IMDb RATING
7.1/10
1.8K
YOUR RATING
The boys and their wives are preparing for a drive to a Sunday picnic but infighting is ruining their plans and a sudden feud with a next-door neighbor completes the disaster.The boys and their wives are preparing for a drive to a Sunday picnic but infighting is ruining their plans and a sudden feud with a next-door neighbor completes the disaster.The boys and their wives are preparing for a drive to a Sunday picnic but infighting is ruining their plans and a sudden feud with a next-door neighbor completes the disaster.
Pete Gordon
- Neighbor
- (uncredited)
Charlie Hall
- Neighbor
- (uncredited)
Bobby Mallon
- Neighbor
- (uncredited)
Buddy Moore
- Neighbor
- (uncredited)
Charley Rogers
- The Parson
- (uncredited)
Grace Woods
- Friendly neighbor
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured review
Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess). 'Perfect Day' is not one of the best and funniest Laurel and Hardy short films up to this point of their output, but it is still great fun. Their filmography, apart from a few bumps along the way, was getting better and better and 'Perfect Day' exemplifies this.
Not a lot to criticise here, though the story is slight and takes time to get going.
Once again, 'Perfect Day' is non-stop funniness all the way when it gets going. There is insane craziness that doesn't get too silly, a wackiness that never loses its energy, the lack of vulgarity that is a large part of 'Perfect Day's ' memorability and the sly wit emerges here, some of the material may not be new but how it's executed actually feels fresh and it doesn't get repetitive.
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Perfect War' we are far from robbed of that. Their comic timing is impeccable.
'Perfect Day' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid.
Overall, great fun. 9/10 Bethany Cox
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess). 'Perfect Day' is not one of the best and funniest Laurel and Hardy short films up to this point of their output, but it is still great fun. Their filmography, apart from a few bumps along the way, was getting better and better and 'Perfect Day' exemplifies this.
Not a lot to criticise here, though the story is slight and takes time to get going.
Once again, 'Perfect Day' is non-stop funniness all the way when it gets going. There is insane craziness that doesn't get too silly, a wackiness that never loses its energy, the lack of vulgarity that is a large part of 'Perfect Day's ' memorability and the sly wit emerges here, some of the material may not be new but how it's executed actually feels fresh and it doesn't get repetitive.
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Perfect War' we are far from robbed of that. Their comic timing is impeccable.
'Perfect Day' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid.
Overall, great fun. 9/10 Bethany Cox
- TheLittleSongbird
- Aug 28, 2018
- Permalink
Storyline
Did you know
- TriviaThe picnic was supposed to occupy the second reel, but the gags in the preparation and departure got so involved that they filled the entire two reels.
- GoofsThough Stan and Ollie never do manage to fix the flat tire, it's in good condition by the end of the film.
- Quotes
Uncle Edgar: Oh, shit!
- Alternate versionsWhen released in a computer colorized version, the scene following Uncle Edgar getting the tireless wheel along with the car crashed down on his gouted foot was cut out. It featured Stan holding the flat tire and notices a nail. He yanks it out and Ollie takes the tire from him before Stan can get the spare so it shows why they put the flat tire back on the car.
- ConnectionsFeatured in The Crazy World of Laurel and Hardy (1966)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Joyeux pique-nique
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime19 minutes
- Color
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