes. Instead, they go to parties and football games...and that's really about it!

The star of the school's football team has a secret--he's planning on eloping with his girlfriend Barbara. But the coach appeals to the young man's school spirit and he reluctantly agrees to stay. Barbara is not happy about it but soon after she ends up inheriting this college (huh??). Soon she's running the place and with this comes lots of inexplicable singing and dancing. And, now things are very tense between the two...and she takes it out on the football team. In the end, it all boils down to the cliched 'big game'.

In addition to Nancy Carroll and Stanley Smith in the leads, Helen Kane, Stu Erwin and Jack Oakie are on to provide comic relief. As for Kane, depending on who you read, was the inspiration for Betty Boop and her main talents in this film consist of her singing and sexually harassing Stu Erwin...and sounding much like Betty Boop in the process.

So is this college romp any good? Yes and no. The film has a lot of energy and a few cute moments but it also could use some closed captioning because the sound is only fair. But Helen Kane's routine does wear a bit thin and the songs are an indifferent lot.

By the way, during the game you might notice a play where a player is tackled and he hits the ground but gets up and keeps running. Back in the day, you could legally keep running until you were taken down and held there.