Bataille de dames

"Ever Since Eve" is a cute comedy from 1937 starring Marion Davies, Robert Montgomery, Patsy Kelly, and Allen Jenkins.

Davies plays a secretary who gets sick of the men she works for hitting on her all the time - so sick, in fact, that she makes herself into a homely frump and goes to work for Robert Montgomery, who plays an author in need of someone efficient so that he can finish his book.

Davies' transformation is very good, but I have to admit that I didn't find her so much of a knockout normally that no man could keep his hands off of her. It was really a role for someone like Jean Harlow.

The interesting thing is, Davies was 40 at the time. It was unusual in those days for an actress to still be playing starring roles by then and only superstars with clout could get away with it.

Norma Shearer retired at 40, as did Greta Garbo; by the time Joan Crawford was 38, MGM was giving her junk, and she was drummed out of the studio.

Davies is very good, and the film is cute, with good performances from the rest of the cast. Davies' acting abilities come as no surprise to me, as I have enjoyed many of her performances. She was a bright presence as well.

"Ever Since Eve" goes down easily. It's not a masterpiece, not a classic screwball comedy, but it's very enjoyable.

William Randolph Hearst preferred to see mistress Marion Davies in magnolia-scented romances, but comedy was her forte, and she gets a nice chance to show off in this screwball romance, her last movie. She's a capable secretary who's sick of being pawed by her bosses and disguises herself as a frump. The trouble is that even a brunette-wig Marion with unbecoming glasses isn't THAT hideous, and the plot machinations stemming from her deception thus seem a little under-motivated. Further, it's something of a B supporting cast--what's Louise Fazenda doing in a role with Edna May Oliver written all over it, and why isn't Gail Patrick playing Marion's nemesis instead of this nobody? Bob Montgomery is just fine playing the light-leading-man sort of role he did dozens of times, and Patsy Kelly and Allen Jenkins are very reliable in this sort of thing. It doesn't sparkle, but as others have noted, it makes its serious points about women in the workplace who aren't appreciated for their talents, and Marion looks like she's having fun getting to be something other than a boring beauty.

Very underrated comedy stars Marion Davies (in her final film) as a woman who frumps herself up to land a secretarial job. Because the frump is efficient, the boss (Robert Montgomery) continues to chase women: a conniving shrew (Marcia Ralston) and a blonde beauty (Davies!) who he meets at a nightclub. Role-reversal comedy is fun from the start with Davies at her comic peak as the dour frump. She's not afraid to look really bad. Excellent supporting cast includes Patsy Kelly, Allen Jenkins, Frank McHugh, Louise Fazenda, and Mary Treen. Once again Davies proves she had acting talent (given the right roles) and that was was a total delight. Her best comedy performances stand up against those of Carole Lombard, Myrna Loy, Jean Arthur or Irene Dunne. Catch this one.

Marion Davies is Marge, a secretary who has trouble with unwelcome advances from her bosses. One day she hears of a job working for a publisher who only hires plain secretaries. So Marge gets a makeover and is plain enough to get the job. The lady publisher who employs her doesn't want her male writers distracted by pretty secretaries. So Marge is sent to work for writer Freddy Matthews (Robert Montgomery) and keep his mind on his job. Naturally this leads to a lot of complications. Marion Davies is very funny as Marge, and so is Patsy Kelly as Marge's down-to-earth friend Sadie. Robert Montgomery is delightful as always. I love this film, it's so funny, a pity it's not better known.

What a gem of a movie! Sure, some of the circumstances are preposterous, even for 1937, but the pace is fast, the characters are fun and the building tension as the main character tries to juggle being both Marge Winton and "Sadie Day" is as much fun as the climax of "Mrs. Doubtfire" in the restaurant when Robin Williams just continually change between characters. I'm stunned this has never been remade (or perhaps it has?).

Marion Davies is a delight, every bit as fun as Carole Lombard. I've never seen her in a movie, and always heard she was a mediocre actress. But she's actually quite good, perfect for this role.

On the one hand, this is an incredibly dated movie. On the other hand - is it? Sexual harassment is certainly still a problem in the workplace, though how a woman looks is no protection against it or invitation for it, as this movie implies. But the scene where Marion Davies, in frumpy disguise, isn't helped as she enters a hotel and doesn't get a very nice reception from the front desk clerk, but beautiful "Sadie Day" gets helped and warmly welcomed - has anything really changed from then until now?

It was also startling, and refreshing, to see black British actor Frederick Clarke as the urbane butler, though I held my breath when a character was furious with him started to insult him with a word that started with "n" - and sighed with relief that the word turned out to be "nincompoop."