Just after Kramer goes to Wyoming to start his protection racket, cowboy actor Jeff Carson finishes a picture and goes camping. Attracted to Joyce Butler, he hires on at her ranch and quickl... Read allJust after Kramer goes to Wyoming to start his protection racket, cowboy actor Jeff Carson finishes a picture and goes camping. Attracted to Joyce Butler, he hires on at her ranch and quickly gets caught up in Butler's conflict with Kramer. When the Butlers refuse to buy his serv... Read allJust after Kramer goes to Wyoming to start his protection racket, cowboy actor Jeff Carson finishes a picture and goes camping. Attracted to Joyce Butler, he hires on at her ranch and quickly gets caught up in Butler's conflict with Kramer. When the Butlers refuse to buy his service, he has their cattle stampeded.
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OK, the plot here, with the odd combination of the current day and old fashioned western action, is more than passing strange, but it does have the advantage of being something different. George O'Brien (the lead in F.W. Murnau's Sunrise and Michael Curtiz's Noah's Arc) also is several acting leagues above the average western star. As a result, the film is a bit better than average for a B, particularly as O'Brien does not take his role particularly seriously, and always seems about to burst out laughing at the absurdity of it all. What might be a problem for the B western fan is that there is no pleasant western music (sorry Autey, Rogers and Ritter fans), nor is there a lot of typical western action (sorry Tom Mix fans). Instead, the better parts of the movie are played for laughs, and the action scenes appear to have been lifted from more expensive dramas.
The result is OK, with almost a Wild Wild West feel, but it is a dead end as far as a genre film is concerned. (How can you do a series of films, when the lead characters seem invested in the absurdity of the whole enterprise?) It's probably not surprising that later westerns done by O'Brien for RKO are more serious.
A "6" on the Matinée Scale
Silent film star George O'Brien is effective as the hero and enjoyable to watch in his role. His biography is most interesting and worthy of your time. Charles Middleton is excellent as the heavy but I still prefer him as Ming the Merciless in the Flash Gordon serials. Maude Eburne turns in another great character actor performance.
The film quality of the version "Wings Over Wyoming" that I just saw on TCM was a bit grainy but the joy at watching such a unique B movie more than compensated. Some of the aviation sequences were likely lifted from other filming but what the heck, who cares. Better than most B Westerns and worth watching because it is so different.
Somebody else has left the big city as well, one Charles Middleton whom we all know as Ming the Merciless from Flash Gordon has also moved west and is establishing an old fashioned protection racket involving cattle rustling. He tries to move in on owner Maude Eburne, but she's a tough old bird.
O'Brien gets involved when he saves Eburne's niece Cecilia Parker from some of Middleton's men and O'Brien also starts some moving in on his own.
Nothing too terribly complex about the part, a story that's been unaccountable times in Hollywood. But O'Brien does this one with tongue firmly in cheek. It's almost like he was setting a mold for James Garner to follow in the future.
I think some non-western fans will like this one.
George O'Brien plays Geoffrey Carter, a Hollywood cowboy shooting a western film at Lone Pine, CA. He just happens to rescue Joyce, a cattlewoman's daughter from the city gangsters and falls for her. Then he goes to work for her mother as an anonymous cattlehand.
The most interesting plot element is the use of a single-engine, dual wing biplane to frighten cattle and then a subsequent air dual with an aircraft from Hollywood flown by Carter's friend.
Final roundup of the criminals has a nice twist but the ending is standard Hollywood schmaltz. There are some holes in the story never resolved. But nothing out the ordinary for a 1937 RKO Radio Picture.
George O'Brien is adequate but the supporting cast never have opportunities to rise above predictable or pedestrian, which is simply a fault of the script. However, this is a 64 minute, low-budget B-western, so there was little time or reason to worry about character development. This is a rare film and not many prints exist either as Hollywood Cowboy or Wings Over Wyoming. Showcase Media of Studio City California 91604 has one, good, complete 16mm dupe print.
Did you know
- TriviaWhile on location in Lone Pine, California, director Ewing Scott was injured in a car accident and assistant director George Sherman took over. A Republic crew shooting in the area saw Sherman at work, was impressed with his craftsmanship and offered him a job directing the "Three Mesquiteers" series.
- Quotes
G. Gadsby Holmes - aka Shakespeare: You've had your fun, now let's pack up and get out of here.
Jeffery Carson: What's your hurry - you've got no place to go. Besides, this is no time to run off, they're starting another round-up tomorrow.
G. Gadsby Holmes - aka Shakespeare: Yeah, well, I had enough the last time. I don't *ever* wanna see a saddle again.
Jeffery Carson: Well, we'll have plenty of help anyway, and besides, you can rest all day.
G. Gadsby Holmes - aka Shakespeare: What'll I rest on? My feet are sore, I'm black and blue from that saddle... I can't stand up, I can't sit down, I can't even lay on my stomach on account of my indigestion...
Jeffery Carson: Ever try walking on your hands?
G. Gadsby Holmes - aka Shakespeare: Gee, but you're a funny guy.
- ConnectionsEdited into Meanwhile, Back at the Ranch (1976)
Details
- Runtime1 hour 4 minutes
- Color
- Aspect ratio
- 1.37 : 1