The Karnival Kid

This is a cute episode. There are two parts. The first involves our hero trying to impress Minnie. She is a shimmy dancer at the Carnival. He runs a hot dog cart but his products seem to be sentient creatures, so how could one eat them. In the second half, we have a serenade as Mickey and a couple of cats try to reach the heart of the fair damsel. It's good fun with some pretty awful early sound, including singing by the cat and mouse.

This is one of the early Mickey shorts and Mickey has a bit more of an edge to his personality in these early shorts than does the mouse most people would readily recognize as Mickey. The backgrounds and other things in the scenes are different too, such as the hot dogs Mickey sells. Very good and entertaining short, this runs on Ink and Paint Club and may wind up on DVD in the not too distant future. Well worth seeking out. Recommended.

Disney has always been a big part of my childhood, and while The Karnival Kid is a cartoon I don't adore it is a very interesting cartoon signifying the first time you hear Mickey talk. The story doesn't hit any new ground with a rather abrupt ending, and I personally did find Mickey's rather gruff-sounding voice odd here, almost as though he hasn't found his voice yet and considering the cartoon's significance I'm not surprised. However the animation is great, with the backgrounds smooth, the character designs appealing and the visual gags inventive. The music is just as effective, characterful and full of vitality, enhancing the action rather than just an excuse to lump song and dance numbers together. The gags are fun, with the first sequence having sheer kinetic energy, the hot dog scene is cute and the cats in the somewhat quieter and simpler second half of the cartoon are hilarious. All the characters are very likable also. In conclusion, not one of my favourites but important and a good cartoon anyway. 8/10 Bethany Cox

Another of the classic Iwerks/Disney collaborations from Walt Disney productions is this short that, unlike some of the other cartoons that the duo put out in 28/29, actually takes places in two time periods. Sure, it may just be day and night, but that's a small leap forward in the storytelling for Disney, who would usually just make things set in "real" time, far as the continuity went. This is set at a carnival where Mickey Mouse is selling hot dogs - we hear his voice, not sounding really like the Mouse we'd know later, perhaps Disney wasn't sure yet how to do it, like the early Homer Simpson voice work - and Minnie Mouse wants one.

The hot dogs, of course, have legs, and little arms, and can bite and be spanked when they're bad (!) so that's really the highlight here. The second half has Mickey trying to win Minnie over by having two cats "serenade" (really badly, of course) while he strums his guitar. The cat stuff goes on a bit too long - I might've liked actually full story with just the hot dogs, do they rebel, how can they eat the little cartoon hot dogs, oh, no wait, they're cartoons too, guess it makes sense - but it's still magical comedic stuff, genuine and just dumb-silly stuff.

Besides providing Disney with consistent musical soundtracks for the "Silly Symphony" cartoons, Stalling provided Mickey Mouse's-and film animation's-first words ever said on the screen. In July 1929's "The Karnival Kid," Mickey (Stalling) barks out "Hot dogs, hot dogs" during the first few minutes of the cartoon while selling his food from a cart. He later sees Minnie Mouse at the carnival, and gives a series of commands to his animated hot dogs to impress her. Minnie is heard giving the hot dogs' names, her voice spoken by Walt.

"The Karnival Kid" was Mickey's ninth installment. His appearances before his first speaking role consisted of whistles, laughing and cackling, but never was he heard using the English language. Disney's distribution company for the Mickey series, Celebrity Pictures, and its owner, Pat Powers, was initially against the mouse speaking, fearing that overseas sales would be dampened by those who didn't understand English. For the Disney animators, contorting their characters' mouths were of an enormous challenge. Drawing how a face looks, especially on animals, was a new style for them to translate onto paper. The artists eventually nailed down the expressions to make them realistic to their viewers.

"The Karnival Kid" later gave costume designer Roy Williams the idea to pattern Mickey Mouse Club members' hats with ears after a scene showing Mickey tipping the top of his head to introduce himself to Minnie Mouse.