A man is accused of a series of murders that were actually committed by a crazed killer called "The Tiger." He must prove his innocence and catch the murderer.A man is accused of a series of murders that were actually committed by a crazed killer called "The Tiger." He must prove his innocence and catch the murderer.A man is accused of a series of murders that were actually committed by a crazed killer called "The Tiger." He must prove his innocence and catch the murderer.
Arthur West Payne
- Sam Willoughby
- (as Arthur Payne)
Harry Terry
- 'Ugly'
- (uncredited)
Robert Brooks Turner
- Joe Skerritt
- (uncredited)
Ben Williams
- Detective
- (uncredited)
Featured reviews
You've got to love Tod Slaughter. This hammy English actor has more or less been forgotten nowadays. He seems to be no more than a footnote of cinematic history. Yet I think this is a serious injustice, as every Tod Slaughter vehicle I have seen has never been anything less than entertaining. He specialized in playing cads in a series of Victorian melodramas. There weren't that many of them and Slaughter's cinematic career doesn't encompass all that many screen outings. He seemed to end up going back to the stage. His acting certainly would not have been out of place in the theatre, it's so hammy and over-the-top. But the leering villains he played were tremendously memorable, and Slaughter never seems to ever let you down. In this one, like all of them, he plays a middle-aged villain who lusts after a much younger woman, and nefariously sets a plan in motion where her fiancée is incarcerated, leaving Tod with seemingly easy access to the girl. This plot-line is extremely typical for his films. His character is a killer called the Tiger, who goes around London murdering people. He is aided by a stereotypical crooked Jewish moneylender. The innocent fellow they put in prison is the ticket of leave man of the title, i.e. a chap just out of jail looking for a break. Naturally, evil Tod has to deal with this chap when he comes back into society.
This is not the best Slaughter production. And like most of the others it's certainly no classic. But Tod is a very fun guy to watch and these melodramas he appeared in back in the 30's are still enjoyable to watch, unlike many other similar cheap productions from the time. This one is certainly formulaic, but it's acceptable when it's the unusual and unique attractions of Tod Slaughter that is the main draw.
This is not the best Slaughter production. And like most of the others it's certainly no classic. But Tod is a very fun guy to watch and these melodramas he appeared in back in the 30's are still enjoyable to watch, unlike many other similar cheap productions from the time. This one is certainly formulaic, but it's acceptable when it's the unusual and unique attractions of Tod Slaughter that is the main draw.
In THE TICKET OF LEAVE MAN, the inimitable Tod Slaughter plays yet another notorious murderer. This time, he's The Tiger, a killer who leaves his victims garroted. Obviously, he chortles his way through each murder, in signature Slaughter style.
The Tiger is also a thief who has taken a fancy to a beautiful singer. Alas, she's already got a fiance. No problem, The Tiger finds a way to get rid of loverboy, and deceive the poor woman. He also decides to hide in plain sight by becoming the head of a local charitable organization. How better to fleece the wealthy? Will no one stop this eeevil monster?
Another classic for Slaughter fans...
The Tiger is also a thief who has taken a fancy to a beautiful singer. Alas, she's already got a fiance. No problem, The Tiger finds a way to get rid of loverboy, and deceive the poor woman. He also decides to hide in plain sight by becoming the head of a local charitable organization. How better to fleece the wealthy? Will no one stop this eeevil monster?
Another classic for Slaughter fans...
thoroughly enjoyed this Todd Slaughter vehicle,, to be honest I never heard of him before till this movie,, he's very funny, entertaining, and just a joy to watch on the screen as the "Tiger".. a con man goes around London, killing people,, then decides it's time to pull the ultimate con,, he sets up a charity,,, called ticket of leave man,, a charity to help those who have just gotten out of jail,, and need a break,, i.e. a job... our main character is very nieve, and get's taken in by the nefarious tiger... he meets a beautiful young woman he intends to marry, but now their future is in jeopardly as he has lost faith in being an honest man,, and is contemplating a life of crime, to better his financial situation, and take care of his girl...
On the positive aspect of the film, there is a villain who thinks on his feet in addition to planning his way to the financial top. There's something to be said about society's notion of 'good character' and credit as well as a quickly wrapped up moral at the end.
Dialogue was laborious both in detail and cliché. Motivations and execution are certainly questionable. Maybe some of this style of theatre got lost in translation from stage to film. All characters were pretty much static and stereotypical. I'm not sure who the target audience for the film would be. Maybe a young couple afraid of the rich and/or powerful?
Dialogue was laborious both in detail and cliché. Motivations and execution are certainly questionable. Maybe some of this style of theatre got lost in translation from stage to film. All characters were pretty much static and stereotypical. I'm not sure who the target audience for the film would be. Maybe a young couple afraid of the rich and/or powerful?
This is one of the scariest movies I have seen. If you want to see a really good horror movie see this movie. It has a great story line. It also has great acting. If it does not scary you know movie will. This is better then A Nightmare on elm street.
Did you know
- SoundtracksDanny Boy
(uncredited)
Traditional
Details
- Runtime1 hour 11 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was The Ticket of Leave Man (1937) officially released in India in English?
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