Grips, Grunts and Groans

The Three Stooges were already copying some hilarious sequences from their earlier shorts. But they ingeniously found a way to make these repeats refreshing. In January 1937 "Grips, Grunts and Groans," the trio revisit the theme of Curly going berserk during a contest when something sets him off. In this case, it's the smell of a woman's perfume, specifically Wild Hyacinth, that throws him for a loop. He later finds himself inside a wrestling ring getting mauled by his opponent when Moe comes across a woman in the audience dabbing some Wild Hyacinth on herself. He grabs her bottle and sprinkles the perfume on Curly's face, turning him into a raging physical maniac.

"I used to think 'Bull Durham' was the greatest sports movie ever made," writes reviewer Richard Hanania. "Now I think it just might be the Stooges' 'Grips, Grunts and Groans.' For one thing, even the title smacks of the Stooge aesthetic." The berserk motif was first introduced in 1934's "Punch Drunk," where the song Larry plays on his violin, "Pop Goes the Weasel," makes Curly crazy. Unlike a mouthful of cheese in the earlier short that calms him down, "Grips, Grunts and Groans" shows the tickling of the bottom of Curly's right bare foot settles him. Wrestler Ivan Bustoff (Harrison Greene, who's seen earlier in the Stooges' 1936 "Ants in the Pantry.") is the gangsters' wrestler to face opponent Ironhead (Casey Columbo), and they bet heavily on him. The Stooges become personal friends of Bustoff, who finds the three funny. They become responsible for his behavior before the match, which is challenging since Ivan gets absolutely blotto from drinking liquor on their watch. He passes out, requiring Curly to disguise himself as Bustoff to take his place in the ring. This sets off one of the screen's wildest melees. The film is included in Phil Hall's listing as '10 Notable Wresting Movies From the Golden Age of Hollywood.'